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1
Quaremma, die Gemahlin des Carnevale ... : Quaremma, the wife of the Carnevale ...
Gerlach, Oliver. - : LaZAR, 2021
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2
Quaremma, die Gemahlin des Carnevale ... : Quaremma, the wife of the Carnevale ...
Gerlach, Oliver. - : LaZAR, 2021
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3
The son of Quaremma and Carnevale ... : Il figlio di Quaremma e Carnevale ...
Gerlach, Oliver. - : LaZAR, 2021
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4
Female masquerade of Le Domini di Lavallo ... : Dansatrici delle Domini di Lavallo ...
Gerlach, Oliver. - : LaZAR, 2021
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5
Female masquerade of Le Domini di Lavallo ... : Dansatrici delle Domini di Lavallo ...
Gerlach, Oliver. - : LaZAR, 2021
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6
The son of Quaremma and Carnevale ... : Il figlio di Quaremma e Carnevale ...
Gerlach, Oliver. - : LaZAR, 2021
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7
Die Musiker der Karnevalsmaskerade von Teana ... : The musicians within the masquerade of Teana ...
Gerlach, Oliver. - : LaZAR, 2021
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8
Die Musiker der Karnevalsmaskerade von Teana ... : The musicians within the masquerade of Teana ...
Gerlach, Oliver. - : LaZAR, 2021
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9
Beginning of the kalimera of Frascineto (Arb. Frasnita) ...
Gerlach, Oliver. - : LaZAR, 2019
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10
Beginning of the kalimera (mp3 with annotation). ...
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11
Lament of the mother of God (echos plagios protos) according to a poem by Jul Variboba ...
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12
Transcription (phonetic, staff, neumes) of the beginning of the kalimera Kultoni sa per ne ...
Gerlach, Oliver. - : LaZAR, 2019
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13
Conclusion of the kalimera (echos plagios protos) ...
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14
Conclusion of the kalimera (echos plagios protos) ...
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15
Il mondo subalterno del Sud: introduzione alla sua storia musicale sconosciuta ...
Gerlach, Oliver. - : University of Salento, 2015
Abstract: From a national point of view Arbëresh culture has been marginalised and abandoned as the one of a "language minority", with the result that it is no longer officially taught at school. On the other hand, music had always played a key role in community life and the combination of this rare language and sound never failed to make a great impression on everyone, no matter if they understand or not. It still accompanies the Arbëresh through the life cycle, during important feasts, carnival, weddings and funerals. In my introductory essay I try to look at these rich expressions from a different angle, by the recognition of common features the Arbëresh share with other communities of Southern Italy like /tarantella/ and /kalimera/, regardless the linguistic competences concerning Balkan dialects which once dominated "Il Sud", and regardless the religious background and the rite of these communities. Thus, the very distinct forms of Albanian music, which sometimes have only survived in the Italian diaspora, can be ...
URL: https://dx.doi.org/10.1285/i22804250v4i1p53
http://siba-ese.unile.it/index.php/palaver/article/view/14817
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