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1
Ferdinand Brunot et l’enregistrement, de la parole au chant
In: ISSN: 2118-2698 ; Diachroniques. Revue de Linguistique française diachronique ; https://hal.archives-ouvertes.fr/hal-03225847 ; Diachroniques. Revue de Linguistique française diachronique, Presses de l'Université Paris-Sorbonne (PUPS), 2017, pp.45-62 (2017)
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2
Acoustic Data Analysis from Multi-Sensor Capture in Rare Singing: Cantu in Paghjella Case Study
In: in Proc. 1st Workshop on ICT for the Preservation and Transmission of Intangible Cultural Heritage, International Euro-Mediterranean Conference on Cultural Heritage (Euromed2014) ; https://halshs.archives-ouvertes.fr/halshs-01130325 ; in Proc. 1st Workshop on ICT for the Preservation and Transmission of Intangible Cultural Heritage, International Euro-Mediterranean Conference on Cultural Heritage (Euromed2014), Nov 2014, Lemessos, Cyprus (2014)
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3
Exploring and expressing Italian musical heritage in Melbourne (Australia): a women’s community choir
Southcott, Jane; Joseph, Dawn. - : ANZARME, 2014
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4
The Evaluation of Singing Voice Accuracy: A Comparison Between Subjective and Objective Methods
In: ISSN: 0892-1997 ; Journal of Voice ; https://hal.archives-ouvertes.fr/hal-01486679 ; Journal of Voice, Elsevier, 2013, 27, pp.259-259 (2013)
Abstract: International audience ; Objective: Vocal accuracy of a sung performance can be evaluated by two methods: acoustic analyses and subjective judgements. Acoustic analyses have been presented as a more reliable solution but both methods are still used for the evaluation of singing voice accuracy. This paper presents a first time direct comparison of these methods. Methods: 166 untrained singers were asked to sing the popular song « Happy Birthday ». Acoustic analyses were performed to quantify the pitch interval deviation, the number of contour errors and the number of tonality modulations for each recording. Additionally, eighteen experts in singing voice or music rated the global pitch accuracy of these performances. Results: A high correlation occurred between acoustic measurements and subjective rating. The total model of acoustic analyses explained 81% of the variance of the judges' scores. Their rating was influenced by both tonality modulation and interval deviation. Conclusions: This study highlights the congruence between objective and subjective measurements of vocal accuracy within this first time comparison. Our results confirm the relevance of the pitch interval deviation criterion in vocal accuracy assessment. Furthermore, the number of tonality modulations is also a salient criterion in perceptive rating and should be taken into account in studies using acoustic analyses.
Keyword: [SCCO.LING]Cognitive science/Linguistics; [SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts; acoustic analysis; music experts; perceptive rating; singing; untrained singers; vocal accuracy
URL: https://hal.archives-ouvertes.fr/hal-01486679
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5
Are Real-Time Displays of Benefit in the Singing Studio? An Exploratory Study
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6
IEEE SIGNAL PROCESSING LETTERS 1 Maximum Voiced Frequency Estimation: Exploiting Amplitude and Phase Spectra
In: http://tcts.fpms.ac.be/~drugman/files/SPL-MVF.pdf
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7
IEEE SIGNAL PROCESSING LETTERS 1 Fast Inter-Harmonic Reconstruction for Spectral Envelope Estimation in High-Pitched Voices
In: http://tcts.fpms.ac.be/~drugman/files/SPL-FIHR.pdf
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8
PUB TYPE Reports Research/Technical (143) Speeches /Conference Papers (:50)
In: http://files.eric.ed.gov/fulltext/ED358000.pdf
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