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All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year Sort by creator [A → Z]' creator [Z → A]' publishing year ↑ (asc)' publishing year ↓ (desc)' title [A → Z]' title [Z → A]' Simple Search Page: 1 2 3 4 5...36 Hits 1 – 20 of 717 1 Early Modern German Shakespeare : "Titus Andronicus" and "The Taming of the Shrew" : "Tito Andronico" and "Kunst über alle Künste, ein bös Weib gut zu machen" in Translation Erne, Lukas Christian; Hazrat, Florence; Shmygol, Maria. - : Bloomsbury (London), 2022 BASE Show details 2 On Early English Pronunciation, With Especial Reference to Shakspere and Chaucer Ellis, Alexander John, 1814-1890. - 2022 BASE Show details 3 Lone pronoun tags in Early Modern English: ProTag constructions in the dramas of Jonson, Marlowe and Shakespeare Mycock, Louise; Misson, James In: English language and linguistics. - Cambridge : Cambridge Univ. Press 25 (2021) 2, 379-407 BLLDB Show details 4 Making Hamlet German : forms of translation and recreation Hagen, Rebecca. - : The University of St Andrews, 2021 BASE Show details 5 Desifying Shakespeare: Performing Contemporary India in Adaptations Mookherjee, Taarini. - 2020 Abstract: “Desifying Shakespeare” focuses on the sharp spike in Shakespeare performances in India in the last three decades (1993-2018), a period of time that coincides with the advent of globalization, the liberalization of India’s economy, and the emergence of the field of Global Shakespeare. By mobilizing the bilingual portmanteau desify, a word that simultaneously references the abstract and aspirational nation (des) and the quotidian process of making local or native in popular culture, this project argues that these self-consciously Indian productions or “desified Shakespeare” disclose contemporary Indian ideas and inquiries of the nation. The dissertation thus works to demonstrate the discursive overlaps and tensions between race, caste, religion, gender, language, color, and nationality, categories that are historically contingent, fluid, and performative. Each chapter centers around the affordances and appropriations of a different Shakespeare play and its iterations in contemporary India: Romeo and Juliet and the neighborhood as nation, Othello and the performativity of caste, Hamlet and the borderlands,Twelfth Night and diaspora space. “Desifying Shakespeare” thus marks the overlap and tension between the intensely local, the triumphantly national, and the universally global. Over the past two decades, the rise of the Hindu Right in India has resulted in Indian public discourse marking a return to and renewed investigation of the nation and its paronyms: national and nationalism. While the Hindu Right propounds a triumphalist and homogenous narrative of the nation, “Desifying Shakespeare” troubles this narrative by turning to performance, which I argue negotiates the tension between the des or the nation and desifying or the process of making local, concepts that both overlap and oppose each other. Prior studies on Shakespeare in India have relied heavily on the consequences of Shakespearean adaptations’ colonial origins, often restricted to analyses of single productions. However, “Desifying Shakespeare” shifts, in its methodology, to emphasize a synoptic view of Shakespeare in India, its multiple vectors of influence—colonial, global, postcolonial, and transnational—and its diverse areas of overlap. While the tendency within the field of Global Shakespeare is to dismiss the nation in favor of the local and the transnational, this project argues that the local and the transnational are entwined in the contemporary notions of the nation. “Desifying Shakespeare” works to provide an alternative theorization of adaptation by using the portmanteau desify—a word that performs the very action it describes. A combination of des, the Hindi word for country/nation (implicitly understood to mean Indian), and the English suffix “—fy” denoting the transformation or the process of making into, desify is itself a word that desifies the English for change. An analysis of desification, thus