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Fieldwork for renewing basic concepts in cognitive linguistics : color and speech descriptions
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In: Uncommon senses II Conference ; https://hal.archives-ouvertes.fr/hal-02343063 ; Uncommon senses II Conference, Concordia University, May 2018, Montreal, Canada (2018)
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La place du visuel dans l’expérience de dégustation de champagne : une étude linguistique de discours de consommateurs
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In: 15ème journée du sensolier : Perception visuelle. De l’importance de la perception visuelle à sa mesure dans l’expérience de l’utilisateur / consommateur ; https://hal.archives-ouvertes.fr/hal-02343057 ; 15ème journée du sensolier : Perception visuelle. De l’importance de la perception visuelle à sa mesure dans l’expérience de l’utilisateur / consommateur, Association le Sensolier, Oct 2017, Paris, France (2017)
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From Musical Instruments as Ontological Entities to Instrumental Quality: A Linguistic Exploration of Musical Instrumentality in the Digital Era
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In: Musical Instruments in the 21st Century ; https://hal.archives-ouvertes.fr/hal-02342953 ; Musical Instruments in the 21st Century, Springer Singapore, pp.25-43, 2017, ⟨10.1007/978-981-10-2951-6_3⟩ (2017)
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Dire la couleur en palikur : des techniques d’élicitation aux stratégies de désignation et aux processus de catégorisation
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In: Les rendez-vous du TSANGA. Colloque international Perception et catégorisation-dénomination Couleurs Pays du Sud ; https://hal.archives-ouvertes.fr/hal-02343064 ; Les rendez-vous du TSANGA. Colloque international Perception et catégorisation-dénomination Couleurs Pays du Sud, Nov 2017, Nancy, France (2017)
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Diversité des ressources linguistiques et des discours dans différentes modalités sensorielles : de l’expression de l’expérience sensible à la construction de l’objectivité
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In: Colloque international La Perception en Langue et en Discours ; https://hal.archives-ouvertes.fr/hal-02343065 ; Colloque international La Perception en Langue et en Discours, Apr 2016, Opole, Pologne (2016)
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There could be ten seconds where everyone is connected and you feel really joined by the same thread and it’s really magical
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In: Conference Science of Joint Improvisation ; https://hal.archives-ouvertes.fr/hal-02343067 ; Conference Science of Joint Improvisation, Nov 2015, Paris, France (2015)
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Abstract:
International audience ; We collected musicians’ discourse about their practices of joint improvisation within listening sessions that we conducted with 3 established free jazz trios a few days after the recording of their concert performance. In keeping with the self-confrontation method of Theureau (2003),we asked the musicians to exchange collectively about what they could remember of their experience and feelings on stage, and what they thought about the musical result while listening to the recording.We will present a multi-layer analysis of these verbal interactions. Our methods combine discourse and interaction analysis (Mondada & Dubois, 1995; Sawyer 2001) with semantic-prosodic analysis (Cloiseau, 2007). In addition to shedding light on joint improvisation in music, this linguistic and cognitive approach also investigates joint improvisation in discourse.We will illustrate our analysis with examples where the trios (re)build what happened during the performance based on their individual memory and through recurrent collective listening. We will focus both on deep interpersonal synchronization moments and on problematic moments where the improvisers identified discrepancies between their interpretations of each one’s actions on stage and their retrospective understanding of the musical event.To involve musicians in group discussions building on a playback of their own performance allows us to draw out collaborative reconstructions of their experience (Clark & Wilkes-Gibbs, 1986), and thus contributes to a better understanding of verbal and musical improvisation processes. This study takes place in a wider research and creation project that involves outstanding free improvisers from the jazz scene of New York City (Pras, 2015). It extends a first study based on individual interviews about free improvisation practices, for which we have developed the multi-layer analysis that we present here (Cance et al., 2014).
