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Friedrich Nietzsche´s grand style ... : towards the definition of an aesthetic category ...
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Économie de la subjectivité dans le texte fragmentaire : Pascal, Nietzsche, Cioran
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Décadence, Dekadenz, Dekadens: an interdiscursive exploration of decadence in German and Scandinavian literature and culture at the fin de siècle
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Dialectics of contingency : Nietzsche's philosophy of art
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Rampley, Matthew. - : University of St Andrews, 2018. : The University of St Andrews, 2018
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Abstract:
This thesis examines the function of art in Nietzsche's philosophy. Its primary concern is with Nietzsche's turn to art as the means to counter what he terms metaphysics. Metaphysics is a metonym for the system of beliefs sustaining our culture whereby human judgements about the world are perceived as uncovering an objective truth antecedent to those judgements, with an implicit faith in the possibility of exhausting the totality of these antecedent truths. This thesis consequently has two principal strands. The first is to analyse Nietzsche's criticism of metaphysics. The second is to explore the way in which, using a specific understanding of art, Nietzsche attempts to reconcile extreme scepticism towards all forms of human knowledge with a continued belief in their necessity. The thesis argues that Nietzsche lays an importance on art as providing an aesthetic education to replace the misguided theoretical orientation of metaphysics. Nietzsche criticises metaphysics for its inability to recognise that its interpretations are mere interpretations, that logic and the rational serve as means to make the world meaningful from the human perspective. My thesis explores how he sees art, and in particular the tragic, as constituting a mode of world interpretation which declares its status as such. I argue that for Nietzsche this is crucial inasmuch as a failure to recognise the contingency of our interpretations results in a refusal to give value in any interpretations. For Nietzsche the advent of the Modern age heralds the danger of such refusal, and hence I argue that his turn to art is a response to the specifically Modern temptation to descend into mere cynical Nihilism.
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Keyword:
1844-1900--Aesthetics; B3318.A4R2; Friedrich Wilhelm; Nietzsche
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URL: http://hdl.handle.net/10023/14775
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An originary analysis of Friedrich Nietzsche in light of generative anthropology
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Sobre a sintomatologia : a filosofia como diagnose em Nietzsche
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Nietzsche e Platão: uma relação ambígua e antinômica
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PONTE, Lívia Coutinho da. - : Universidade Federal do Pará, 2017. : Brasil, 2017. : Instituto de Filosofia e Ciências Humanas, 2017. : UFPA, 2017. : Programa de Pós-Graduação em Filosofia, 2017
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Nietzsche's early theory of language in light of generative anthropology
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«И КЛИЧ ОБ НЕМ И СЛАВА МРАЧНОГО ФИЛОСОФА ЛЕТЕЛА ОТОВСЮДУ»: Ф. НИЦШЕ В ЗЕРКАЛЕ СИБИРСКОЙ ДОРЕВОЛЮЦИОННОЙ ПЕРИОДИКИ
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O “Apolíneo” e o “Dionisíaco” n’A montanha mágica: a dialética como paródia do Bildungsroman
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Nietzsche und die spanische Literatur der Moderne (1898 - 1936) ; The influence of Nietzsche on modern Spanish literature (1898 – 1936)
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A Philosophical Audacity: Barth's Notion of Experience Between Neo‐Kantianism and Nietzsche
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In: ISSN: 1463-1652 ; EISSN: 1463-1652 ; International Journal of Systematic Theology ; https://hal.archives-ouvertes.fr/hal-01075613 ; International Journal of Systematic Theology, Wiley, 2014, 17/1 (Janvier 2015), http://onlinelibrary.wiley.com/doi/10.1111/ijst.12077/full. ⟨10.1111/ijst.12077⟩ (2014)
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