involves a shift from a privileging of the putative original to an approach that considers a wider web of influences spanning different media, genres, languages, and sources. Running through this dissertation is a theorization of language in performance, moving between the concepts of neighboring, regional, vernacular, and dialect. “Desifying Shakespeare” thus shifts away from the dominant postcolonial metaphors of narration and imagination to emphasize the role of embodied performance in determining and upending a national identity. How the des is constructed in these productions provides an alternative to a neat narrative of the nation that moves beyond the Indian context to provide a model for Global Shakespeare criticism more broadly. Keyword: 1564-1616; Comparative literature; Globalization; Nationalism; Postcolonialism and the arts; Shakespeare; Theater; Theater--Performances; William URL: https://doi.org/10.7916/d8-kva3-wn36 BASE Hide details 6 Sagarra sagarreja? Anàlisi lingüística de la traducció de «Macbeth» de Josep M. de Sagarra ; Sagarra «sagarreja»? A Linguistic Analysis of Josep M. de Sagarra’s Translation of «Macbeth» Palomo Berjaga, Vanessa In: Caplletra. Revista Internacional de Filologia.; Caplletra 69 (tardor 2020); 85-114 ; Caplletra. Revista Internacional de Filologia; Caplletra 69 (tardor 2020); 85-114 ; 2386-7159 ; 0214-8188 (2020) BASE Show details 7 Explaining "explain": some remarks on verb complementation, argument structure and the history of two English verbs Klotz, Michael In: English studies. - Abingdon : Routledge, Taylor & Francis Group 100 (2019) 3-4, 339-356 BLLDB Show details 8 Dictionary 1 ... C. P. Cavafy. - : Onassis Foundation Cavafy Archive, 2019 BASE Show details 9 Para uma tradução comentada de sonetos de Shakespeare Walker, Shanta Navvab. - 2019 BASE Show details 10 The philosophy of evil : considerations on why we love Shakespearean villains ; A filosofia do mal : considerações sobre por que gostamos dos vilões shakespearianos Oliven, Rafael Campos; Maggio, Sandra Sirangelo. - 2019 BASE Show details 11 The Place of a Cousin in As You Like It. Crawford, Julie A.. - 2018 BASE Show details 12 The myth of the complete sentence - a response to Traugott Bergs, Alexander In: English language and linguistics. - Cambridge : Cambridge Univ. Press 21 (2017) 2, 311-316 BLLDB Show details 13 'Insubordination' in the light of the Uniformitarian Principle Traugott, Elizabeth Closs In: English language and linguistics. - Cambridge : Cambridge Univ. Press 21 (2017) 2, 289-310 BLLDB Show details 14 “When Contemplation like the Night-Calm Felt”: Religious Considerations in Poetic Texts by Shakespeare, Milton, and Wordsworth ... Henry, Weinfield. - : Connotations Society, 2017 BASE Show details 15 Stylometric analysis of Early Modern English plays Egan, Gabriel; Segarra, Santiago; Eisen, Mark. - : Digital Scholarship in the Humanities, 2017 BASE Show details 16 Estrategias multilingües en algunas traducciones de Shakespeare al castellano : los casos de Miguel Ángel Montezanti, Alfredo Michel Modenessi y Nicanor Parra Bistué, Belén In: Boletín de literatura comparada, Año 42 ; http://bdigital.uncu.edu.ar/12412 (2017) BASE Show details 17 The use of comedy through the figure of the tragic hero in "Hamlet" and "King Lear" Sastre Domínguez, Icíar. - 2017 BASE Show details 18 The Oxford dictionary of original Shakespearean pronunciation Crystal, David. - Oxford : Oxford University Press, 2016 UB Frankfurt Linguistik Show details 19 The linguistic drama in Joyce and Shakespeare Bénéjam, Valérie In: ISSN: 2281-373X ; Joyce Studies in Italy ; http://hal.univ-nantes.fr/hal-03233828 ; Joyce Studies in Italy, Editoriale Anicia, 2016, Shakespearean Joyce / Joycean Shakespeare, pp.35-56 ; https://thejamesjoyceitalianfoundation.wordpress.com/ (2016) BASE Show details 20 "A little more than kin" - Quotations as a linguistic phenomenon : a study based on quotations from Shakespeare's Hamlet Quaßdorf, Sixta. - : Albert-Ludwigs-Universität Freiburg, 2016 BASE Show details Page: 1 2 3 4 5...36

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