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‘Be pleased to report expressly’: The development of a public style in Late Modern English business and official correspondence
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Dossena, Marina (orcid:0000-0002-8025-6086). - : Cambridge University Press, 2010. : place:Cambridge, UK, 2010
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Ascetic Citizens: Religious Austerity and Political Crisis in Anglo-American Literature, 1681-1799
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Liturgy translated : languages of nature, man and God in Smart’s Jubilate agno
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Powell, Rosalind. - : University of St Andrews, 2009. : The University of St Andrews, 2009
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OF SOCIAL NETWORKS AND LINGUISTIC INFLUENCE: THE LANGUAGE OF ROBERT LOWTH AND HIS CORRESPONDENTS
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In: International Journal of English Studies; Vol. 5 No. 1 (2005): Sociolinguistics and the History of English: Perspectives and Problems; 135-157 ; International Journal of English Studies; Vol. 5 Núm. 1 (2005): Sociolinguistics and the History of English: Perspectives and Problems; 135-157 ; 1989-6131 ; 1578-7044 (2009)
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TRACES OF JOHNSON IN THE LANGUAGE OF FANNY BURNEY
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In: International Journal of English Studies; Vol. 5 No. 1 (2005): Sociolinguistics and the History of English: Perspectives and Problems; 159-181 ; International Journal of English Studies; Vol. 5 Núm. 1 (2005): Sociolinguistics and the History of English: Perspectives and Problems; 159-181 ; 1989-6131 ; 1578-7044 (2009)
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'Le vrai recueil des Sarcelles' of Nicolas Jouin : an edition with a linguistic study of the depicted sociolect and its Parisian connections
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Randell, Elizabeth. - : University of St Andrews, 2008. : The University of St Andrews, 2008
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The other rise of the novel: Alternative economies in eighteenth-century French fiction.
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92 |
The Blush of Modesty or the Blush of Shame? Reading Jane Austen’s Blushes
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A monster with a face between his feet: The corporeal culture of farce in early eighteenth-century Britain.
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Spelling vs. pronunciation debate in eighteenth-century English encyclopaedias
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First impressions: production and dissemination of novels at the beginning of the 19th century ; PRIMEIRAS IMPRESSÕES: PRODUÇÃO E CIRCULAÇÃO DE ROMANCES NO INÍCIO DO SÉCULO XIX
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In: Revista Letras; v. 67 (2005) ; 2236-0999 ; 0100-0888 ; 10.5380/rel.v67i0 (2005)
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96 |
Echoes of Expression: Text, Performance, and History in Mozart's Viennese Chamber Music
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97 |
The Treatise on the Lineage of Elders (Vamsadipani): Monastic reform and the writing of Buddhist history in eighteenth-century Burma.
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98 |
The figure of the Jew in French texts of the eighteenth century.
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Maidenly amusements: Narrating female sexuality in eighteenth-century England.
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Abstract:
This dissertation examines the relation between female-female affiliations and heterosexuality in a variety of eighteenth-century English discourses. Analyzing representations of four female figures--the macroclitoride, the passing woman, the coquette, and the paragon of virtue--I argue that intimacies between women play a central role in the definition of gender and sexual norms for women in the period. Further, these figures register the eighteenth-century development of an ideology of heterosexuality wherein gender conceptually precedes desire. Chapter One investigates the treatment of female erotic desire and genital morphology in early modern anatomies. In the eighteenth century, earlier anatomically-based explanations of female homoeroticism erode under the pressure of increasingly binary understandings of biological sex and gender. The shift from the 'tribade' (a figure that links homoeroticism to clitoral enlargement) to the 'macroclitoride' (a figure defined only by clitoral enlargement) allows for the possibility that any woman might desire other women. Chapter Two examines life narratives of women who pass as men. Despite their homoerotic content, these narratives seek to construct a model of sexuality wherein 'natural' desire takes place within a context of gender difference. In addition, the consistent inclusion of childhood stories in these narratives signals a trend toward psychological and developmental explanations of female homoerotic desire as anatomical explanations wane. Chapter Three analyzes the figure of the coquette in comedy, periodicals, and prose fiction, arguing that this figure's linking of unruly erotic desire with conspicuous consumption and display of luxury goods registers broader anxieties about female choice in the period's changing market economy. In narratives of 'reforming the coquette' by Mary Davys, Eliza Haywood, and Charlotte Lennox, female-female intimacy marks the excessiveness of the coquette's choice and must be rejected as part of her education into virtue. The final chapter considers the figure of the hyper-virtuous heroine whose plot is structured by her primary intimacy with another woman. Focusing on Frances Burney's Cecilia and Samuel Richardson's Clarissa, I explicate a dialectic between the heterosexual marriage plot and the female friendship plot in order to argue that exemplary heterosexuality in these texts is modeled upon passionate commitment between exemplary women. ; Ph.D. ; English literature ; Language, Literature and Linguistics ; Social Sciences ; Women's studies ; University of Michigan, Horace H. Rackham School of Graduate Studies ; http://deepblue.lib.umich.edu/bitstream/2027.42/129189/2/3042046.pdf
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Keyword:
Amusements; Burney; Century; Charlotte; Charlotte Lennox; Davys; Eighteenth; Eliza; Eliza Haywood; England; Female Sexuality; Frances; Frances Burney; Haywood; Lennox; Maidenly; Mary; Mary Davys; Narrating; Richardson; Samuel; Samuel Richardson
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URL: http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:3042046 https://hdl.handle.net/2027.42/129189
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Literary and linguistics theories in eighteenth-century France: from nuances to impertinence
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