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Hits 121 – 140 of 19.019

121
Problemes de la periodització en història de la llengua ; Problems of the periodization in the history of the language
In: Caplletra. Revista Internacional de Filologia.; Caplletra 71 (tardor 2021); 157-173 ; Caplletra. Revista Internacional de Filologia; Caplletra 71 (tardor 2021); 157-173 ; 2386-7159 ; 0214-8188 (2021)
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122
Non-Māori-speaking New Zealanders have a Māori proto-lexicon
Oh Y; Needle J; Todd, Simon. - : Springer Science and Business Media LLC, 2021
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123
Poets, translators and clever slaves in Ancient Rome
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124
A Review of Indigenous Second Language Acquisition: Factors leading to proficiency in te reo Māori (the Māori language)
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125
Introduction: Phonetic fieldwork in southern New Guinea ; Phonetic fieldwork in southern New Guinea (Introduction)
Schokkin, Dineke; Lindsey, Kate L.. - : University of Hawai'i Press, 2021
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126
Phonetic fieldwork in southern New Guinea
Lindsey, Kate L.; Schokkin, Dineke. - : University of Hawai'i Press, 2021
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127
What do we revitalise?
Sallabank J; King, Jeanette. - : Cambridge University Press, 2021
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128
What Do We Revitalise?
King, Jeanette. - : Cambridge University Press, 2021
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129
The evolution of identity research in CALL: From scripted chatrooms to engaged construction of the digital self
Klimanova, Liudmila. - : University of Hawaii National Foreign Language Resource Center, 2021. : Center for Language & Technology, 2021. : (co-sponsored by Center for Open Educational Resources and Language Learning, University of Texas at Austin), 2021
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130
Bornistik : sprach- und kulturwissenschaftliche Perspektiven auf die Romania und die Welt
Leschzyk, Dinah; Müller, Katharina; Ladilova, Anna. - : Justus-Liebig-Universität Gießen, 2021. : FB 05 - Sprache, Literatur, Kultur. Romanistik, 2021
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131
Język niemiecki jako źródło kalk leksykalnych w polszczyźnie XIX i XX wieku
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132
Content edulcoration as ideology visualization in an English language coursebook
In: Praxema (2021)
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133
Синтаксическая организация стихотворных сочинений А. Д. Кантемира ; Syntactic Organisation of A. D. Kantemir’s Poems
Patroeva, N. V.; Патроева, Н. В.. - : Уральский федеральный университет, 2021
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134
Corpora e storia della lingua
Cortelazzo, Michele A.. - : EUT Edizioni Università di Trieste, 2021
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135
Von A wie Aspekt bis Z wie Zdvořilost. Ein Kaleidoskop der Slavistik für Tilman Berger zum 65. Geburtstag
Brehmer, Bernhard; Perevozchikova, Tatiana; Gattnar, Anja. - : Tübingen Library Publishing, 2021
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136
Die Kodifizierungsdiskussion des Sardischen - ein historischer Abriss mit Fokus auf die 2000er-Jahre
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137
Standardization in Balkan Slavic Diachronic Research
In: Šimko, Ivan (2021). Standardization in Balkan Slavic Diachronic Research. Slovene = Словене : International journal of slavic studies, 10(2):217-251. (2021)
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138
The Bard in Napoleonic France and Revivalist Wales: a contrasting symbol of nationality, resistance and liminality
In: e-Keltoi: Journal of Interdisciplinary Celtic Studies (2021)
Abstract: Spurred by antiquarianism and the quest for a pan-Celtic, non-classical mythology, two infamous translators and forgers sparked influential and prolific artistic production in the late 18th and early 19th centuries. James Macpherson (1736-1796) and his Ossian provided fuel to the fire stoked by Napoleon Bonaparte for a new imperial art, and Edward Williams (Iolo Morganwg, 1747-1826) contributed to an ardent cultural revival in Wales. Both writers have garnered renewed scholarly attention in recent decades, mostly focused on uncovering the genuine Celtic and medieval sources from which they so liberally borrowed. However, scant attention has been paid to the art inspired by Macpherson and Morganwg, especially in comparison with each other. Often art media featuring neo-Celtic bards are broadly categorized together under the term “Early Romanticism.” While there are meaningful parallels in the art of Napoleonic France and the art of the Welsh Celtic Revival, understanding their differences offers valuable insights and a more sophisticated view of the period to which they belonged. Both nations were experiencing tremendous but totally different upheavals, yet their artists used mirroring subject matter to express popular sentiments. Why was the Bard such a popular, and indeed political, figure in the art of France and Wales? In this paper, I offer a comparative analysis of the Bard viewed through the lens of the paintings, poetry, music and sculpture of French Ossianism and the Welsh Celtic Revival. Artists of both nations were inspired to use the Bard as a conduit to express social and civic flux, nationality, and liminality, but to different ends. Ultimately, the Bard was an artistic implement for nation building in both France and Wales, but the differences illuminate the historical contexts of each. By closely examining and contrasting the Bard as a singular subject matter in art, this study offers a new perspective on this under-explored part of European art history.
Keyword: and Archaeology; Architecture; bards; Celtic Studies; Celticism; English Language and Literature; Folklore; History; History of Art; Iolo Morganwg; James Macpherson; Linguistics; medievalism; Napoleonic art; Ossian; Welsh nationalism
URL: https://dc.uwm.edu/ekeltoi/vol4/iss1/4
https://dc.uwm.edu/cgi/viewcontent.cgi?article=1063&context=ekeltoi
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139
Introduction: A historical overview of terminology management and scholarship
Li, Saihong; Hope, William. - : Routledge, 2021. : London, 2021
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140
Thomas Reid on Language and Mind
In: Electronic Thesis and Dissertation Repository (2021)
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