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Exploration strategies for articulatory synthesis of complex syllable onsets ...
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Computational Modelling of Tone Perception Based on Direct Processing of f(0) Contours
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In: Brain Sci (2022)
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Emergency Remote Language Teaching and U.S.-Based College-Level World Language Educators’ Intention to Adopt Online Teaching in Postpandemic Times
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In: Faculty Publications (2021)
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Consonantal F(0) perturbation in American English involves multiple mechanisms
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In: J Acoust Soc Am (2021)
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Developing Interpreting Competence Scales in China
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In: Front Psychol (2020)
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Is it smart to read on your phone? The impact of reading format and culture on the continued influence of misinformation
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On Leveraging the Visual Modality for Neural Machine Translation ...
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Economy of Effort or Maximum Rate of Information? Exploring Basic Principles of Articulatory Dynamics
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Embedding Context-Dependent Variations of Prosodic Contours using Variational Encoding for Decomposing the Structure of Speech Prosody ...
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Embedding Context-Dependent Variations of Prosodic Contours using Variational Encoding for Decomposing the Structure of Speech Prosody ...
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A Weighted Superposition of Functional Contours Model for Modelling Contextual Prominence of Elementary Prosodic Contours ...
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A Variational Prosody Model for Mapping the Context-Sensitive Variation of Functional Prosodic Prototypes ...
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Analogy Search Engine: Finding Analogies in Cross-Domain Research Papers ...
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The significance of scope in modelling tones in Chinese ...
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The significance of scope in modelling tones in Chinese ...
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Language-dependent changes in pitch-relevant neural activity in the auditory cortex reflect differential weighting of temporal attributes of pitch contours
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A music perception disorder (congenital amusia) influences speech comprehension
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Relations between affective music and speech: evidence from dynamics of affective piano performance and speech production
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Abstract:
This study compares affective piano performance with speech production from the perspective of dynamics: unlike previous research, this study uses finger force and articulatory effort as indexes reflecting the dynamics of affective piano performance and speech production respectively. Moreover, for the first time physical constraints such as piano fingerings and speech articulatory constraints are included due to their potential contribution to different patterns of dynamics. A piano performance experiment and speech production experiment were conducted in four emotions: anger, fear, happiness and sadness. The results show that in both piano performance and speech production, anger and happiness generally have high dynamics while sadness has the lowest dynamics. Fingerings interact with fear in the piano experiment and articulatory constraints interact with anger in the speech experiment, i.e., large physical constraints produce significantly higher dynamics than small physical constraints in piano performance under the condition of fear and in speech production under the condition of anger. Using production experiments, this study firstly supports previous perception studies on relations between affective music and speech. Moreover, this is the first study to show quantitative evidence for the importance of considering motor aspects such as dynamics in comparing music performance and speech production in which motor mechanisms play a crucial role.
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Keyword:
Psychology
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URL: https://doi.org/10.3389/fpsyg.2015.00886 http://www.ncbi.nlm.nih.gov/pubmed/26217252 http://www.ncbi.nlm.nih.gov/pmc/articles/PMC4495307/
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