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Ensaios sobre o feminino e a abjeção na ob-scena contemporânea ; -
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Leite, Janaina Fontes. - : Biblioteca Digital de Teses e Dissertações da USP, 2021. : Universidade de São Paulo, 2021. : Escola de Comunicações e Artes, 2021
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| 2 |
Los oficios de la carne (humana). Antropofagia, abyección y perversión en «El antropófago», de Pablo Palacio (1906-1947)
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In: Lingüística y Literatura, ISSN 0120-5587, null 42, Nº. 79, 2021 (Ejemplar dedicado a: Vol. 42, 79 (2021):ENERO-JUNIO, 2021), pags. 384-400 (2021)
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La chienne de Pavlov ; suivi de De joyeux sabbats : l'écriture de l'abjection pour annihiler l'abjection
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| 4 |
Abjection and Loss of Identity in Richard Yates’ Revolutionary Road
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In: Studies in Literature and Language; Vol 21, No 2 (2020): Studies in Literature and Language; 45-49 ; 1923-1563 ; 1923-1555 (2020)
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| 5 |
Can the Discreditable be an Advantage? Mental Illnesses as Metaphors on Rhetorical Usages for Language Teaching
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In: PAROLE: Journal of Linguistics and Education; Volume 9 Number 1 April 2019; 31-43 ; 23380683 ; 2087-345X (2019)
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| 6 |
Undoing Scotland after devolution in Liz Lochhead's dramatic adaptations of classical texts on page and stage
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| 7 |
Undoing Scotland after devolution in Liz Lochhead's dramatic adaptations of classical texts on page and stage
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| 8 |
Reviving the vanishing subject: the subject as abject in postmodern memoir
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| 9 |
BRIDGING GAPS THROUGH FEMINIST PEDAGOGY: TEACHING ABJECTION IN A POSTCOLONIAL LITERATURE COURSE
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In: Studies in Linguistics, Culture, and FLT, Vol 2, Pp 85-91 (2017) (2017)
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| 10 |
Uncanny TV: Estranged Space and Subjectivity in Les Revenants and Top of the Lake
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| 11 |
‘I protest, therefore I am’: cosmo-multiculturalism, suburban dreams, and difference as abjection in Hsu-Ming Teo’s Behind the Moon
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| 12 |
Wastelands, Revolutions, Failures
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In: http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1429889399 (2015)
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| 13 |
Abjection, affect and othering through art
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Abstract:
In keeping within a new materialist approach, this paper involves a transversal encounter with, Kristeva’s thinking on abjection. She says of abjection, that it is a primer of culture, because as a process it is fundamental to the constitution of identity and the renewal of meaning through an expansion of language. Here, I will argue that abjection is also a primer of affect and is the operation through which affects are given valency: either negative or positive, which in turn articulate modalities of othering as oscillations between the empathetic and ethical, or repellent and adversarial derived from an instinctual movement towards what is enabling and away from that which present threst or danger to the organism. I argue further, that it is the notion of jouissance and positive affect that distinguishes Kristeva’s account of cultural production from other thinkers such as Freud, and that this has significant implications for understanding the dynamics of othering or the kinds of relationality made possible through language.
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Keyword:
Abjection; Art; Cultural production; Materialist approach; Thinking
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URL: http://hdl.handle.net/10536/DRO/DU:30084289
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| 14 |
Libros, lectores y lectura en la literatura infantil y juvenil: Personajes analfabetas y “abyectos”
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In: Bellaterra: journal of teaching and learning language and literature; Vol. 8, Núm. 4 (2015): November/December; p. 9-23 ; Bellaterra Journal of Teaching & Learning Language & Literature; Vol. 8, Núm. 4 (2015): November/December; p. 9-23 (2015)
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| 15 |
Sublime et abjection dans « The Chinese Lobster » de A.S. Byatt
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Petit, Laurence. - : Département d'études françaises, Université de Toronto, 2014. : Érudit, 2014
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| 16 |
Red, Carrie White and Blue: Viewing Carrie as Symptom of the Cultural Anxieties Experienced by Americans in the 1970s
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In: Kino: The Western Undergraduate Journal of Film Studies (2014)
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| 18 |
Psychoanalytical Tensions of Problematic Mother-Daughter Relationship in Jamaica Kincaid’s My Brother
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In: Studies in Literature and Language; Vol 5, No 2 (2012): Studies in Literature and Language; 70-77 ; 1923-1563 ; 1923-1555 (2012)
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| 20 |
Transforming the Law of One: Anne Sexton and Sylvia Plath from a Kristevan perspective
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