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All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year Sort by creator [A → Z]' creator [Z → A]' publishing year ↑ (asc)' publishing year ↓ (desc)' title [A → Z]' title [Z → A]' Simple Search Page: 1 2 3 Hits 1 – 20 of 54 1 Roman Signer's Library of Marvels - Contextualising Information ... Withers, Rachel. - : BathSPAdata, 2021 BASE Show details 2 Roman Signer's Library of Marvels - Further Contextualising Information ... Withers, Rachel. - : BathSPAdata, 2021 BASE Show details 3 Roman Signer's Library of Marvels - Contextualising Information ... Withers, Rachel. - : BathSPAdata, 2021 BASE Show details 4 Roman Signer's Library of Marvels - Further Contextualising Information ... Withers, Rachel. - : BathSPAdata, 2021 BASE Show details 5 The Revised Quadrant System for the Categorization of Internet Memes ... Her, Seong-Young. - : figshare, 2021 BASE Show details 6 The Revised Quadrant System for the Categorization of Internet Memes ... Her, Seong-Young. - : figshare, 2021 BASE Show details 7 Jose Siqueira's Oito canções populares brasileiras : an analytical and interpretative study Ramalho de Mello, Marcel. - 2020 BASE Show details 8 Natasa Thoudam - An Imagined Graphic Story of the Meitei Graphic Narrative ... Thoudam, Natasa. - : University of the Arts London, 2020 BASE Show details 9 Natasa Thoudam - An Imagined Graphic Story of the Meitei Graphic Narrative ... Thoudam, Natasa. - : University of the Arts London, 2020 BASE Show details 10 Stakeholder - Learning Design ... Hayes, Alexander. - : figshare, 2020 BASE Show details 11 Stakeholder - Learning Design ... Hayes, Alexander. - : figshare, 2020 BASE Show details 12 La Lengua Española en la Música en el Valle del Río Grande ; The Spanish Language in Music in the Rio Grande Valley Rivera, Jose Ramiro. - 2020 Abstract: Popular rhetoric relegates the Hispanic culture in South Texas to a secondary position. The Hispanic culture is dominated by the English language and American culture. Those who make these relegations argue that while Spanish is used in South Texas, it is only used in a diglossic1 setting where Spanish is used in limited familial and informal contexts while English serves as the dominant language and is used in formal and business contexts. These critics would argue that the Spanish spoken and the culture it represents in South Texas are merely a remnant of a distant past. If popular music is a cultural product, then the persistence of its production in a specific area is indicative of the permanence of that culture; therefore, the production of music serves to reinforce the culture, its permanence and its perceived value by those who sing it, produce it, and enjoy it. In this paper, I examine music recorded and/or produced in South Texas from the turn of the twentieth century to today. I argue that the continuous production of Spanish language songs in a regional voice proves that the Hispanic culture in this area has always been and continues to be valued despite popular rhetoric which would suggest the contrary. The genres included in the analysis are corridos,2 Tejano, and other popular styles. First, I analyze a collection of folk songs from the late nineteenth century known as the “Lomax Collection.” Then, I utilize more contemporary songs similar in theme, structure, or genre to those in the Lomax Collection. Through this comparative analysis, I examine how the Spanish language has not only evolved, but it has remained as a vital part of the border communities in the Rio Grande Valley and Northern Mexico over the past century. I consider how Article V of the Treaty of Guadalupe Hidalgo established the current border between both countries and how its signing in 1848 has influenced the status of the language along the Texas-Mexico border. While the border, an artificial political division, has been in place for over 150 years, the culture and language are not bridled by borders and thrive on both sides of the US-Mexico border. Keyword: Borderlands; Folk songs; Language; Language and culture--Rio Grande Valley (Colo.-Mexico and Tex.); Linguistics; Music; Spanish--Rio Grande Valley (Colo.-Mexico and Tex.); Tejano music--History and criticism; Texas URL: https://digital.library.txstate.edu/handle/10877/9862 BASE Hide details 13 1650-1850 : Ideas, Aesthetics, and Inquiries in the Early Modern Era (Volume 24) Cope, Kevin L. In: Bucknell University Press (2019) BASE Show details 14 'Thinking (in) verse': poetic thought as dialectics in rap and contemporary American poetry Page, Jeremy. - : Sydney, Australia : Macquarie University, 2019 BASE Show details 15 Rhythm and Flow in Hip-Hop Music: A Corpus Study Waller, Adam (1988 - ); Temperley, David. - 2019 BASE Show details 16 Exploring melismatic singing and the effects of emotional expression in contemporary music Youssef, Mirrae. - : Sydney, Australia : Macquarie University, 2017 BASE Show details 17 The sung self of syllables : interpretive paradigms for contemporary vocal music shown in compositions by Leroux, Chin, Lim, and Furrer Dunsby, Jonathan; Watkins, Holly; Cassidy-Heacock, Tyler (1985 - ). - 2017 BASE Show details 18 Miley in the limelight : analyzing lyrics for "party terminology" Floersch, Alexandra. - 2016 BASE Show details 19 Art song in nineteenth-century Russia : an international exploration Weaver, Anne Marie; Locke, Ralph P.. - 2015 BASE Show details 20 “Hallo, Hallo! Achtung! Achtung!.” : a performer's guide to the Theresienstadt compositions of Viktor Ullmann for the mezzo-soprano Smith, Cynthia L. (Mezzo-soprano). - 2014 BASE Show details Page: 1 2 3

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