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All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year Sort by creator [A → Z]' creator [Z → A]' publishing year ↑ (asc)' publishing year ↓ (desc)' title [A → Z]' title [Z → A]' Simple Search Page: 1 2 3 Hits 1 – 20 of 54 1 Roman Signer's Library of Marvels - Contextualising Information ... Withers, Rachel. - : BathSPAdata, 2021 BASE Show details 2 Roman Signer's Library of Marvels - Further Contextualising Information ... Withers, Rachel. - : BathSPAdata, 2021 BASE Show details 3 Roman Signer's Library of Marvels - Contextualising Information ... Withers, Rachel. - : BathSPAdata, 2021 BASE Show details 4 Roman Signer's Library of Marvels - Further Contextualising Information ... Withers, Rachel. - : BathSPAdata, 2021 BASE Show details 5 The Revised Quadrant System for the Categorization of Internet Memes ... Her, Seong-Young. - : figshare, 2021 BASE Show details 6 The Revised Quadrant System for the Categorization of Internet Memes ... Her, Seong-Young. - : figshare, 2021 BASE Show details 7 Jose Siqueira's Oito canções populares brasileiras : an analytical and interpretative study Ramalho de Mello, Marcel. - 2020 BASE Show details 8 Natasa Thoudam - An Imagined Graphic Story of the Meitei Graphic Narrative ... Thoudam, Natasa. - : University of the Arts London, 2020 BASE Show details 9 Natasa Thoudam - An Imagined Graphic Story of the Meitei Graphic Narrative ... Thoudam, Natasa. - : University of the Arts London, 2020 BASE Show details 10 Stakeholder - Learning Design ... Hayes, Alexander. - : figshare, 2020 BASE Show details 11 Stakeholder - Learning Design ... Hayes, Alexander. - : figshare, 2020 BASE Show details 12 La Lengua Española en la Música en el Valle del Río Grande ; The Spanish Language in Music in the Rio Grande Valley Rivera, Jose Ramiro. - 2020 BASE Show details 13 1650-1850 : Ideas, Aesthetics, and Inquiries in the Early Modern Era (Volume 24) Cope, Kevin L. In: Bucknell University Press (2019) BASE Show details 14 'Thinking (in) verse': poetic thought as dialectics in rap and contemporary American poetry Page, Jeremy. - : Sydney, Australia : Macquarie University, 2019 BASE Show details 15 Rhythm and Flow in Hip-Hop Music: A Corpus Study Waller, Adam (1988 - ); Temperley, David. - 2019 BASE Show details 16 Exploring melismatic singing and the effects of emotional expression in contemporary music Youssef, Mirrae. - : Sydney, Australia : Macquarie University, 2017 BASE Show details 17 The sung self of syllables : interpretive paradigms for contemporary vocal music shown in compositions by Leroux, Chin, Lim, and Furrer Dunsby, Jonathan; Watkins, Holly; Cassidy-Heacock, Tyler (1985 - ). - 2017 BASE Show details 18 Miley in the limelight : analyzing lyrics for "party terminology" Floersch, Alexandra. - 2016 BASE Show details 19 Art song in nineteenth-century Russia : an international exploration Weaver, Anne Marie; Locke, Ralph P.. - 2015 Abstract: Includes abstract and vita. --- Also contains songs by Rachmaninoff, Liszt, Glinka, Alyabyev, Dargomïzhsky, Balakirev, Tchaikovsky, Musorgsky, Grechaninov, Varlamov, Rimsky-Korsakov, Arensky, Cui, Medtner, Boradin, Schubert, Schumann, Beethoven, Bortnyansky, Zhilin, Massenet, Fauré, Rubinstein, and Vestovsky. ; The art song thrived in nineteenth-century Russa, but it did so almost entirely unencumbered by the rhetoric and musical characteristics of musical nationalism that dominate our historical narratives of Russian music. Rather, the art song, or romans (a singular noun derived from the French romance) reflects the basic cosmopolitanism of its cultural context. The genre comprises thousands of songs for voice and piano, published for domestic use in upper-class homes and salons, with substantial contributions from all of imperial Russia's best-known composers. Few of these songs show elements of musical nationalism (such as the use of folk-tunes, or identifiably Russian subject matter). Rather, composers predominatntly employed a sophisticated musical style developed from the art song traditions of western Europe, and the resulting songs often refer to lands outside of Russia through poetic texts and musical features. This cosmopolitanism offers one of the most compelling reasons for the genre's current state of neglect--the most recent full-length monograph on the romans (Vasina-Grossman, 1956) dates from more than a half century ago and lacks any kind of index. The existing English-language scholarship either deals with a small number of songs by a specific composer, or summarizes a large quantity of songs with very little depth. Moreover, none of the extant scholarship even mentions the many songs by Russian composers written in languages other than Russian (most often French, German, or Polish). My dissertation begins to fill this problematic gap, not with a chronological history of the art song in nineteenth-century Russia, but with a geographically-oriented exploration of the many connections between Russian composers and Western European music and literature. The art song, a genre of miniatures from the high public profiles hat render operas and symphonies problematic, illustrates the extent to which Russia was niot just an "exotic ghetto" (in Richard Taruskin's phrase) but functioned as a full participant in the European musical tradition. Keyword: Cosmopolitanism; Music - History and criticism. - 19th century - Russia; Russian - History and criticism; Songs; Songs with piano URL: http://hdl.handle.net/1802/30051 BASE Hide details 20 “Hallo, Hallo! Achtung! Achtung!.” : a performer's guide to the Theresienstadt compositions of Viktor Ullmann for the mezzo-soprano Smith, Cynthia L. (Mezzo-soprano). - 2014 BASE Show details Page: 1 2 3

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