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1
Kojève, Lacan e a Formação do eu
In: Griot: Revista de Filosofia ; 22 ; 1 ; 68-84 (2022)
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2
Indétermination spatio-temporelle et structure fragmentaire chez J.M.G. Le Clézio et Marie Darrieussecq
In: Voix Plurielles; Vol. 19 No. 1 (2022); 14-24 ; 1925-0614 (2022)
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3
Writing of the self and effective imaginary functioning in the gesture of commenting on Facebook ; A escrita de si e o funcionamento imaginário atuante no gesto de comentar no Facebook
In: Entrepalavras; v. 11, n. 3 (11): Linguagem e Tecnologia; 296-316 (2022)
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4
From Parisian sojourn to French tour : travel writings of Soviet authors (1922-1991) ; Du voyage à Paris au tour de France : les récits de voyages des écrivains soviétiques (1922-1991)
Kharatyan, Tatevik. - : HAL CCSD, 2021
In: https://tel.archives-ouvertes.fr/tel-03537805 ; Linguistique. Normandie Université, 2021. Français. ⟨NNT : 2021NORMC030⟩ (2021)
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5
Quand l’échec d’un roman aboutit à une réussite vidéoludique ... : Le cas de Disco Elysium ...
Carayol, Martin. - : Classiques Garnier, 2021
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6
Traduire le langage de l’Espérance ... : À l’exemple du Prinzip Hoffnung de Ernst Bloch ...
Wuilmart, Françoise. - : Classiques Garnier, 2021
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7
Immaginario politico e pandemia: tra comprensione e narrazione
In: Post-filosofie; N. 13 (2020): Anno 13. Numero 13. Ontologie del presente pandemico; 146 - 166 ; 1827-5133 (2021)
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8
The Face of Health Between the East and the West: A Semio-Cultural Analysis
STANO, Simona. - 2021
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9
Jean-Marie Le Pen et l'imparfait du subjonctif, ou: quand l'imaginaire linguistique s'emballe [Jean-Marie Le Pen and the French subjunctive imperfect: the linguistic imaginary in overdrive]
In: La Linguistique (2020)
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10
Les langues orientales dans le Voyage en Orient, entre confusion et felix culpa ...
Boulaâbi, Ridha. - : Classiques Garnier, 2020
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11
Do dialeto cristalizado ao reposicionamento do sujeito : análise de um tratamento de neurose obsessiva
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12
“A time bomb in the cupboard”: style and photographic objectivity in Penelope Lively”s The Photograph.
Pireddu Silvia. - 2020
Abstract: Photographs in fiction can be exploited as samplings of past actions, past lives and historical events, and their symbolic and iconic role is used to catalyse and condense significant aspects of the plot. By positioning pictures in the narrative, writers fix moments in the fictional life of the characters to confront the external experiences of the readers. Time, memory, domesticity, trauma may all be described by exploiting the photographic medium within a story to stimulate response effectively. In The Photograph , Penelope Lively uses photography to fragment perception. She explores singular points of view on visual, verbal and recollected narration. Traditional expectations for photography’s realism are presented as something that creates a constant sense of uncertainty. The photograph muddles everything the characters had previously thought real. Rather than stabilising identity, the photograph confounds perception and imagination; it assembles inexpressible truths, unfulfilled desires, and wishes. Visual and verbal representation strategies interweave to create a hybrid genre-bending mosaic, thus creating a postmodern text that questions photographic truth. The article examines the notion of untruth in relation to photography and illustrates the function of the photograph as a stylistic and linguistic device that explains the idea of untruth within the narrative. The novel describes the negotiation between photography as a description of reality and photography as a re-invention of authenticity. It is Lively’s postmodern style that extends visual perception to unveil potential meanings. Its un-truth proves to be a powerful means of persuasion beyond any aesthetic function of narrative.
Keyword: Penelope Lively; photography; postmodern narrative; stylistics; visual imaginary
URL: http://hdl.handle.net/2318/1737320
https://doi.org/10.5281/zenodo.3774552
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13
Imagining the thinking machine: Technological myths and the rise of artificial intelligence
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14
The directive myth of digital influencers as the potentializer of consumer discourse ; O mito diretivo das digitais influencers como potencializador do discurso consumista
In: Travessias; v. 14, n. 1 (2020); 218-234 ; 1982-5935 (2020)
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15
The legless woman autumn: poetry, imaginary and classroom ; O outono da mulher sem pernas: poesia, imaginário e sala de aula
In: Travessias; v. 14, n. 1 (2020); 24-42 ; 1982-5935 (2020)
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16
Une lecture géographique de Marcel Proust
In: ISSN: 2428-1387 ; Mondes sociaux ; https://halshs.archives-ouvertes.fr/halshs-02169118 ; Mondes sociaux, Labex Structurations des mondes sociaux, 2019 ; https://sms.hypotheses.org/19303 (2019)
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17
Science et technique au service de l’exploration géographique : Jules Verne, écrivain-géographe
In: Tours verniens : géographie, langues et textes littéraires ; https://halshs.archives-ouvertes.fr/halshs-02169108 ; Tours verniens : géographie, langues et textes littéraires, Le Manuscrit, 2019, 9782304046960 (2019)
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18
Imagining Forth the Incarnation: A Theo-Poetics of the Flesh
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19
O pano verde da ilusão: o imaginário e o jogo ilegal ; The green cloth of illusion: imaginary and illegal gambling
In: Intexto; n. 44, jan./abr. 2019; 12-27 ; 1807-8583 (2019)
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20
Imaginario social, crisis y miedo en King Kong (1933) ; Social imaginary, crisis and fear in King Kong (1933)
Roche Cárcel, Juan Antonio. - : Pontificia Universidad Javeriana, 2019
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