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Analyses vidéofibroscopiques et acoustiques des ornements du Chant Long Mongol; comparaison avec la laryngectomie partielle
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In: Séminaires de Recherche en Phonétique et Phonologie ; https://halshs.archives-ouvertes.fr/halshs-00609137 ; Séminaires de Recherche en Phonétique et Phonologie, Mar 2011, Paris, France (2011)
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| 62 |
The African "lax" question prosody: an update
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In: Conference in phonetics and phonology NINJAL ; https://halshs.archives-ouvertes.fr/halshs-00679888 ; Conference in phonetics and phonology NINJAL, Dec 2011, Kyoto, Japan (2011)
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| 63 |
A phonetic and phonological account of "consonantless children"
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In: 12th International Congress for the study of child langauge ; https://halshs.archives-ouvertes.fr/halshs-00679935 ; 12th International Congress for the study of child langauge, Jul 2011, Montréal, Canada (2011)
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| 64 |
Downstep and linguistic scaling in Dagara-Wulé
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In: Tones and features: phonetic and phonological perspectives ; https://halshs.archives-ouvertes.fr/halshs-00679145 ; John A. Goldsmith, Elizabeth Hume, W. Leo Wetzels. Tones and features: phonetic and phonological perspectives, De Gruyter Mouton, pp.108-136, 2011, Studies in Generative Grammar (2011)
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| 65 |
Intonations de question totale et zones phonologiques en Afrique
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In: Séance de la Société de linguistique de Paris ; https://halshs.archives-ouvertes.fr/halshs-00679947 ; Séance de la Société de linguistique de Paris, May 2011, Paris, France (2011)
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| 66 |
Sons africains
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In: ISSN: 1244-5460 ; Faits de langues ; https://halshs.archives-ouvertes.fr/halshs-00679139 ; Faits de langues, Brill, 2011, pp.235-246 (2011)
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Papers from the Workshop on Bantu relative clauses. - ZAS papers in linguistics ; 53 : Papers from the Workshop on Bantu relative clauses. -
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MPI für Psycholinguistik
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| 73 |
Les relatives possessives en mbochi (C25)
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In: Zas Papers in Linguistics ; https://halshs.archives-ouvertes.fr/halshs-00629021 ; Zas Papers in Linguistics, 2010, 52, pp.7-31 (2010)
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| 74 |
Papers from the Workshop on Bantu Relative Clauses
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In: https://halshs.archives-ouvertes.fr/halshs-00629251 ; Laura Downing, Annie Rialland, Jean-Marc Beltzung, Sophie Manus, Cédric Patin, Kristina Riedel. Zentrum für Allgemeine Sprachwissenschaft, pp.261, 2010, ZAS Papers in Linguistics (2010)
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| 76 |
Introduction
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In: Zas Papers in Linguistics ; https://halshs.archives-ouvertes.fr/halshs-00725796 ; Zas Papers in Linguistics, 2010, pp.1-6 ; http://www.zas.gwz-berlin.de/fileadmin/material/ZASPiL_Volltexte/zp53/3_Intro.pdf (2010)
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| 77 |
Les relatives possessives en embosi (C25)
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In: International workshop on Bantu relatives clauses ; https://halshs.archives-ouvertes.fr/halshs-00695467 ; International workshop on Bantu relatives clauses, Jan 2010, Paris, France (2010)
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| 78 |
Le système intonatif de l'embosi (C25): des tons de frontières superposés
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In: Colloque Annuel du Réseau Français de Phonologie ; https://halshs.archives-ouvertes.fr/halshs-00695472 ; Colloque Annuel du Réseau Français de Phonologie, Jul 2010, Orléans, France (2010)
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| 79 |
The Intonational system and prosodic hierarchy of Embosi (Bantu C25)
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In: International Conference on Prosodic Interfaces ; https://halshs.archives-ouvertes.fr/halshs-00695460 ; International Conference on Prosodic Interfaces, Nov 2010, New-Delhi, India (2010)
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| 80 |
Analogy between laryngeal gesture and acoustics in mongolian long song and partial laryngectomy
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In: ICPLA 2010: the 13th Meeting of the International Clinical Linguistics and Phonetics Association ; Congress of the International Clinical Phonetics and Linguistics Association (ICPLA) ; https://hal.archives-ouvertes.fr/hal-00525095 ; Congress of the International Clinical Phonetics and Linguistics Association (ICPLA), Jun 2010, Oslo, Norway. pp.110-111 (2010)
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Abstract:
International audience ; Objective. This paper presents the results of a multiparametrical analysis of "Mongolian Long song", named Urtyn duu in Mongolian. This is a long and slow versified melody with multiple ornamentations, which are unknown in the western occidental singing. The laryngeal behaviour observed during certain ornamentations can be compared to compensatory gesture produced by patients after partial laryngectomy. The aim of this study was to (1) analyse different laryngeal gestures and their acoustic correlate in Mongolian Long Song and to (2) understand compensatory behaviour used by patients without vocal folds (substitution voice) at the supraglottic level with aryepiglottic folds. We try to know if the laryngeal movement observed during Long Song relates to a physiological production or extreme movements in the field of degree of freedom of the larynx. Method. The study includes: (1) a physiological analysis (videofiberoptic laryngeal data of the 61 ornamentations of a song produced by a famous Mongolian singer, Narantuya, and video recordings of the singer); (2) an acoustical analysis (fundamental frequency and intensity curves of the ornamentations), (3) analysis of videofiberoptic recordings of 3 patients after supra cricoid partial laryngectomy. Results. The fiberoptic analysis, inspired by Edmondson et al. one (2006), showed two main laryngeal behaviour in producing ornamentations, with a leitmotiv: (1) "lyrical" vibratos mobilizing the entire laryngeal block; (2) "Mongolian" trills with essentially supraglottic movements, the arytenoids being mobilized independently of the rest of the laryngeal block. Furthermore, there is a basic movement of closure of the vocal folds and the participation of interarytenoid muscles and ary-epiglottic folds creating an antéroposterior vibration. This mechanism corresponds to the so called “pressed phonation”. These movements are observed in patients after supra cricoid partial laryngectomy to create a vibrating neoglottis (Crevier- Buchman, 1999). The acoustical results in Mongolian singing are high pitch and modulated melody while the patients have low pitch and monotonous speech. These movements contrasted with the absence of cervico-scapular movement of the singer producing a long song during a concert. The acoustic analysis (Dromey et al., 2003) showed: (1) for the "lyrical" vibrato: the fundamental frequency and the intensity were in-phase, with a moderate amplitude (1 to 3 semitones for the fundamental frequency, 4 to 6 dB for the intensity; 5 to 6 modulations/s); (2) for the "Mongolian" trill: the fundamental frequency and the intensity were in opposite phase, with an important amplitude (3.5 to 4.5 semitones for the fundamental frequency, 6 to 10 dB for the intensity; and 6 to 7 modulations/s) and acoustical indications of changes of laryngeal vibratory mechanisms (Castellengo et al., 2007).
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Keyword:
[SHS.LANGUE]Humanities and Social Sciences/Linguistics; [SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts; acoustics; clinical phonetics; laryngeal gesture; mongolian long song; partial laryngectomy
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URL: https://hal.archives-ouvertes.fr/hal-00525095
https://hal.archives-ouvertes.fr/hal-00525095/document
https://hal.archives-ouvertes.fr/hal-00525095/file/Pillot_Loiseau_et_al_Oslo.pdf
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