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Le corpus « Ambedkar »
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In: ISSN: 2118-870X ; EISSN: 2264-7082 ; Travaux Interdisciplinaires du Laboratoire Parole et Langage d'Aix-en-Provence (TIPA) ; https://hal.archives-ouvertes.fr/hal-00136392 ; Travaux Interdisciplinaires du Laboratoire Parole et Langage d'Aix-en-Provence (TIPA), Laboratoire Parole et Langage, 2006, 25, pp.19-30 (2006)
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Un stylo en or. Des paysannes intouchables chantent Ambedkar, leur libérateur.
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In: https://hal.archives-ouvertes.fr/hal-00005792 ; pp.258, 2005 (2005)
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La subjectivité dans la parole et le chant
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In: Actes, Symposium International sur les Sciences du Langage Musical ; Symposium International sur les Sciences du Langage Musical ; https://hal.archives-ouvertes.fr/hal-00256392 ; Symposium International sur les Sciences du Langage Musical, Oct 2004, Saint-Rémy-de-Provence, France. pp.1-12 (2004)
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Preaspiration in Sienese Italian & Its Interaction with Stress in /VC:/ Sequences
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Speech prosody 2002 : [proceedings of the first International Conference on Speech Prosody] . - Proceedings of the ... International Conference on Speech Prosody ; 1 : Speech prosody 2002 : [proceedings of the first International Conference on Speech Prosody] . -
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MPI für Psycholinguistik
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Un projet d’Atlas Multimédia Prosodique de l’Espace Roman
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In: Speech Prosody 2002 ; https://hal.archives-ouvertes.fr/hal-01241621 ; Speech Prosody 2002, Daniel Hirst, Apr 2002, Aix-en Provence, France. pp.227-230 (2002)
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Rationalizing Musical Time: Syntactic and Symbolic-Numeric Approaches
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In: The Ratio Book ; https://hal.archives-ouvertes.fr/hal-00134179 ; BARLOW, Clarence. The Ratio Book, Feedback Papers, pp.86-101, 2001 (2001)
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Subjectivité et émotion dans la prosodie de parole et du chant : espace, coordonnées et paramètres
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In: Actes, Colloque international Emotions, Interactions & Développement ; Colloque international Emotions, Interactions & Développement ; https://hal.archives-ouvertes.fr/hal-00256391 ; Colloque international Emotions, Interactions & Développement, Jun 2001, Grenoble, France. pp.141-147 (2001)
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Le caractère spontané dans la parole et le chant improvisés : de la structure intonative au mélisme
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In: ISSN: 1373-1955 ; Revue PAROLE ; https://hal.archives-ouvertes.fr/hal-00256388 ; Revue PAROLE, Université de Mons-Hainaut, 2000, pp.251-302 (2000)
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Prosodic Patterns in the Performance of Grindmill Songs
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In: International Seminar on Linguistic and Inter-Disciplinary Approaches as Critical Resources to Development ; https://hal.archives-ouvertes.fr/hal-00256387 ; International Seminar on Linguistic and Inter-Disciplinary Approaches as Critical Resources to Development, Jul 2000, Mysore, India (2000)
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Bol Processor Grammars
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In: Understanding Music with AI ; https://hal.archives-ouvertes.fr/hal-00256386 ; Mira Balaban. Understanding Music with AI, AAAI Press, pp.366-400, 1992 (1992)
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Modelling improvisatory and compositional processes
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In: Languages of Design, Formalisms for Word, Image and Sound ; https://hal.archives-ouvertes.fr/hal-00256385 ; Languages of Design, Formalisms for Word, Image and Sound, 1992, 1 (1), pp.11-26 (1992)
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Abstract:
International audience ; An application of formal languages to the representation of musical processes is introduced. Initial interest was the structure of improvisation in North Indian tabla drum music, for which experiments have been conducted in the field as far back as 1983 with an expert system called the Bol Processor, BP1. The computer was used to generate and analyze drumming patterns represented as strings of onomatopeic syllables, bols, by manipulating formal grammars. Material was then submitted to musicians who assessed its accuracy and increasingly more elaborate and sophisticated rule bases emerged to represent the musical idiom. Since several methodological pitfalls were encountered in transferring knowledge from musician to machine, a new device, named QAVAID, was designed with the capability of learning from a sample set of improvised variations supplied by a musician. A new version of Bol Processor, BP2, has been implemented in a MIDI studio environment to serve as a aid to rule-based composition in contemporary music. Extensions of the syntactic model, such as substitutions, metavariables, and remote contexts, are briefly introduced.
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Keyword:
[INFO.INFO-AI]Computer Science [cs]/Artificial Intelligence [cs.AI]; [SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts; bol processor; cognitive anthropology; ethnomusicology; Formal grammars; knowledge acquisition; pattern languages
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URL: https://hal.archives-ouvertes.fr/hal-00256385 https://hal.archives-ouvertes.fr/hal-00256385/document https://hal.archives-ouvertes.fr/hal-00256385/file/278.pdf
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Modelling music with grammars: formal language representation in the Bol Processor
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In: Computer Representations and Models in Music ; https://halshs.archives-ouvertes.fr/halshs-00004506 ; Computer Representations and Models in Music, Academic Press, pp.207-238, 1992 (1992)
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Knowledge acquisition and representation in music ; Acquisition et représentation de connaissances en musique
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In: https://tel.archives-ouvertes.fr/tel-00009692 ; Génie logiciel [cs.SE]. Université de droit, d'économie et des sciences - Aix-Marseille III, 1990. Français (1990)
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Inférence de langages réguliers
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In: Actes, Journées Françaises de l'Apprentissage ; Journées Françaises de l'Apprentissage ; https://hal.archives-ouvertes.fr/hal-00275789 ; Journées Françaises de l'Apprentissage, 1990, Lannion, France. pp.5-27 (1990)
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