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1
"Geil dabei zu sein" - Livestreams als Kommunikationsmittel rechtsextremer Proteste
In: ZRex - Zeitschrift für Rechtsextremismusforschung ; 2 ; 1 ; 72-90 (2022)
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2
Spanish Tipsters and the Millennial and Centennial Generations in the Scenario of a Pandemic
In: Media and Communication ; 10 ; 1 ; 286-296 ; New Narratives for New Consumers: Influencers and the Millennial and Centennial Generations (2022)
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3
Issue Spatiality: A Conceptual Framework for the Role of Space in Public Discourses
In: Media and Communication ; 9 ; 3 ; 5-15 ; Spaces, Places, and Geographies of Public Spheres (2022)
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4
Communication and Feminist New Materialism: Methodologies to understand the continuum between matter and discourse
In: FZG - Freiburger Zeitschrift für GeschlechterStudien ; 24 ; 1 ; 55-70 ; Der Ort des Politischen in den Critical Feminist Materialisms (2022)
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5
Invective Gaze - Das digitale Bild und die Kultur der Beschämung
In: 99 ; Edition Medienwissenschaft ; 206 (2022)
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6
Gegen die Öffentlichkeit: Alternative Nachrichtenmedien im deutschsprachigen Raum
Schwaiger, Lisa. - : transcript Verlag, 2022. : DEU, 2022. : Bielefeld, 2022
In: 46 ; Digitale Gesellschaft ; 327 (2022)
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7
Transit Zones, Locales, and Locations: How Digital Annotations Affect Communication in Public Places
In: Media and Communication ; 9 ; 3 ; 39-49 ; Spaces, Places, and Geographies of Public Spheres (2022)
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8
Relational Communication Spaces: Infrastructures and Discursive Practices
In: Media and Communication ; 9 ; 3 ; 28-39 ; Spaces, Places, and Geographies of Public Spheres (2022)
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9
Constructive Aggression? Multiple Roles of Aggressive Content in Political Discourse on Russian YouTube
In: Media and Communication ; 9 ; 1 ; 181-194 ; Dark Participation in Online Communication: The World of the Wicked Web (2022)
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10
Structures of the Public Sphere: Contested Spaces as Assembled Interfaces
In: Media and Communication ; 9 ; 3 ; 16-27 ; Spaces, Places, and Geographies of Public Spheres (2022)
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11
Online Networks and Subjective Well‐Being: The Effect of "Big Five Personality Traits"
In: Social Inclusion ; 9 ; 4 ; 399-412 ; In Good Company? Personal Relationships, Network Embeddedness, and Social Inclusion (2022)
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12
PARTICIPATORY OPERA: PERFORMING AND CREATING AUDIENCES
In: Theses and Dissertations--Music (2022)
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13
Slow Reading interfaces (source code) ...
Hebden, Peter Anthony. - : Newcastle University, 2021
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14
Slow Reading interfaces (source code) ...
Hebden, Peter Anthony. - : Newcastle University, 2021
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15
Rhythm Tapper (source code) ...
Hebden, Peter Anthony. - : Newcastle University, 2021
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16
Rhythm Tapper (source code) ...
Hebden, Peter Anthony. - : Newcastle University, 2021
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17
Investigating Visual Content Shared over Twitter during the 2019 EU Parliamentary Election Campaign
In: Media and Communication ; 9 ; 1 ; 158-170 ; Dark Participation in Online Communication: The World of the Wicked Web (2021)
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18
Conceptualization of a Queer Cyberspace: 'Gay Twitter'
In: FZG - Freiburger Zeitschrift für GeschlechterStudien ; 27 ; 1 ; 95-111 ; Digitalisierung (geschlechter-)gerecht gestalten (2021)
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19
Using sentiment analysis in tourism research: A systematic, bibliometric, and integrative review
In: Journal of Tourism, Heritage & Services Marketing ; 7 ; 2 ; 16-27 (2021)
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20
Digital Media and Textuality: From Creation to Archiving
In: 45 ; Medienumbrüche ; 284 (2021)
Abstract: Due to computers' ability to combine different semiotic modes, texts are no longer exclusively comprised of static images and mute words. How have digital media changed the way we write and read? What methods of textual and data analysis have emerged? How do we rescue digital artifacts from obsolescence? And how can digital media be used or taught inside classrooms? These and other questions are addressed in this volume that assembles contributions by artists, writers, scholars and editors. They offer a multiperspectival view on the way digital media have changed our notion of textuality.
Keyword: aesthetics; Ästhetik; Cognition; computer-mediated communication; computervermittelte Kommunikation; digital media; Digitale Medien; electronic Media; elektronische Medien; Interactive; interaktive; journalism; Journalismus,Verlagswesen; Linguistics; Linguistik; Literatur; Literature; Literaturwissenschaft; Materiality; Media Aesthetics; Media Education; Media Studies; News media; publishing; Publizistische Medien; reception; Rezeption; rhetoric and criticism; Rhetorik; Science of Literature; Sprachwissenschaft; Text; Textuality; Theory of Literature
URL: http://www.transcript-verlag.de/978-3-8376-4091-5
https://doi.org/10.14361/9783839440919
https://www.ssoar.info/ssoar/handle/document/76054
http://nbn-resolving.org/urn:nbn:de:0168-ssoar-76054-2
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