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All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year Sort by creator [A → Z]' creator [Z → A]' publishing year ↑ (asc)' publishing year ↓ (desc)' title [A → Z]' title [Z → A]' Simple Search Hits 1 – 15 of 15 1 Der doppelte Po und die Musik. Rätoromanisch-chinesische Studien, besonders zu Li Po, Harry Partch und Chasper Po ... Null. - : Königshausen & Neumann, 2021 BASE Show details 2 Solmisationssysteme in "El cantor instruido" von Manuel Cavaza. Ein Fallbeispiel zur Methodenvielfalt im 18. Jahrhundert ... Ramos, Luis. - : (:null), 2021 BASE Show details 3 Příhody lišky Bystroušky (The Cunning Little Vixen) Ecopolitics and Nationalism Somerville, Daniel; McFadden, Becka. - 2021 BASE Show details 4 Form and repetition : Deleuze, Guillaume and sonata theory Waltham-Smith, Naomi R.. - : Wiley-Blackwell Publishing, Inc, 2018 BASE Show details 5 Words as music/music as words: the bagpipe and Kirsty Gunn’s The Big Music (2012) Williams, Vivien. - : Association for Scottish Literary Studies, 2016 BASE Show details 6 Genre theories and their applications in the historical and analytical study of popular music: a commentary on my publications Fabbri, Franco. - 2012 BASE Show details 7 Towards a poetics of criticism: Adornoian negativity and the experiential in the essays and musical marginalia of Virginia Woolf Parker Dixon, Amy. - 2011 BASE Show details 8 Male Blues Lyrics 1920-1965: A Corpus Assisted Analysis Bridle, Marcus. - 2011 Abstract: This study is a corpus assisted investigation into blues lyrics. Using Wmatrix, an online statistical analysis tool, 795 different blues songs from 35 different male blues artists have been analysed quantitatively for information pertaining to key domains, words and parts of speech. This data has provided the basis for further, qualitative analysis of lyrics with reference being made to ideas already established in other studies of the blues and to linguistic theories about narrative, discourse and metaphor. The thesis seeks to define the linguistic features of blues lyrics at different historical points and attempts to interpret them in the light of the social and political conditions of their times. In doing so, it examines the role of blues lyrics within the African-American community as a whole and investigates the extent to which they established a sense of black identity and were part of a linguistic sub-culture. Further to the exploration of the genre as a whole, the dissertation includes a study into the work of an individual artist, Robert Johnson, with the aim of testing the extent to which he is representative of the blues form in general. Keyword: M Music; ML Literature of music URL: http://eprints.hud.ac.uk/id/eprint/10900/ http://eprints.hud.ac.uk/id/eprint/10900/1/mbridlefinalthesis.pdf BASE Hide details 9 Writing about listening: alternative discourses in rock journalism Atton, Chris. - : Cambridge University Press, 2009 BASE Show details 10 "Blackbirds Rise from a Field.": production, structure and obedience in John Cage's Lecture on Nothing Dixon, M.. - 2007 BASE Show details 11 The synthesis of rhythms: form, ideology, and the "Augurs of Spring" Code, D.J.. - 2007 BASE Show details 12 Alexander Agricola and intuitive syllable deployment Edwards, W.. - 2006 BASE Show details 13 Many spheres of music : hermeneutic interpretation of musical signification Oda, Tomoo Thomas. - 2006 BASE Show details 14 Imaginäre und imaginierte Musik im Werk von Mauricio Kagel Heile, B.. - 2004 BASE Show details 15 Darmstadt as other: British and American responses to musical modernism Heile, B.. - : Cambridge University Press, 2004 BASE Show details

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