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81
The Role of Glottal Source Parameters for High-Quality Transformation of Perceptual Age
In: International Conference on Acoustics, Speech, and Signal Processing (ICASSP) ; https://hal.archives-ouvertes.fr/hal-01164562 ; International Conference on Acoustics, Speech, and Signal Processing (ICASSP), Apr 2015, Brisbane, Australia (2015)
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82
Planning Human-Computer Improvisation
In: International Computer Music Conference ; https://hal.archives-ouvertes.fr/hal-01053834 ; International Computer Music Conference, Sep 2014, Athens, Greece ; http://icmc14-smc14.net (2014)
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83
On the perception of affect in the singing voice: a study of acoustic cues.
In: Sound, Music and Motion ; https://hal.archives-ouvertes.fr/hal-01107696 ; Sound, Music and Motion, 8905, pp.105-121, 2014, Lecture Notes in Computer Science, 978-3-319-12975-4. ⟨10.1007/978-3-319-12976-1_7⟩ (2014)
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84
SLAM: Automatic Stylization and Labelling of Speech Melody
In: Speech Prosody 7 ; Speech Prosody ; https://hal.sorbonne-universite.fr/hal-00968950 ; Speech Prosody, May 2014, Ireland. pp.246 - 250 (2014)
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85
Intuitive Control of Solid-Interaction Sounds Synthesis: Toward Sonic Metaphors ; Contrôle Intuitif de la Synthèse Sonore d'Interactions Solidiennes : vers les Métaphores Sonores
Conan, Simon. - : HAL CCSD, 2014
In: https://hal.archives-ouvertes.fr/tel-01121888 ; Son [cs.SD]. Ecole Centrale de Marseille, 2014. Français (2014)
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86
Component Structuring and Trajectory Modeling for Speech Recognition
In: Interspeech ; https://hal.inria.fr/hal-01063653 ; Interspeech, Sep 2014, Singapoore, Singapore (2014)
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87
Telemeta: An open-source web framework for ethnomusicological audio archives management and automatic analysis
In: DLfM '14: Proceedings of the 1st International Workshop on Digital Libraries for Musicology ; 1st Digital Libraries for Musicology workshop (DLfM 2014) ; https://hal.archives-ouvertes.fr/hal-03271840 ; 1st Digital Libraries for Musicology workshop (DLfM 2014), 2014, London, United Kingdom. pp.1-8, ⟨10.1145/2660168.2660169⟩ ; https://dl.acm.org/doi/10.1145/2660168.2660169 (2014)
Abstract: International audience ; The audio archives of the CNRS-Musée de l'Homme are among the most important collections of ethnomusicological recordings in Europe. As the number of collections increase and as new audio technologies arise, questions about the best approaches for preserving, archiving and providing public access to these materials have arisen. With this in mind, ethnomusicologists and engineers have joined efforts since 2007 to develop a scalable and collaborative web platform for managing and increasing access to digitized sound archives. This web platform is based on Telemeta, an open-source web audio framework dedicated to digital sound archives. Since 2011, the Telemeta framework has been deployed to hold the platform of the CNRS-Musée de l'Homme's audio archives, which are managed by the Research Center for Ethnomusicology. This framework focuses on facilitating collaboration and user access to audio items and their associated metadata. The architecture of Telemeta relies on TimeSide, an open-source audio processing framework written in Python
Keyword: [INFO.INFO-AU]Computer Science [cs]/Automatic Control Engineering; [INFO.INFO-DS]Computer Science [cs]/Data Structures and Algorithms [cs.DS]; [INFO.INFO-SD]Computer Science [cs]/Sound [cs.SD]; [INFO.INFO-TS]Computer Science [cs]/Signal and Image Processing; [SHS.ANTHRO-SE]Humanities and Social Sciences/Social Anthropology and ethnology; [SHS.LANGUE]Humanities and Social Sciences/Linguistics; [SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts
URL: https://hal.archives-ouvertes.fr/hal-03271840/file/telemeta_2014.pdf
https://doi.org/10.1145/2660168.2660169
https://hal.archives-ouvertes.fr/hal-03271840/document
https://hal.archives-ouvertes.fr/hal-03271840
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88
Phase Distortion Statistics as a Representation of the Glottal Source: Application to the Classification of Voice Qualities
In: Interspeech ; https://hal.archives-ouvertes.fr/hal-01164600 ; Interspeech, Sep 2014, Singapore, Singapore (2014)
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89
