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Der doppelte Po und die Musik. Rätoromanisch-chinesische Studien, besonders zu Li Po, Harry Partch und Chasper Po ...
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Null. - : Königshausen & Neumann, 2021
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L’oralité mise en scène: syntaxe et phonologie – Introduction.
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Collaging cultures : curating Italian studies
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Abstract:
This essay is a contribution to a collective project funded by the UK government, Transnationalizing Modern Languages (2014-2017) ; This essay aims to contribute to current debates about how to research and teach within the disciplinary frame of Modern Languages in light of the knowledge that recent patterns of global migration have made the conventional fusion of national territory and language untenable. The challenge is how to reimagine histories of cultural practice and production critically in spite of the national frame that continues to shape our thinking. Starting from theoretical prompts by Doris Sommer and Okwui Enwezor, I suggest that contemporary curatorial practice offers one model for reworking how we practice Italian Studies in light of the decolonizing imperatives of work in diasporic, postcolonial, and transnational studies. Emphasizing a spatial model of cultural connectedness, I work with a notion of the haptic to investigate (as a kind of case study) how an encounter with the variegated traces of Italian culture in Scotland may lead researchers/students towards a pragmatic understanding of connectivity that does not depend on the blood lines of what Sommer calls ‘inherited frameworks.’ I argue that contemporary curatorial practices revising both the optics and ownership of (Italian) culture can radically alter the presuppositions of our research and pedagogical practices. ; Postprint ; Peer reviewed
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Keyword:
BDC; Collage; Curatorial practice; Diasporic; Italian studies; PC; PC Romance languages; Postcolonial; R2C; Scotland; T-NDAS; Transnational
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URL: http://hdl.handle.net/10023/23464
https://doi.org/10.1080/01614622.2019.1609211
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| 4 |
Translation as dissent and as self-representation in the works of Beppe Fenoglio
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| 5 |
Arabising Italian? Transnational literature as multilingual transaction
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(S)mothered in translation? (Re)translating the female Bildungsroman in the twentieth century in English and French
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Nurturing bilingual children: the voice of Spanish-speaking families in the West of Scotland
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Defying and defining the darkness: Translating French memories of the Holocaust
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| 9 |
Defying and defining the darkness: Translating French memories of the Holocaust
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| 10 |
V for vivienda, V for viñeta: Housing policy and spaces for living in Spanish comics and graphic novels
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| 11 |
The political bilingual body: One's right to the other language
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| 12 |
Sense in translation: Geometrical translation as an embodied and sensory practice
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| 15 |
Making sense of Caroline Bergvall’s poetry: The space between 'les langues' and Lecercle’s Philosophy of Nonsense
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Translators’ notes: On translating 'sens' and 'langue' in Maurice Merleau-Ponty’s Phénoménologie de la perception and Ferdinand de Saussure’s Cours de linguistique générale
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The expanding space of the train carriage: A phenomenological reading of Michel Butor’s La modification
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| 18 |
English in French Commercial Advertising: simultaneity, bivalency, and language boundaries
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Amos, Will. - : Wiley-Blackwell Publishing Ltd., 2020
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The sounds of beasts and birds: noise and nonhuman communication in medieval French and English texts written in Anglo-Norman England
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