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Avatars and Rituals: Immersive Religious Practices in the Digital Space
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“Dance a Clean Dream”: Agency In Language In Gertrude Stein’s Tender Buttons
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In: Higbee, Erika. (2019). “Dance a Clean Dream”: Agency In Language In Gertrude Stein’s Tender Buttons. UC Irvine: Humanities Honors Program. Retrieved from: http://www.escholarship.org/uc/item/21t8c1p5 (2019)
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A sombra do Curso (1960-1980)
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In: Leitura ; https://hal.archives-ouvertes.fr/hal-01954773 ; Leitura, 2019, Novo retorno a Saussure, 62 (1), p. 394-414 ; http://www.seer.ufal.br/index.php/revistaleitura/article/view/5480 (2019)
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Palabras extrañas a sí mismas: una aproximación desde la hermenéutica intercultural al bilingüismo de Julia Kristeva
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Espino, T. (Tomás). - : Servicio de Publicaciones de la Universidad de Navarra, 2019
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Les théories du texte contemporaines à l’aune des anagrammes
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In: Texte et discours en confrontation dans l'espace européen ; https://hal.archives-ouvertes.fr/hal-02015081 ; Driss A., Achard-Bayle G., Reboul-Touré S. & Temmar M. Texte et discours en confrontation dans l'espace européen, Peter Lang, p. 447-462., 2018, 978-3-0343-2660-5 ; https://www.peterlang.com/view/title/61869?format=EPDF (2018)
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Tota mulier ex utero: An Empathetic Reading of Contemporary French Abortion Narratives ...
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Dreaming of disaster: ; displacements of public memory and Hurricane Katrina
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Contre l’abject : le détective chez Pan Bouyoucas
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In: Voix Plurielles; Vol 15 No 1 (2018); 45-59 ; Voix Plurielles; Vol. 15 No 1 (2018); 45-59 ; 1925-0614 (2018)
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Intense Singularities: Dieter Roth's and Henning Christiansen's Processual Aesthetics
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Abstract:
This thesis examines the potential flux and indeterminacy within an aesthetic experience, with a particular focus on the works of Dieter Roth and Henning Christiansen. This study looks at the desires, forces, and energies that are at work in the aesthetic experience, and further, aims to evoke the nature of the intensities that are generated through each interaction. Informed by Jean-Francois Lyotard and Julia Kristeva, this research shifts the perspective from a fixed systematic approach that is concerned with the works objective qualities, inherent essence, or material properties, to a processual approach that works through the nuances, ambiguities, and energies that constitute arts vitality. Applying Lyotards libidinal aesthetics to works of art whose materiality is transitory adds further complexity to an understanding of the energies and forces that are at work in an aesthetic experience, initiating a theory of perpetual flux, fragmentation, and singular intensities.
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Keyword:
Aesthetics; Contemporary art; Dieter Roth; Henning Christiansen; Jean-Francois Lyotard; Julia Kristeva; Linguistics; Phenomenology; Philosophy; Psychoanalysis
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URL: http://hdl.handle.net/10315/34521
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The Soul in Paraphrase: Language and Identity in James Joyce and Kate O'Brien
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In: Honors Theses (2017)
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Readerly Dialogues: Reception, Intertextuality, and the Other in Contemporary French Women’s Writing
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Reviving the vanishing subject: the subject as abject in postmodern memoir
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The tip of two tongues: the dialectics of the voice in art
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Schmidt, Simone Bianca. - : Monash University. Faculty of Art, Design and Architecture. Department of Fine Art, 2016
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A polyphony of the mind: intertextuality in the music of Salvatore Sciarrino
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Wastelands, Revolutions, Failures
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In: http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1429889399 (2015)
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Historical Violence and Modernist Form in Zoe Wicomb's David's Story
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In: Theses and Dissertations (2015)
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Otherness ‘without ostracism or levelling’: towards fresh orientations to teacher foreigners in early childhood education
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Sublime et abjection dans « The Chinese Lobster » de A.S. Byatt
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Petit, Laurence. - : Département d'études françaises, Université de Toronto, 2014. : Érudit, 2014
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