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Migration from Post-Soviet countries to Poland and the Baltic States: trends and features
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In: Baltic Region ; 13 ; 4 ; 79-94 (2022)
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Spaces, Places, and Geographies of Public Spheres: Exploring Dimensions of the Spatial Turn
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In: Media and Communication ; 9 ; 3 ; 1-4 ; Spaces, Places, and Geographies of Public Spheres (2022)
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Structures of the Public Sphere: Contested Spaces as Assembled Interfaces
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In: Media and Communication ; 9 ; 3 ; 16-27 ; Spaces, Places, and Geographies of Public Spheres (2022)
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Relational Urbanisation, Resilience, Revolution: Beirut as a Relational City?
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In: Urban Planning ; 7 ; 1 ; 183-192 ; Urbanisation, Crisis, and Resilience: The Multiple Dimensions of Urban Transformation in Beirut, Lebanon (2022)
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Planning Adaptation: Accommodating Complexity in the Built Environment
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In: Urban Planning ; 7 ; 1 ; 44-55 ; City as Flux: Interrogating the Changing Nature of Urban Change (2022)
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Walker Ave
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Abstract:
This project, Walker Ave, is my love letter to Memphis, Memphis music, and Memphis musicians. As an outsider originally from Colorado, I have teamed up with local musicians and producers to help capture the “Memphis Sound”—samples from Memphis musicians like Three Six Mafia, “scary” synthesized strings, quick hi-hat patterns on the Roland TR-808 drum machine (or synthesized version of the “808”), Blues themes and chord progressions, and the dialectic slang and accent unique to the region can all be responsible for a Memphis musical identity. Despite Memphis often being described in the news as a dangerous cesspit of an inner city buoyed only by the prevalent positive advertisement of the histories of Elvis Presley and the blues, the city of Memphis creates music that influences and inspires musicians across place and time. In hip hop specifically, Three Six Mafia created a unique form of southern trap characterized by sampling, “scary” synth strings, dark, brooding keyboard lines, trap hi-hats, triplet rhythms, and 808 drum lines that is constantly innovated and embellished upon by Memphis’ new generation of rappers and producers. New-age artists like Moneybagg Yo, Young Dolph, Key Glock, Duke Deuce, and Pooh Shiesty team up with producers like Tay Keith, HitKidd, RealRed, and TP808s to continually evolve the “classic” 808 drum sounds and beats and utilize the typical synth sounds, but in new ways—infusing their own individual styles and voices into the current version of the “Memphis Sound.” As a result of the stereotypical view of Memphis as crime-ridden and unremarkable (a perspective motivated by its demographics as one of the few majority-Black cities in the country), evidenced by its label as “the most dangerous city in America” according to U.S. News and its low quality of life rankings on travel sites, very little credit is given to individuals, organizations, and creatives in the city. Music is a large part of both the illness (in that the benevolent focus on Presley discredits other music from the city) and the remedy in this sense, and by exposing and promoting the unique and remarkable musical characteristics of Memphis, I believe this image can be shifted. The negative connotations typically associated with the city can be racist and harmful in many ways, but with music as a vehicle this project serves to push back again those narratives and educate outsiders on the groundbreaking and trendsetting nature of Memphis music of all genres.
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Keyword:
Hip Hop; Institute for Regional Studies; Lightskin Legend; Memphis; Memphis Music; Rap; Student Research
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URL: http://hdl.handle.net/10267/35965
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International Bilingual Journal of Culture, Anthropology and Linguistics ...
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Mitteldeutschland - Regionalbegriff und Handlungsraum
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In: "Metropolregion Mitteldeutschland" aus raumwissenschaftlicher Sicht ; 30 ; Arbeitsberichte der ARL ; 13-51 (2021)
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Kleinstädte als Forschungsgegenstand: Bestimmungsmerkmale, Bedeutungen und Zugänge
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In: Kompendium Kleinstadtforschung ; 16 ; Forschungsberichte der ARL ; 5-23 (2021)
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Coffeehouses (re)appropriated: counterpublics and cultural resistance in Tabriz, Iran
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In: Urban Planning ; 5 ; 4 ; 183-192 ; Built environment, ethics and everyday life (2020)
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Urban Narrative: Computational Linguistic Interpretation of Large Format Public Participation for Urban Infrastructure
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In: Urban Planning ; 5 ; 4 ; 20-32 ; The City of Digital Social Innovators (2020)
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Metropole - Größe, Funktion und Symbolik: Eine quantitative Textanalyse deutscher Printmedien für Berlin und Hamburg
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In: Raumforschung und Raumordnung / Spatial Research and Planning ; 78 ; 3 ; 213-231 (2020)
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Wie entstehen Themen in der Planungswissenschaft?
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In: Raumforschung und Raumordnung / Spatial Research and Planning ; 77 ; 3 ; 225-240 (2020)
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Integration Geflüchteter in nordrhein-westfälischen Städten und Gemeinden
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In: 12 ; FGW-Studie Integrierende Stadtentwicklung ; 79 (2020)
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Comparative Planning Research, Learning, and Governance: The Benefits and Limitations of Learning Policy by Comparison
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In: Urban Planning ; 5 ; 1 ; 11-21 ; Comparative Planning, Learning and Evolving Governance (2020)
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Urban Arrival Infrastructures between Political and Humanitarian Support: The 'Refugee Welcome' Mo(ve)ment Revisited
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In: Urban Planning ; 5 ; 3 ; 67-77 ; Urban Arrival Spaces: Social Co-Existence in Times of Changing Mobilities and Local Diversity (2020)
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Integration Geflüchteter in groß- und kleinstädtischen Räumen in NRW: Zugang zu Wohnung, Arbeit und Kontakten
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In: 12 ; FGW-Impuls Integrierende Stadtentwicklung ; 4 (2020)
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Dauercamping als multilokale Wohnform
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In: Multilokale Lebensführungen und räumliche Entwicklung: ein Kompendium ; 13 ; Forschungsberichte der ARL ; 253-259 (2020)
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Bildungsforschung mit Daten der amtlichen Statistik ; Educational research with data of official statistics
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In: Fickermann, Detlef [Hrsg.]; Weishaupt, Horst [Hrsg.]: Bildungsforschung mit Daten der amtlichen Statistik. Münster ; New York : Waxmann 2019, S. 11-18. - (Die Deutsche Schule, Beiheft; 14) (2019)
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Bildungsforschung mit Daten der amtlichen Statistik
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In: Münster ; New York : Waxmann 2019, 267 S. - (Die Deutsche Schule, Beiheft; 14) (2019)
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