Hits 3.941 – 3.960 of 4.038
3941 |
Re-sounding Harlem Renaissance narratives : the repetition and representation of identity through sound in Nella Larsen's Passing and Toni Morrison's Jazz
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3942 |
The similarity of texted musical grammar to oral communication : exploring grammar, text and content with examples from fieldwork with Grupo Kultura
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3943 |
Bernstein's unanswered question: A journey from linguistic deep structure to the metaphysics of music.
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3944 |
The effects of music and the Somatron (RTM) on the physiological and speech responses of head injured and comatose subjects
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3946 |
The relationship between vocal pitch-matching and learning disabilities.
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3947 |
RHYTHMS OF RESISTANCE: ON RHETORIC AND REGGAE MUSIC (JAMAICA, RASTAFARI).
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3948 |
A HISTORY OF THE GREATER MIAMI OPERA: 1941-1983 (FLORIDA)
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3949 |
The dialectical structure of W. A. Mozart's "Die Zauberfloete": A phenomenological analysis. (Volumes I and II)
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3950 |
The Effect of Melodic and Rhythmic Interventions on Typical Hearing and Deaf/Hard-of-Hearing Preschool Children's Acquistion of Selected Vocabulary Words
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3951 |
Workers, Unite!: The Political Songs of Hanns Eisler, 1926-1932
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3952 |
A Comparison of Hearing and Deaf/Hard-of-Hearing Students' Use of Analytic, Figurative, and Temporal Language in Descriptions of Music
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3954 |
Appalachian Folksongs in the Choral Setting: Regional History, Traditional Performance Practice, and Guidelines for Arranging and Performance
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3955 |
¡Casinando!: Identity, Meaning, and the Kinesthetic Language of Cuban Casino Dancing
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3956 |
Historical, Cultural, Educational, and Traditional Influences in Irish Choral Settings from 1922 to the Present
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3957 |
The dialectical structure of W. A. Mozart's "Die Zauberfloete": A phenomenological analysis. (Volumes I and II)
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3958 |
Louis Moreau Gottschalk, John Sullivan Dwight, and the Development of Musical Culture in the United States, 1853-1865
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