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1
The Logic of "Social Enterprise": The Big Issue Organization and New Labour Policy at the Millennial Juncture
In: CLCWeb: Comparative Literature and Culture (2022)
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2
Towards a Workforce Development Action Plan in the City of Chelsea: Community Voices
In: Lorna Rivera (2022)
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3
КОНЦЕПТ ПРОТИВОДЕЙСТВИЯ КОРРУПЦИИ В РЕСПУБЛИКЕ КРЫМ ... : THE CONCEPT OF ANTI-CORRUPTION IN THE REPUBLIC OF CRIMEA ...
Корда, Н.И.. - : Волгоградский институт бизнеса, 2021
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4
Communications Policy and Cultural Political Economy: Charting the Collapse of the Neoliberal Consensus in the United States
In: International Journal of Communication; Vol 15 (2021); 21 ; 1932-8036 (2021)
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TRANSPARENCY AND ACCESSIBILITY OF INTERACTIONS IN MANAGING CULTURE: EUROPEAN EXPERIENCE ; ТРАНСПАРЕНТНОСТЬ І ДОСТУПНОСТЬ ВЗАЄМОДІЙ В УПРАВЛІННІ КУЛЬТУРОЮ: ЄВРОПЕЙСЬКИЙ ДОСВІД
In: ACTUAL PROBLEMS OF PUBLIC ADMINISTRATION; Vol. 1 No. 82 (2021); 112-117 ; Актуальні проблеми державного управління; Том 1 № 82 (2021); 112-117 ; 1993-8330 ; 10.35432/1993-8330appa1822021 (2021)
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6
Neoliberalism and language shift: the Great Recession and the sociolinguistic vitality of Ireland's Gaeltacht, 2008-18 ...
Kelly, Benjamin Edward Joseph; Ó Ceallaigh, Ben. - : The University of Edinburgh, 2020
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7
Neoliberalism and language shift: the Great Recession and the sociolinguistic vitality of Ireland's Gaeltacht, 2008-18
Kelly, Benjamin Edward Joseph; Ó Ceallaigh, Ben. - : The University of Edinburgh, 2020
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8
Towards a Workforce Development Action Plan in the City of Chelsea: Community Voices
In: Gastón Institute Publications (2020)
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9
‘Quand dire c’est réguler’ : Discours et communication de l’Autorité des marchés financiers
In: ISSN: 1775-2329 ; Economie et institutions ; https://halshs.archives-ouvertes.fr/halshs-01708718 ; Economie et institutions, Amiens : Economie et institutions CRIISEA, 2018, 25 (2017) ; http://journals.openedition.org/ei/5862 (2018)
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10
Taxation for Whom?:a Diachronic Analysis of Taxation in Ireland and the United Kingdom from 1970-2015.
In: Other (2018)
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11
Economic security as a factor of the stable development of a state ; Економічна безпека як фактор стабільного розвитку держави
In: Economies' Horizons; No. 3(6) (2018): Economies' Horizons; 137-144 ; Економічні горизонти; № 3(6) (2018): Економічні горизонти; 137-144 ; 2616-5236 ; 2522-9273 (2018)
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12
Grassroots Diplomacy and Vernacular Law: The Discourse of Food Sovereignty in Maine
In: Electronic Theses and Dissertations (2017)
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13
Dialectical feminism and contradictory economic systems: Campesina daily life from Somoza to Aleman ...
Havelin, Julia. - : University of Southern California Digital Library (USC.DL), 2016
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14
Language policy and political economy : English in a global context
Ricento, Thomas (Hrsg.). - New York : Oxford University Press, 2015
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15
The economy and the Breton language: a determining role, twice over? ; Économie et langue bretonne : un rôle déterminant, deux fois ?
In: ISSN: 1270-2412 ; La Bretagne Linguistique ; https://hal.univ-brest.fr/hal-03259700 ; La Bretagne Linguistique, Centre de Recherche Bretonne et Celtique, 2015, 19, pp.153 - 203. ⟨10.4000/lbl.1192⟩ (2015)
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16
Healing Our Race-Linked Wounds
In: Carroy U "Cuf" Ferguson, Ph.D. (2015)
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17
The Revaluation of the National Language in a Post-National Era: Language Policy and the Governance of Migration and Citizenship
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18
Impossible Properties: Language and Legitimacy in Ong Keng Sen's Lear
In: Edwards, James R. (2014). Impossible Properties: Language and Legitimacy in Ong Keng Sen's Lear. International Journal of Asia Pacific Studies, 10(2), 13 - 34. UCLA: Retrieved from: http://www.escholarship.org/uc/item/2c90102j (2014)
Abstract: This paper explores a landmark production in the history of Asian intercultural theatre, Singaporean director Ong Keng Sen and Japanese playwright Kishida Rio's Lear (1997/1999). A lavish production underwritten by the Japan Foundation Asia Center, Lear helped establish Ong's "fiercely intercultural" aesthetic as an internationally recognisable brand (Peterson 2003: 81). It also drew critique as a symbolic apologia for neoliberal globalisation. The critical literature on Lear has yielded trenchant insights into the global political significance of intercultural performance. At the same time, however, it has tended to overshadow questions of the work's aesthetic specificity and local significance. This paper seeks to recuperate Lear's local meanings both as a text and as a uniquely Singaporean political allegory. In the paper's first section, I outline the play and its critique as late capitalist spectacle. In the following section, I bracket this critique and return to the texts at hand. Finally, I move back outward by tracing a Brechtian tension between Kishida's text, Ong's realisation, and the Singaporean state's "choreography" of racial, cultural and linguistic difference.
Keyword: Arts and Humanities; arts policy; colonialism; critical theory; cultural appropriation; cultural heritage; cultural history; cultural policy; cultural politics; cultural studies; East Asia; ethnomusicology; Indonesia; Japan; Malaysia; music; musicology; performance studies; performing arts; political economy; postcolonialism; Singapore; Social and Behavioral Sciences; social history; Southeast Asia; theater; theatre
URL: http://www.escholarship.org/uc/item/2c90102j
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19
The Evolution of English Language Teaching during Societal Transition in Finland – A mutual relationship or a distinctive process?
In: Australian Journal of Teacher Education (2014)
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20
Interpreting
In: Doctoral Dissertations (2014)
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