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Avatars and Rituals: Immersive Religious Practices in the Digital Space
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| 2 |
“Dance a Clean Dream”: Agency In Language In Gertrude Stein’s Tender Buttons
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In: Higbee, Erika. (2019). “Dance a Clean Dream”: Agency In Language In Gertrude Stein’s Tender Buttons. UC Irvine: Humanities Honors Program. Retrieved from: http://www.escholarship.org/uc/item/21t8c1p5 (2019)
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A sombra do Curso (1960-1980)
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In: Leitura ; https://hal.archives-ouvertes.fr/hal-01954773 ; Leitura, 2019, Novo retorno a Saussure, 62 (1), p. 394-414 ; http://www.seer.ufal.br/index.php/revistaleitura/article/view/5480 (2019)
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Palabras extrañas a sí mismas: una aproximación desde la hermenéutica intercultural al bilingüismo de Julia Kristeva
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Espino, T. (Tomás). - : Servicio de Publicaciones de la Universidad de Navarra, 2019
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Les théories du texte contemporaines à l’aune des anagrammes
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In: Texte et discours en confrontation dans l'espace européen ; https://hal.archives-ouvertes.fr/hal-02015081 ; Driss A., Achard-Bayle G., Reboul-Touré S. & Temmar M. Texte et discours en confrontation dans l'espace européen, Peter Lang, p. 447-462., 2018, 978-3-0343-2660-5 ; https://www.peterlang.com/view/title/61869?format=EPDF (2018)
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Tota mulier ex utero: An Empathetic Reading of Contemporary French Abortion Narratives ...
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| 7 |
Dreaming of disaster: ; displacements of public memory and Hurricane Katrina
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| 8 |
Contre l’abject : le détective chez Pan Bouyoucas
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In: Voix Plurielles; Vol 15 No 1 (2018); 45-59 ; Voix Plurielles; Vol. 15 No 1 (2018); 45-59 ; 1925-0614 (2018)
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Intense Singularities: Dieter Roth's and Henning Christiansen's Processual Aesthetics
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| 10 |
The Soul in Paraphrase: Language and Identity in James Joyce and Kate O'Brien
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In: Honors Theses (2017)
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Readerly Dialogues: Reception, Intertextuality, and the Other in Contemporary French Women’s Writing
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| 12 |
Reviving the vanishing subject: the subject as abject in postmodern memoir
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Abstract:
My dissertation contemplates rhetorical and ontological problems of self-representation in twentieth century postmodern memoir. Many postmodernists contend the self merely deteriorates amid the fallibility of memory, instabilities of ‘truth’, a Lacanian notion of language as inexpressible of the self, and a subjectivity so multiplicitous and constructed that it is impossible to write. Yet Julia Kristeva’s psychoanalytic notion of abjection – a dialectical process that simultaneously dismantles and reinforces the self – illuminates postmodern autobiographical subjectivity as ultimately revived through literary self-alienation. As such a process of abjection, postmodern autobiography thus involves reconstruction amid deconstruction – wherein a “weight of meaninglessness . . . crushes me” (Kristeva Powers 2) while also ensuring “that ‘I’ does not disappear in it but finds, in . . . sublime alienation, a forfeited existence” (Kristeva Powers 9). This approach resituates the genre as an ethical form of heteroglossic self-renewal, wherein the recognition of self-as-other facilitates an ethical engagement with community in an increasingly pluralistic world. Postmodern autobiography is thus revealed as a relevant, productive space of renewal despite its own claims of futility. I focus on five exemplars of postmodern autobiography – texts written by Lucy Grealy, Suniti Namjoshi, Vladimir Nabokov, Robert Kroetsch, and Michael Ondaatje – to demonstrate how a view of postmodern autobiography as abject translates across such diverse social constructs as nation, gender, diaspora, physicality, memory, class, and the family. ; February 2018
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Keyword:
Abjection; Autobiography; Julia Kristeva; Lucy Grealy; Memoir; Michael Ondaatje; Postmodern; Postmodern Autobiography; Postmodernism; Robert Kroetsch; Suniti Namjoshi; Vladimir Nabokov
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URL: http://hdl.handle.net/1993/32714
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| 13 |
The tip of two tongues: the dialectics of the voice in art
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Schmidt, Simone Bianca. - : Monash University. Faculty of Art, Design and Architecture. Department of Fine Art, 2016
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A polyphony of the mind: intertextuality in the music of Salvatore Sciarrino
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Wastelands, Revolutions, Failures
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In: http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1429889399 (2015)
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| 17 |
Historical Violence and Modernist Form in Zoe Wicomb's David's Story
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In: Theses and Dissertations (2015)
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| 18 |
Otherness ‘without ostracism or levelling’: towards fresh orientations to teacher foreigners in early childhood education
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| 19 |
Sublime et abjection dans « The Chinese Lobster » de A.S. Byatt
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Petit, Laurence. - : Département d'études françaises, Université de Toronto, 2014. : Érudit, 2014
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