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All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year Sort by creator [A → Z]' creator [Z → A]' publishing year ↑ (asc)' publishing year ↓ (desc)' title [A → Z]' title [Z → A]' Simple Search Hits 1 – 15 of 15 1 Der doppelte Po und die Musik. Rätoromanisch-chinesische Studien, besonders zu Li Po, Harry Partch und Chasper Po ... Null. - : Königshausen & Neumann, 2021 BASE Show details 2 Solmisationssysteme in "El cantor instruido" von Manuel Cavaza. Ein Fallbeispiel zur Methodenvielfalt im 18. Jahrhundert ... Ramos, Luis. - : (:null), 2021 BASE Show details 3 Příhody lišky Bystroušky (The Cunning Little Vixen) Ecopolitics and Nationalism Somerville, Daniel; McFadden, Becka. - 2021 BASE Show details 4 Form and repetition : Deleuze, Guillaume and sonata theory Waltham-Smith, Naomi R.. - : Wiley-Blackwell Publishing, Inc, 2018 BASE Show details 5 Words as music/music as words: the bagpipe and Kirsty Gunn’s The Big Music (2012) Williams, Vivien. - : Association for Scottish Literary Studies, 2016 BASE Show details 6 Genre theories and their applications in the historical and analytical study of popular music: a commentary on my publications Fabbri, Franco. - 2012 BASE Show details 7 Towards a poetics of criticism: Adornoian negativity and the experiential in the essays and musical marginalia of Virginia Woolf Parker Dixon, Amy. - 2011 BASE Show details 8 Male Blues Lyrics 1920-1965: A Corpus Assisted Analysis Bridle, Marcus. - 2011 BASE Show details 9 Writing about listening: alternative discourses in rock journalism Atton, Chris. - : Cambridge University Press, 2009 BASE Show details 10 "Blackbirds Rise from a Field.": production, structure and obedience in John Cage's Lecture on Nothing Dixon, M.. - 2007 BASE Show details 11 The synthesis of rhythms: form, ideology, and the "Augurs of Spring" Code, D.J.. - 2007 Abstract: At the time of the premiere of The Rite of Spring , Stravinsky suggestively described its first dance, "Augurs of Spring," as a "synthesis of rhythms." Later, he characterized the whole ballet as an "architectonic" work. Richard Taruskin, in arguing for the ballet's overall aesthetic of "primitive simplicity," polemically rejects this latter adjective as a typical formalist lie. But detailed analysis demonstrates the architectonic intricacy of the rhythmic synthesis in "Augurs" alone. Not only are the composer's labors toward such local intricacy clearly evident in the sketches, but a dialectical account of formalism and immediacy in this one dance confirms both the documented "neonationalist" background and initial reception, while pointing to a finer understanding of this ballet's position in the stylistic development of Stravinsky's Russian period. Keyword: ML Literature of music URL: http://eprints.gla.ac.uk/7498/ https://doi.org/10.1525/jm.2007.24.1.112 BASE Hide details 12 Alexander Agricola and intuitive syllable deployment Edwards, W.. - 2006 BASE Show details 13 Many spheres of music : hermeneutic interpretation of musical signification Oda, Tomoo Thomas. - 2006 BASE Show details 14 Imaginäre und imaginierte Musik im Werk von Mauricio Kagel Heile, B.. - 2004 BASE Show details 15 Darmstadt as other: British and American responses to musical modernism Heile, B.. - : Cambridge University Press, 2004 BASE Show details

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