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All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year Sort by creator [A → Z]' creator [Z → A]' publishing year ↑ (asc)' publishing year ↓ (desc)' title [A → Z]' title [Z → A]' Simple Search Page: 1...194 195 196 197 198 199 200 201 202 Hits 3.941 – 3.960 of 4.038 3941 Re-sounding Harlem Renaissance narratives : the repetition and representation of identity through sound in Nella Larsen's Passing and Toni Morrison's Jazz Aragon, Racheal. - : Oregon State University BASE Show details 3942 The similarity of texted musical grammar to oral communication : exploring grammar, text and content with examples from fieldwork with Grupo Kultura Herrera, Tere Lynn. - : oregon state university BASE Show details 3943 Bernstein's unanswered question: A journey from linguistic deep structure to the metaphysics of music. Thomas, Naomi.; Florida Atlantic University. BASE Show details 3944 The effects of music and the Somatron (RTM) on the physiological and speech responses of head injured and comatose subjects Grundy, Allison L. - : Florida State University Libraries BASE Show details 3945 The cultural politics of commercial jazz. Cartwright, Joan R.; Florida Atlantic University. BASE Show details 3946 The relationship between vocal pitch-matching and learning disabilities. Mozingo, John Marshall.; Florida Atlantic University. BASE Show details 3947 RHYTHMS OF RESISTANCE: ON RHETORIC AND REGGAE MUSIC (JAMAICA, RASTAFARI). MULVANEY, BECKY MICHELE.; The University of Iowa. BASE Show details 3948 A HISTORY OF THE GREATER MIAMI OPERA: 1941-1983 (FLORIDA) BRAZ, MICHAEL LEE. - : Florida State University Libraries BASE Show details 3949 The dialectical structure of W. A. Mozart's "Die Zauberfloete": A phenomenological analysis. (Volumes I and II) Burns, Ellen J. - : Florida State University Libraries BASE Show details 3950 The Effect of Melodic and Rhythmic Interventions on Typical Hearing and Deaf/Hard-of-Hearing Preschool Children's Acquistion of Selected Vocabulary Words Novak, Julie (authoraut); Darrow, Alice-Ann (professor directing thesis); Madsen, Clifford K. (committee member). - : Florida State University BASE Show details 3951 Workers, Unite!: The Political Songs of Hanns Eisler, 1926-1932 Jackson, Margaret R. (authoraut); Pope, Jerrold (professor directing treatise); Van Glahn, Denise (committee member). - : Florida State University BASE Show details 3952 A Comparison of Hearing and Deaf/Hard-of-Hearing Students' Use of Analytic, Figurative, and Temporal Language in Descriptions of Music Swedberg, Olivia (authoraut); Darrow, Alice-Ann (professor directing thesis); Madsen, Clifford K. (committee member). - : Florida State University BASE Show details 3953 Amy Beach's Cabildo: An American Opera Powlison, Nicole M. (Nicole Marie) (authoraut); Seaton, Douglass (professor directing dissertation); Fisher, Douglas L. (university representative); Eyerly, Sarah (committee member); Pelkey, Stanley C. (committee member); Florida State University (degree granting institution); College of Music (degree granting college). - : Florida State University Abstract: In June 1932 Amy Beach (1867–1944) arrived at her studio at the MacDowell Colony in Peterborough, New Hampshire, to begin working in one of the few major musical genres that she had yet to attempt in her career: an opera, called Cabildo. The libretto for the chamber opera, given to her by Atlanta author, playwright, and fellow Colonist Nan Bagby Stephens (1883–1946), was based on Stephens's own play with the same title. Cabildo's creators had to negotiate the multifaceted artistic expression of American identity through the work's music and plot. The English libretto, rich with local color in sections of dialect, was blended with the sounds of Creole folk tunes and Beach's own art songs to spin a romantic tale of dashing pirates and ghostly lovers, set during the height of the Battle of New Orleans, the final conflict of the War of 1812. Well received at its modest premiere at the University of Georgia in 1945, Beach's only opera remains unpublished and rarely studied or performed. A primary component of this project is the critical edition of Amy Beach's only opera, Cabildo, op. 149, completed in 1932. This edition is prepared to professional publication standards and provides a resource for both scholarly study and performance. The original draft and performance