| 1 |
Avatars and Rituals: Immersive Religious Practices in the Digital Space
|
|
|
|
BASE
|
|
Show details
|
|
|
| 2 |
“Dance a Clean Dream”: Agency In Language In Gertrude Stein’s Tender Buttons
|
|
|
|
In: Higbee, Erika. (2019). “Dance a Clean Dream”: Agency In Language In Gertrude Stein’s Tender Buttons. UC Irvine: Humanities Honors Program. Retrieved from: http://www.escholarship.org/uc/item/21t8c1p5 (2019)
|
|
BASE
|
|
Show details
|
|
|
| 3 |
A sombra do Curso (1960-1980)
|
|
|
|
In: Leitura ; https://hal.archives-ouvertes.fr/hal-01954773 ; Leitura, 2019, Novo retorno a Saussure, 62 (1), p. 394-414 ; http://www.seer.ufal.br/index.php/revistaleitura/article/view/5480 (2019)
|
|
BASE
|
|
Show details
|
|
|
| 4 |
Palabras extrañas a sí mismas: una aproximación desde la hermenéutica intercultural al bilingüismo de Julia Kristeva
|
|
Espino, T. (Tomás). - : Servicio de Publicaciones de la Universidad de Navarra, 2019
|
|
BASE
|
|
Show details
|
|
|
| 5 |
Les théories du texte contemporaines à l’aune des anagrammes
|
|
|
|
In: Texte et discours en confrontation dans l'espace européen ; https://hal.archives-ouvertes.fr/hal-02015081 ; Driss A., Achard-Bayle G., Reboul-Touré S. & Temmar M. Texte et discours en confrontation dans l'espace européen, Peter Lang, p. 447-462., 2018, 978-3-0343-2660-5 ; https://www.peterlang.com/view/title/61869?format=EPDF (2018)
|
|
BASE
|
|
Show details
|
|
|
| 6 |
Tota mulier ex utero: An Empathetic Reading of Contemporary French Abortion Narratives ...
|
|
|
|
BASE
|
|
Show details
|
|
|
| 7 |
Dreaming of disaster: ; displacements of public memory and Hurricane Katrina
|
|
|
|
BASE
|
|
Show details
|
|
|
| 8 |
Contre l’abject : le détective chez Pan Bouyoucas
|
|
|
|
In: Voix Plurielles; Vol 15 No 1 (2018); 45-59 ; Voix Plurielles; Vol. 15 No 1 (2018); 45-59 ; 1925-0614 (2018)
|
|
BASE
|
|
Show details
|
|
|
| 9 |
Intense Singularities: Dieter Roth's and Henning Christiansen's Processual Aesthetics
|
|
|
|
BASE
|
|
Show details
|
|
|
| 10 |
The Soul in Paraphrase: Language and Identity in James Joyce and Kate O'Brien
|
|
|
|
In: Honors Theses (2017)
|
|
BASE
|
|
Show details
|
|
|
| 11 |
Readerly Dialogues: Reception, Intertextuality, and the Other in Contemporary French Women’s Writing
|
|
|
|
BASE
|
|
Show details
|
|
|
| 12 |
Reviving the vanishing subject: the subject as abject in postmodern memoir
|
|
|
|
BASE
|
|
Show details
|
|
|
| 13 |
The tip of two tongues: the dialectics of the voice in art
|
|
Schmidt, Simone Bianca. - : Monash University. Faculty of Art, Design and Architecture. Department of Fine Art, 2016
|
|
BASE
|
|
Show details
|
|
|
| 14 |
A polyphony of the mind: intertextuality in the music of Salvatore Sciarrino
|
|
|
|
Abstract:
This dissertation examines the work of the Italian composer Salvatore Sciarrino (b. 1947), attempting to find a pathway for analysis that can address both its apparent structural simplicity, and its equally apparent intertextual nature. The first chapter demonstrates that typical methods of structuralist (i.e., formalist / harmonicist) analysis fail to engage with what is most pertinent in Sciarrino’s compositional language. It does this by showing how three different kinds of music that the composer writes, problematize such analysis, concluding that a poststructural alternative that is both semiotically-inflected and intertextual, is necessary. The second chapter explores how such an analysis might be constructed. It examines definitions of structuralism (both Sciarrino's, and the more generally- acknowledged definitions of literary theory and musicology), as well as the influence of poststructural semiotics on the so-called "New Musicology." The third chapter acts as a broad and thorough introduction to Sciarrino’s general aesthetic principles and approach to musical material. The fourth and final chapter begins by setting forth a model for intertextual analysis that combines Peircean semiotics, poststructuralist literary theory, and the topic theory of Robert Hatten and Raymond Monelle, and applies it to two works that embody contrasting types of intertextuality in Sciarrino’s oeuvre: Sei Quartetti Brevi, and Efebo con Radio. This pathway into the music, though somewhat unwieldy, enables us to go beyond superficial observations of Sciarrino’s aesthetic and to see how it constitutes a critique of both structural "systematicity" and indeterminacy. It offers an important alternative route through musical Modernity, one that rejects an aestheticized Hegelian dialectical understanding of (music) history. In the end, Sciarrino is shown to be not a structuralist or a poststructuralist, but, in the words of Svetlana Boym, an "Off-Modern" composer.
|
|
Keyword:
Alberto Burri; Anamorphosis; Avant garde; Charles Sanders Peirce; Circular memories; Close reading; Contemporary classical music; Darmstadt School; Distortion; Double; Efebo con radio; Formalism; Fragments; Hyperrealism; Intertextuality; Julia Kristeva; Lucio Fontana; Melancholy; Melancolia; Misprision; Modernity; Music analysis; Music composition; Music history; Musical quotation; Musicology; Musique Concrète Instrumentale; Naturalism; New Musicology; Nostalgia; Off-modern; Phonematic devices; Postmodernism; Poststructuralism; Process; Raymond Monelle; Reflective nostalgia; Robert Hatten; Roland Barthes; Salvatore Sciarrino; Sei quartetti brevi; Semiotics; Serialism; Simulacrum; Spatialism; Structural organicism; Structuralism; Topic theory; Ungrammaticality
|
|
URL: http://hdl.handle.net/2142/90482
|
|
BASE
|
|
Hide details
|
|
|
| 16 |
Wastelands, Revolutions, Failures
|
|
|
|
In: http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1429889399 (2015)
|
|
BASE
|
|
Show details
|
|
|
| 17 |
Historical Violence and Modernist Form in Zoe Wicomb's David's Story
|
|
|
|
In: Theses and Dissertations (2015)
|
|
BASE
|
|
Show details
|
|
|
| 18 |
Otherness ‘without ostracism or levelling’: towards fresh orientations to teacher foreigners in early childhood education
|
|
|
|
BASE
|
|
Show details
|
|
|
| 19 |
Sublime et abjection dans « The Chinese Lobster » de A.S. Byatt
|
|
Petit, Laurence. - : Département d'études françaises, Université de Toronto, 2014. : Érudit, 2014
|
|
BASE
|
|
Show details
|
|
|
|
|
