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All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year Sort by creator [A → Z]' creator [Z → A]' publishing year ↑ (asc)' publishing year ↓ (desc)' title [A → Z]' title [Z → A]' Simple Search Hits 1 – 2 of 2 1 Domestic Ubimus Keller, Damián; Simurra, Ivan; Messina, Marcello; Neiva, Tânia; Tedesco, Sebastian; Mesz, Bruno In: EISSN: 2409-9708 ; EAI Endorsed Transactions on Creative Technologies ; https://hal-hprints.archives-ouvertes.fr/hprints-03602695 ; EAI Endorsed Transactions on Creative Technologies, EAI - European Alliance for Innovation, 2022, ⟨10.4108/eai.22-2-2022.173493⟩ (2022) Abstract: International audience ; INTRODUCTION: In this paper we discuss concepts and practices that point to a new field of ubiquitous music (ubimus) research centered on domestic settings. OBJECTIVES: The objective of this paper is to document and share a preliminary study of the use of taste as a trigger for creative decisions and a comparative study of creative music making done at home and in transitional settings. METHODS: Groundwork in this area encompasses the design, implementation and deployment of ubimus systems. Key aspects include sonic resources and metaphors for creative action based on multimodality. RESULTS: The results indicate that unpredictable sonic environments foster originality but may compromise the subjects' creative performance-reducing their level of engagement and fun and the possibilities for collaboration, while increasing the cognitive demands of the activity. Home seems to furnish a positive context as long as the objective is not to increase the originality of the outcomes. CONCLUSION: The effectiveness of taste as a scaffold for creative decisions was partially confirmed, demanding further studies. These results have implications for both the artistic aspects of sound making and the everyday usage of sound for distant socializing in domestic settings, posing renewed challenges to the ongoing STEAM initiatives. Keyword: [SHS.GENRE]Humanities and Social Sciences/Gender studies; [SHS.HISPHILSO]Humanities and Social Sciences/History; [SHS.HIST]Humanities and Social Sciences/History; [SHS.LANGUE]Humanities and Social Sciences/Linguistics; [SHS.LITT]Humanities and Social Sciences/Literature; [SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts; domestic settings; gastrosonics; multimodality creative practices; Philosophy and Sociology of Sciences; sound sphere; ubiquitous music URL: https://hal-hprints.archives-ouvertes.fr/hprints-03602695 https://doi.org/10.4108/eai.22-2-2022.173493 https://hal-hprints.archives-ouvertes.fr/hprints-03602695/document https://hal-hprints.archives-ouvertes.fr/hprints-03602695/file/eai.22-2-2022.173493.pdf BASE Hide details 2 Gastrossônica: Desenvolvimento do suporte ubimus para atividades musicais gastronômicas Freitas, Brendah; Gómez Mejía, Carlos Mario; Thadeu De Melo, Marcos... In: Proceedings of the 11th Workshop on Ubiquitous Music (UbiMus 2021) ; https://hal.archives-ouvertes.fr/hal-03368452 ; Proceedings of the 11th Workshop on Ubiquitous Music (UbiMus 2021), Sep 2021, Matosinhos, Portugal. pp.160-171 ; https://dei.fe.up.pt/ubimus/ (2021) BASE Show details

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