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Hits 21 – 40 of 1.802
21
РЕАЛИИ В РОМАНЕ М. А. БУЛГАКОВА «БЕЛАЯ ГВАРДИЯ» И ИХ ОТРАЖЕНИЕ В ПЕРЕВОДЕ НА ЧЕШСКИЙ ЯЗЫК ... : CULTURE-SPECIFIC TERMS IN M. A. BULGAKOV’S THE WHITE GUARD AND THEIR TRANSLATION INTO CZECH ...
Сергиенко, О.С.
;
Бабкина, Л.Д.
. - : ИП Соколова М.В., 2021
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22
Old Czech anděl ‘angel’: a Loanword from Old Church Slavonic or from Latin? ; Старочешское anděl ‘ангел’: заимствование из старославянского языка или из латыни?
Boček, Vít
In: Slověne = Словѣне. International Journal of Slavic Studies; Vol 10, No 2 (2021); 7-21 ; 2305-6754 ; 2304-0785 (2021)
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23
Glottolog 4.4 Resources for Czech Sign Language
: Max Planck Institute for Evolutionary Anthropology, 2021
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24
Glottolog 4.4 Resources for Czech
: Max Planck Institute for Evolutionary Anthropology, 2021
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25
Zur Lebenssituation tschechischer Migranten im deutschen Sprachraum und deren Erstsprache Tschechisch
Huttenlocher, Veronika
. - : Otto-Friedrich-Universität, 2021. : Bamberg, 2021. : "040000", 2021
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26
Language practices and experiences among active and heritage speakers of Romani: a cross-country comparison of Czech and Slovak Roma
Plachetka, Martin
. - : University College Cork, 2021
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27
Czech Opera Arias: An Anthology for Soprano
Nichols, Brittany "Bree"
. - : University of North Texas, 2021
Abstract:
This anthology of late 19th- and early 20th-century Czech opera arias for soprano focuses on works that lack existing scholarship, bridging the language gap through translations and pronunciation materials for English-speaking singers. Its 24 arias supplement the works of Smetana, Dvořák, and Janáček with those of contemporaneous composers Karel Bendl, Zdeněk Fibich, Josef Bohuslav Foerster, Karel Kovařovic, Vítězslav Novák, and Otakar Ostrčil. Its musicological scope provides vignettes of the musical-cultural landscape of Czech opera around the turn of the 20th century, the transformation of Czech declamation during that period, and the language knowledge needed to sing the works thereof. Chapter 2 elucidates the methodology used in the anthology's phonetic transcriptions and discusses the unique articulatory demands of singing in Czech. Chapter 3 grounds contemporaneous discussion of Czech declamation as late 19th- and early 20th-century composers and librettists sought to shape a musical voice suited to the features of their language. The following chapter is a look at Janáček's unique solution to this challenge. In Chapter 5, the relationship between criticism and composition is examined for these two faces of Czech modernism. Finally, Chapter 6 includes new performance editions of the arias curated for the anthology. Each aria is accompanied by an idiomatic translation, an inline phonetic transcription and word-for-word translation, a brief biographical introduction of the composer, and background information contextualizing the aria and the work from which it is derived. The objective of the anthology is to facilitate a broader range of well-informed performances of Czech repertoire as well as the acquisition of Czech lyric diction for singers at various experience levels.
Keyword:
19th-century Czech music
;
20th-century Czech music
;
Czech arias
;
Czech lyric diction
;
Czech modernism
;
Czech opera
;
Declamation in opera
;
Language
;
Linguistics
;
Music
URL:
https://digital.library.unt.edu/ark:/67531/metadc1808448/
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28
Second-language acquisition of the English past-tense: from rules to analogy
Lucie Jiránková
;
Luca Cilibrasi
In: Linguistica Pragensia, Vol 31, Iss 2, Pp 188-213 (2021) (2021)
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29
Rendering, generalization and variation : on the use of multiple parallel texts as a comparative method in cognitive poetics
Knotková, Magdaléna
;
Lu, Wei-lun
In:
Cognitive linguistic studies. - Amsterdam : Benjamins
7 (2020) 1, 201-221
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30
Der Kontext und die grammatische Charakteristik der Phraseme "(jm.) (die/seine) Zähne zeigen" und "ukázat (někomu) (své) zoubky/zuby" im Vergleich : = The context and the grammatical characteristics of the phrasemes "(jm.) (die/seine) Zähne zeigen" and "ukázat (někomu) (své) zoubky/zuby" - a German-Czech comparative study
Kaňovská, Michaela
In:
Ostravská univerzita / Filozofická fakulta. Studia Germanistica. - Ostrava : Univ.
26 (2020), 29-53
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31
Universal Derivations v1.0
Kyjánek, Lukáš
;
Žabokrtský, Zdeněk
;
Vidra, Jonáš
. - : Charles University, Faculty of Mathematics and Physics, Institute of Formal and Applied Linguistics (UFAL), 2020
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32
NomVallex I.
Kolářová, Veronika
;
Vernerová, Anna
;
Klímová, Jana
. - : Charles University, Faculty of Mathematics and Physics, Institute of Formal and Applied Linguistics (UFAL), 2020
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33
SynSemClass2.0
Urešová, Zdeňka
;
Fučíková, Eva
;
Hajičová, Eva
. - : Charles University, Faculty of Mathematics and Physics, Institute of Formal and Applied Linguistics (UFAL), 2020
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34
CERED baseline models
Šimečková, Zuzana
;
Straka, Milan
. - : Charles University, Faculty of Mathematics and Physics, Institute of Formal and Applied Linguistics (UFAL), 2020
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35
SynSemClass3.0
Urešová, Zdeňka
;
Fučíková, Eva
;
Hajičová, Eva
. - : Charles University, Faculty of Mathematics and Physics, Institute of Formal and Applied Linguistics (UFAL), 2020
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36
NameTag 2 Models (2020-08-31)
Straková, Jana
;
Straka, Milan
. - : Charles University, Faculty of Mathematics and Physics, Institute of Formal and Applied Linguistics (UFAL), 2020
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37
CzeDLex 0.7
Poláková, Lucie
;
Mírovský, Jiří
;
Synková, Pavlína
. - : Charles University, Faculty of Mathematics and Physics, Institute of Formal and Applied Linguistics (UFAL), 2020
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38
Traducteur natif ou non natif ? La directionnalité de la traduction et sa perception
Tomáš Duběda
In: Linguistica Pragensia, Vol 30, Iss 2, Pp 204-217 (2020) (2020)
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39
Czech gender linguistics: Topics, attitudes, perspectives
Vít Kolek
;
Jana Valdrová
In: Slovenščina 2.0: Empirične, aplikativne in interdisciplinarne raziskave, Vol 8, Iss 1 (2020) (2020)
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40
Jan Mukařovský und Hans-Georg Gadamer : zwei Lesarten des literarischen Kunstwerks
Charvát, Filip
. - Dresden : Thelem, 2019
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