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1
Documenting modern Sri Lanka Portuguese
Cardoso, Hugo C.; Radhakrishnan, Mahesh; Costa, Patrícia. - : University of Hawaii Press, 2020
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2
Documenting modern Sri Lanka Portuguese
Cardoso, Hugo C.; Radhakrishnan, Mahesh; Costa, Patrícia. - : University of Hawai'i Press, 2019
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3
Documenting modern Sri Lanka Portuguese
Cardoso, Hugo C.; Radhakrishnan, Mahesh; Costa, Patrícia. - : University of Hawai'i Press, 2019
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4
South Indian Carnatic singing and Irish Sean-nós - an ethnographic, musical and linguisticcomparison
Radhakrishnan, Mahesh. - : Routledge, 2019
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5
Adult Migrant English Program (AMEP) Longitudinal study 2011 – 2014 : final report
Yates, Lynda; Terraschke, Agnes; Zielinski, Beth. - : Sydney : Macquarie University, 2015
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6
Adult Migrant English Program (AMEP) longitudinal study 2011-2014: final report
Yates, Lynda; Terraschke, Agnes; Zielinski, Beth. - : Department of Linguistics, Macquarie University, 2014
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7
Music on the move
Radhakrishnan, Mahesh. - : Language on the move, 2013
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8
Musicolinguistic artistry of niraval in Carnatic vocal music
Radhakrishnan, Mahesh. - : Australian Linguistic Society, 2012. : http://www.als.asn.au, 2012
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9
Musicolinguistic artistry of niraval in Carnatic vocal music
Radhakrishnan, Mahesh. - : Australian Linguistic Society, 2012
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10
Musicolinguistic artistry of niraval in Carnatic vocal music
Radhakrishnan, Mahesh. - : Canberra, A.C.T : Australian Linguistic Society, 2012
Abstract: Niraval is a form of virtuosic musicolinguistic improvisation in Carnatic music whereby a line within a song is repeated in various melodic and rhythmic manifestations within the rāgam (melodic framework) and tāl am (beat cycle). For a Carnatic singer, niraval makes different aesthetic demands than other forms of non-textual improvisation within the tradition. To convey artful, sincere renditions of the same lyrical text, the singer-musician must imaginatively devise interesting repetitions which attend to both melodic and rhythmic elements and the lyric text. Combining melodic and rhythmic skill and verbal artistry in a range of South Indian languages as well as Sanskrit, Carnatic singers display extraordinary communicative and artistic competence and captivate their audiences. This paper analyses the musical and linguistic elements of a single niraval performance in Sydney’s Carnatic music community. It is hoped that such research will contribute to a greater understanding of the interplay of language and music in sung performance. ; 42 page(s)
Keyword: 200400 Linguistics; Carnatic singing; ethnography; improvisation; music; verbal art
URL: http://hdl.handle.net/1959.14/198413
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