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Neo-Orientalist Framing of the 2011 and 2013 Egyptian Uprisings: A Case Study of The New York Times and The Washington Post ...
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Yardbirds
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In: All NMU Master's Theses (2015)
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Abstract:
Novel-length fictions, when at their best, deeply complicate themes, characters, events or situations using the form’s lengthy narrative arc. Yardbirds aims to employ the long narrative arc to engage a fictional west Arkansas mountain community, Ink, and the contemporary post-mill economy evoked. Yardbirds attempts to disorient the traditional notion of point-of-view to recognize the multifaceted power of the land. This work features a multi-racial, bilingual and multicultural community which confronts the longstanding black-white binary that has dominated literary depictions of the American South. This work aims to disrupt that notion—the South as monolith—by presenting bioregional communities as central to individuals’ cultural and economic lives. Yardbirds engages death and deterioration—themes abundantly apparent in Arkansas communities—through a cyclical mindset: what is here today, I hope to show, is only a condition for tomorrow’s many choices. By recognizing the inherit agency of all forms, the characters in this novel are able to progress to a more-just, inevitable end.
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Keyword:
Fiction; Other American Studies
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URL: https://commons.nmu.edu/cgi/viewcontent.cgi?article=1070&context=theses
https://commons.nmu.edu/theses/54
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Robert C. O'Hara oral history interview by Nancy Hewitt, July 22, 1985
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In: Historical University Archives Oral Histories (1985)
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