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Keyword:
[SHS.LANGUE]Humanities and Social Sciences/Linguistics; [SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts; [SHS.PSY]Humanities and Social Sciences/Psychology
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URL: https://hal.archives-ouvertes.fr/hal-02343067
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Rencontres improvisées entre New York et Kolkata : analyse collaborative d’une étude transculturelle
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In: Conference Tracking the Creative Process in Music (TCPM) ; https://hal.archives-ouvertes.fr/hal-02343112 ; Conference Tracking the Creative Process in Music (TCPM), Oct 2015, Paris, France (2015)
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Speaking about senses: naming and referring. The sonic experience ; Dire notre expérience du sonore : nomination et référenciation
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In: ISSN: 0023-8368 ; EISSN: 1957-7982 ; Langue française ; https://halshs.archives-ouvertes.fr/halshs-01294493 ; Langue française, Armand Colin, 2015, Stabilité et instabilité dans la production du sens : la nomination en discours, 188 (4), pp.15-32. ⟨10.3917/lf.188.0015⟩ (2015)
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"Catching the waves and surfing your way out of them or into them" : Creativity in musicians’ discourse about free improvisation
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In: Conference Language, Culture and Mind 6 ; https://hal.archives-ouvertes.fr/hal-02343115 ; Conference Language, Culture and Mind 6, Jun 2014, Lublin, Poland (2014)
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Delving into special moments of free improvisation
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In: Perspectives on Musical Improvisation II ; https://hal.archives-ouvertes.fr/hal-02343114 ; Perspectives on Musical Improvisation II, Sep 2014, Oxford, United Kingdom (2014)
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Record Producers’ Best Practices For Artistic Direction—From Light Coaching To Deeper Collaboration With Musicians
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In: ISSN: 0929-8215 ; Journal of New Music Research ; https://hal.archives-ouvertes.fr/hal-02342938 ; Journal of New Music Research, Taylor & Francis (Routledge), 2013, 42 (4), pp.381-395. ⟨10.1080/09298215.2013.848903⟩ (2013)
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"Sound" and "Noise" in Sonic Environmental Studies: Comparing Word Meaning in Discourses of Community Noise and Soundscape Research
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In: ISSN: 1610-1928 ; EISSN: 1861-9959 ; Acta Acustica united with Acustica ; https://hal.archives-ouvertes.fr/hal-02342943 ; Acta Acustica united with Acustica, Hirzel Verlag, 2013, 99 (6), pp.853-862. ⟨10.3813/AAA.918664⟩ (2013)
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What is the Definition for the French Word "calme" in the European Directive Related to “Quiet Areas”? A Lexicographic Study from the 16th Century Until Today
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In: ISSN: 1610-1928 ; EISSN: 1861-9959 ; Acta Acustica united with Acustica ; https://hal.archives-ouvertes.fr/hal-02342946 ; Acta Acustica united with Acustica, Hirzel Verlag, 2012, 98 (5), pp.734-740. ⟨10.3813/AAA.918554⟩ (2012)
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Vers une sémiotique du sensible : des couleurs en discours et en pratiques
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In: ISSN: 0750-8069 ; EISSN: 1638-1580 ; Histoire Epistémologie Langage ; https://hal.archives-ouvertes.fr/hal-02342947 ; Histoire Epistémologie Langage, SHESL/EDP Sciences, 2012, 34 (1), pp.63-95. ⟨10.3406/hel.2012.3237⟩ (2012)
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Noir c’est noir ? de l’inscription discursive du sens lexical à la liberté des mots de couleur
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In: Etudes de sémantique et pragmatique françaises ; https://hal.archives-ouvertes.fr/hal-02342962 ; Louis de Saussure; Alain Rihs. Etudes de sémantique et pragmatique françaises, pp.191-216, 2012, 9783034311304 (2012)
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Comment on Gibbs’ «Social nature of Embodied Cognition. A View from the World of Metaphor»: Prerequisites for a Social and Cultural Approach to Cognition
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In: ISSN: 0769-4113 ; Intellectica - La revue de l’Association pour la Recherche sur les sciences de la Cognition (ARCo) ; https://hal.archives-ouvertes.fr/hal-02342950 ; Intellectica - La revue de l’Association pour la Recherche sur les sciences de la Cognition (ARCo), Association pour la Recherche sur la Cognition, 2011, 56 (Linguistique cognitive : une exploration critique) (2), pp.321-327. ⟨10.3406/intel.2011.1158⟩ (2011)
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Ajustements discursifs et constructions cognitives dans l’expression du "ressenti"
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In: La Rectification à l'oral et à l'écrit ; https://hal.archives-ouvertes.fr/hal-02342966 ; Maria Candea; Reza Mir-Samii. La Rectification à l'oral et à l'écrit, 2011, 9782708012868 (2011)
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Mises en discours de l’expérience visuelle et cognition située : couleurs et espace.
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In: ISSN: 1638-5748 ; EISSN: 1638-573X ; CORELA - COgnition, REprésentation, LAngage ; https://hal.archives-ouvertes.fr/hal-02342951 ; CORELA - COgnition, REprésentation, LAngage, CERLICO-Cercle Linguistique du Centre et de l'Ouest (France), 2010, ⟨10.4000/corela.871⟩ (2010)
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Categories for soundscape: Toward a hybrid classification
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In: Internoise Conference ; https://hal.archives-ouvertes.fr/hal-02343058 ; Internoise Conference, Jun 2010, Lisbonne, Portugal (2010)
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What is instrumentality in new digital musical devices ? A contribution from cognitive linguistics and psychology
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In: What is instrumentality in new digital musical devices ? A contribution from cognitive linguistics and psychology ; https://hal.archives-ouvertes.fr/hal-00430397 ; What is instrumentality in new digital musical devices ? A contribution from cognitive linguistics and psychology, Oct 2009, Paris, France (2009)
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