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OLFACTOR COGNITIVE METAFORA - ОЛЬФАКТОР КОГНИТИВ МЕТАФОРА ...
Burkhanova, Mashkhura. - : Zenodo, 2022
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OLFACTOR COGNITIVE METAFORA - ОЛЬФАКТОР КОГНИТИВ МЕТАФОРА ...
Burkhanova, Mashkhura. - : Zenodo, 2022
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3
Literaturtheorie nach 2001
Thelen, Julius (Herausgeber); Schadewaldt, Annika M. (Herausgeber); Zobrist, Zoe (Herausgeber). - Berlin : Matthes & Seitz, 2020
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UB Frankfurt Linguistik
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4
Rendering, generalization and variation : on the use of multiple parallel texts as a comparative method in cognitive poetics
In: Cognitive linguistic studies. - Amsterdam : Benjamins 7 (2020) 1, 201-221
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5
Weaving patterns : the function of form in creative German-English poetry translation
Ziaja, Ursula. - 2020
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Cognitive implementation of incongruent L2/C2 pedagogies in tertiary education: Teaching english literature to spanish undergraduate students in spain hosting L2 conceptual metaphors
In: Odisea: Revista de estudios ingleses [ISSN 1578-3820], n. 21, p. 101-124 (2020)
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7
Possible worlds theory and contemporary narratology
Bell, Alice (Herausgeber); Ryan, Marie-Laure (Herausgeber). - London : University of Nebraska Press, 2019
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UB Frankfurt Linguistik
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8
LINGUISTIC REALIZATION OF THE CONCEPT SOUL IN POETIC DISCOURSE ... : ЛИНГВИСТИЧЕСКАЯ РЕАЛИЗАЦИЯ КОНЦЕПТА SOUL В ПОЭТИЧЕСКОМ ДИСКУРСЕ ...
Safyanova, I.V.. - : Международный научно-исследовательский журнал, 2019
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9
‘Catching Time’: the synchrony of minds, bodies and objects in literature ...
Wentworth, Isabelle. - : UNSW Sydney, 2019
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10
In kind : the enactive poem and the co-creative response
Errington, Patrick. - : University of St Andrews, 2019. : The University of St Andrews, 2019
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11
‘Catching Time’: the synchrony of minds, bodies and objects in literature
Wentworth, Isabelle, Arts and Media, Faculty of Arts & Social Sciences, UNSW. - : University of New South Wales. Arts and Media, 2019
Abstract: Recent work in the neuroscience of time perception has revealed that humans have an unconscious capacity to ‘catch’, or synchronise with, other people’s subjective experience of time. This process has, I argue, been profoundly intuited by authors in their fictional explorations of time and subjectivity. Literary discourse offers a privileged site for explorations of temporal synchronisation, as authors are able to frame, refract and nuance the relationships they depict, so broadening our understanding of the role of subjective temporality within them. Yet there is a lack of understanding of the precise ways in which time, bodies and environments are intertwined, both in literary studies and cognitive science. This is a significant gap, because subjective time — the experience of temporal properties of events and processes, in particular duration — provides the organising fabric of conscious experience, both for fictional and actual minds.My methodology combines cognitive poetics, cognitive linguistics and cognitive historicism. Through this multifaceted lens, I show how thinking through this intersubjective time can help us understand questions of style, character and plot in narrative. Furthermore, my research expands our understanding of temporal synchronisation, revealing aspects of this cognitive phenomenon that science hasn’t yet established.In particular, literature demonstrates that temporal synchronisation can occur through two avenues: between people, as cognitive science has studied, and which I explore in my first chapter through Don DeLillo’s The Body Artist. Secondly, between people and objects —a phenomenon which has been illuminated by literature, rather than cognitive science. My second chapter starts here, looking at the influence that family homes can have on their inhabitants in Lisa Gorton’s The Life of Houses. Expanding my analysis beyond the bounds of the Western, Anglophone world, I show how this human/object temporal influence exists across linguo-cultural regions, exploring Isabel Allende’s La casa de los espíritus and Martín Felipe Castagnet’s Los cuerpos del Verano. My contribution is theoretical, offering not just original readings of texts but new methodological directions for literature and cognitive science, gesturing towards a new way of understanding time, bodies and environment.
Keyword: Cognitive poetics; Embodiment; Time
URL: http://handle.unsw.edu.au/1959.4/64876
https://unsworks.unsw.edu.au/fapi/datastream/unsworks:62826/SOURCE02?view=true
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12
Perception, emotion, and synesthesia: Metaphorical combining in Keats
In: ExELL (Explorations in English Language and Linguistics), Vol 7, Iss 2, Pp 135-153 (2019) (2019)
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13
Cognitive grammar in stylistics : a practical guide
Giovanelli, Marcello; Harrison, Chloe. - Sydney : Bloomsbury Academic, 2018
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UB Frankfurt Linguistik
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14
Die Vielfalt der Erkenntnis : eine Analyse des kognitiven Werts der Literatur
Vendrell Ferran, Íngrid. - Paderborn : mentis, 2018
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UB Frankfurt Linguistik
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15
Sexual identities : a cognitive literary study
Hogan, Patrick Colm. - New York, NY : Oxford University Press, 2018
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UB Frankfurt Linguistik
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16
Immersion in digital fiction: a cognitive, empirical approach
In: International journal of literary linguistics. - Mainz, Germany : Johannes Gutenberg-Universität 7 (2018) 1, 1-22
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UB Frankfurt Linguistik
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17
Immersion in digital fiction : a cognitive, empirical approach [Online resource]
In: International journal of literary linguistics : IJLL 7 (2018) 1, 1-22
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18
Immersion in Digital Fiction ...
Bell, Alice; Ensslin, Astrid; Van Der Bom, Isabelle. - : Johannes Gutenberg-Universität Mainz, 2018
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19
Immersion in Digital Fiction
In: International Journal of Literary Linguistics, Vol 7, Iss 1 (2018) (2018)
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20
A Construction Grammar Approach to Genre
In: CogniTextes, Vol 18 (2018) (2018)
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