manuscripts of the score from archives at the University of New Hampshire and the University of Missouri-Kansas City provide the source material for the edition. In addition to the critical edition, the dissertation provides a "thick description" of Cabildo that locates the opera in its historical context. Relying on primary source materials such as Beach's diaries and newspaper or magazine articles, this description places the work in the composer's life as a new type of project that comes at the very end of her career, and an opportunity to collaborate with another woman. The description also identifies musical works with contemporary themes or methods to draw comparisons between Cabildo and its contemporaries, placing it in the context of the varied styles of American English-language opera in the 1930s. Cabildo represents one way in which a particular American opera expresses national identity through music and plot. Composers such as Beach attempted to negotiate the aesthetic conundrum that demanded that American art music be of the highest cosmopolitan standards while still having something distinctly "American" about it. This was complicated by the desire of many composers to incorporate American musics that lay outside the European musical heritage, including the simultaneously local and exotic musical materials from African American and Native American cultures. Cabildo exemplifies this complex negotiation of American identity in opera: it is an American opera with a libretto in English, treating a historical topic important to the history of the United States, yet incorporating a mix of Creole folk songs and dialect with music in Beach's own style, all set in the exotic location of New Orleans. By uniting a significant event from national history with a distinctive regional music set in a familiar Romantic style, Beach and Stephens created an opera that is at once intrinsically American and still appealing to a diverse and cosmopolitan audience. ; A Dissertation submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ; Spring Semester 2017. ; April 5, 2017. ; 1930s, Amy Beach, Cabildo, Nan Bagby Stephens, Opera ; Includes bibliographical references. ; Douglass Seaton, Professor Directing Dissertation; Douglas Fisher, University Representative; Sarah Eyerly, Committee Member; Stanley Pelkey, Committee Member. Keyword: Music URL: http://diginole.lib.fsu.edu/islandora/object/fsu%3A513769/datastream/TN/view/Amy%20Beach%27s%20Cabildo.jpg http://purl.flvc.org/fsu/fd/FSU_2017SP_Powlison_fsu_0071E_13860 BASE Hide details 3954 Appalachian Folksongs in the Choral Setting: Regional History, Traditional Performance Practice, and Guidelines for Arranging and Performance Kotsonis, Amy (authoraut); Thomas, André (professor directing dissertation); Gunderson, Frank (university representative). - : Florida State University BASE Show details 3955 ¡Casinando!: Identity, Meaning, and the Kinesthetic Language of Cuban Casino Dancing Martinez, Brian (authoraut); Gunderson, Frank (professor directing thesis); Bakan, Michael (committee member). - : Florida State University BASE Show details 3956 Historical, Cultural, Educational, and Traditional Influences in Irish Choral Settings from 1922 to the Present Barry, Anne (authoraut); Thomas, Andre J. (Andre Jerome) (professor directing dissertation); Brister, Wanda (university representative). - : Florida State University BASE Show details 3957 The dialectical structure of W. A. Mozart's "Die Zauberfloete": A phenomenological analysis. (Volumes I and II) Burns, Ellen J.; Florida State University BASE Show details 3958 Louis Moreau Gottschalk, John Sullivan Dwight, and the Development of Musical Culture in the United States, 1853-1865 Pruett, Laura Moore (authoraut); Glahn, Denise Von (professor directing dissertation); Shaftel, Matthew (outside committee member). - : Florida State University BASE Show details 3959 Concerto for Violin and Orchesatra Castro, Logan Alan (authoraut); Jones, Evan Allan (professor directing thesis); Callender, Clifton (committee member). - : Florida State University BASE Show details 3960 A Study of Písně z Těšínska of Petr Eben Markham, Matthew (authoraut); Olsen, Stanford (professor directing treatise); Brewer, Charles (outside committee member). - : Florida State University BASE Show details Page: 1...194 195 196 197 198 199 200 201 202

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