Digitartic: bi-manual gestural control of articulation in performative singing synthesis
In: Proceeding of the 13th International Conference on New Interfaces for Musical Expression ; 13th International Conference on New Interfaces for Musical Expression (NIME) ; https://hal.archives-ouvertes.fr/hal-01000268 ; 13th International Conference on New Interfaces for Musical Expression (NIME), May 2013, Daejeon, South Korea. pp.331-336 (2013)
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90
Evaluation of contextual descriptors for HMM-based speech synthesis in French
In: ISCA Speech Synthesis Workshop (SSW8) ; https://hal.inria.fr/hal-00987809 ; ISCA Speech Synthesis Workshop (SSW8), Aug 2013, Barcelone, Spain (2013)
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91
Gestural control of singing voice synthesis by rules and musical applications ; Synthèse par règles de la voix chantée contrôlée par le geste et applications musicales
Feugère, Lionel. - : HAL CCSD, 2013
In: https://tel.archives-ouvertes.fr/tel-00926980 ; Son [cs.SD]. Université Pierre et Marie Curie - Paris VI, 2013. Français (2013)
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92
Syll-O-Matic: an Adaptive Time-Frequency Representation for the Automatic Segmentation of Speech into Syllables
In: IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP) ; https://hal.sorbonne-universite.fr/hal-00943799 ; IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP), May 2013, Vancouver, Canada (2013)
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93
Performative voice synthesis for edutainment in acoustic phonetics and singing: a case study using the "Cantor Digitalis"
In: Intelligent Technologies for Interactive Entertainment ; 5th International ICST Conference, INTETAIN 2013 ; https://hal.archives-ouvertes.fr/hal-00932116 ; 5th International ICST Conference, INTETAIN 2013, Jul 2013, Mons, Belgium. pp 169-178, ⟨10.1007/978-3-319-03892-6_20⟩ (2013)
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94
OMaxist Dialectics ; : Capturing, Visualizing and Expanding Improvisations
In: Proceedings of the International Conference on New Interfaces for Musical Expression ; New Interfaces for Musical Expression ; https://hal.archives-ouvertes.fr/hal-00706662 ; New Interfaces for Musical Expression, May 2012, Ann Arbor, United States. pp.137-140 (2012)
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95
Comparing performance of different set-covering strategies for linguistic content optimization in speech corpora
In: International Conference on Language Resources and Evaluation (LREC'12) ; https://hal.inria.fr/hal-00784377 ; International Conference on Language Resources and Evaluation (LREC'12), May 2012, Istanbul, Turkey (2012)
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96
Glottal area waveforms study from high speed video-endoscopic recordings and voice production model with aeroacoustic coupling driven by a forced glottal folds model
In: 9th Pan European Voice Conference (PEVOC 9) ; https://hal.archives-ouvertes.fr/hal-01134014 ; 9th Pan European Voice Conference (PEVOC 9), Aug 2011, Marseille, France (2011)
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97
Towards a Versatile Multi-Layered Description of Speech Corpora Using Algebraic Relations
In: Conference of the International Speech Communication Association (Interspeech) ; https://hal.inria.fr/hal-00657283 ; Conference of the International Speech Communication Association (Interspeech), Aug 2011, Florence, Italy. pp.1501-1504 (2011)
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98
MGS, a declarative spatial computing programming language
In: New World Of Computation 2011 ; https://hal.archives-ouvertes.fr/hal-01106954 ; New World Of Computation 2011, May 2011, Orléans, France (2011)
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99
Augmented Reality Audio Editing
In: Proceedings of 128th AES Convention ; 128th AES Convention ; https://hal.archives-ouvertes.fr/hal-00494239 ; 128th AES Convention, May 2010, London, United Kingdom. paper 8143 (2010)
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100
B-spline model order selection with optimal MDL criterion applied to speech fundamental frequency stylisation
In: ISSN: 1932-4553 ; IEEE Journal of Selected Topics in Signal Processing ; https://hal.inria.fr/inria-00538937 ; IEEE Journal of Selected Topics in Signal Processing, IEEE, 2010, 4 (3), pp.571 - 581. ⟨10.1109/JSTSP.2010.2048236⟩ (2010)
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