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Psycholinguistic norms for a set of 506 French compound words
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In: ISSN: 1554-351X ; EISSN: 1554-3528 ; Behavior Research Methods ; https://hal-univ-bourgogne.archives-ouvertes.fr/hal-03358068 ; Behavior Research Methods, Psychonomic Society, Inc, In press, ⟨10.3758/s13428-021-01601-w⟩ ; https://link.springer.com/article/10.3758%2Fs13428-021-01601-w (2021)
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ЭТНИЧЕСКАЯ ИДЕНТИЧНОСТЬ СЛЕПЫХ ПОДРОСТКОВ-БИЛИНГВОВ В АСПЕКТЕ ИХ УСПЕШНОЙ СОЦИАЛЬНОЙ ИНТЕГРАЦИИ ... : ETHNIC IDENTITY OF BLIND BILINGUAL ADOLESCENTS IN THEIR SUCCESSFUL SOCIAL INTEGRATION ...
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Songbirds are excellent auditory discriminators, irrespective of age and experience
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In: Animal Behaviour, 175 (2021)
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The Effects of multilingualism and Music Experience on Tone and Vowel Discrimination Ability
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In: Electronic Thesis and Dissertation Repository (2021)
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L'impact des variables sémantiques sur le traitement des mots
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“Tool of Enlightenment”: The Dreamachine’s Effects for Individual Autonomy
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In: Oates, Katie. (2018). “Tool of Enlightenment”: The Dreamachine’s Effects for Individual Autonomy. Refract: An Open Access Visual Studies Journal, 1(1). doi:10.5070/R71141450. Retrieved from: http://www.escholarship.org/uc/item/97z5x16t (2018)
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“Tool of Enlightenment”: The Dreamachine’s Effects for Individual Autonomy
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In: Refract: An Open Access Visual Studies Journal, vol 1, iss 1 (2018)
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“Tool of Enlightenment”: The Dreamachine’s Effects for Individual Autonomy
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In: Refract: An Open Access Visual Studies Journal, vol 1, iss 1 (2018)
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Coming to our senses: considerations for studying sensory information
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The weight of the saddened soul: the bidirectionality between physical heaviness and sadness and its implications for sensory marketing
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СИСТЕМА ГРАФИЧЕСКИХ ФОРМ ПРЕДСТАВЛЕНИЯ ИНФОРМАЦИИ В РЕШЕНИИ ПРОБЛЕМЫ ПОНИМАНИЯ ЗАДАЧНОЙ ИНФОРМАЦИИ
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СО-КОНСТРУИРОВАНИЕ: МЕТОДИКО-ДИДАКТИЧЕСКИЙ ПОДХОД БЕЗ ПАССИВНЫХ УЧАСТНИКОВ
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Making Content Sticky: What To Do When Students Don't Get It or Can't Remember It
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In: National Youth Advocacy and Resilience Conference (2015)
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The drawing of bodies and things - Embodiment, observation, and representation
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Abstract:
The Drawing of Bodies and Things documents practical and theoreticalinvestigations into the languages and processes of observational drawing. Thepractical investigations have utilised traditional drawing media and extended thedrawing process into three dimensions using motion capture technology and 3Dprinting. A series of participatory drawing exercises create collaborative worksthat question the inherent meaning—or lack thereof—in mark making, authorshipof work, and the value of the experience of creation over the value of the object. Thebody of work questions the heavily codified nature of western representationaldrawing and how fragile or constructed the standard methods of illusionisticrepresentation may be. The investigation focuses on the sensory experience ofobservational drawing, and the viewing of representational images and drawingsproduced through observational drawing processes. More specifically, TheDrawing of Bodies and Things details the relationship between drawing and thevisual, tactile, haptic, and proprioceptive senses, as well as the interactions andexchanges between these senses. The investigation addresses the readability andcodification of representative marks in traditional and contemporary drawingpractices, specifically observational and figurative drawing techniques.The written thesis addresses relevant theoretical, historical, and conceptualreadings of representational and observational drawing as described by DeannePetherbridge and John Berger; phenomenological concepts of self, perception,embodiment, and being as described by Maurice Merleau-Ponty and expandedupon by David Michael Levin; and recent neuroscientific understandings andneurophilosophical concepts of the transparent self-model and internal simulatedworld-model as described by Thomas Metzinger. These readings are presented indialogue with the practical body of work as well as analysis of other contemporaryartists addressing embodiment, observational drawing, and representational markmaking.
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Keyword:
3d printing; Collaborative drawing; Drawing; Mark making; Motion capture; Observational drawing; Proprioception; representational drawing; Tactile sensory experience; Tactility; Taptic sense
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URL: http://handle.unsw.edu.au/1959.4/55207 https://unsworks.unsw.edu.au/fapi/datastream/unsworks:36792/SOURCE02?view=true
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