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1
Linguistic Varieties in Homegoing: Translating the Other’s Voice into Spanish
Sanz Jiménez, Miguel. - : Universidad de Alicante. Departamento de Filología Inglesa, 2022
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2
Anàlisi de les qüestions racials, la llengua vernacla i els referents culturals en la novel·la Sula, de Toni Morrison, i en les seues traduccions al català i a l’italià
Moliner Bellés, Clara. - : Universitat Jaume I, 2021
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3
Symbol, Signification, and Hashtags as Violence Against Black Bodies; A Comparative Analysis of Michelle Cliff’s No Telephone to Heaven and Claudia Rankine’s Citizen
In: Pathways: A Journal of Humanistic and Social Inquiry (2021)
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4
Talking Black: Destigmatizing Black English and Funding Bi-Dialectal Education Programs
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5
Talking Black: Destigmatizing Black English and Funding Bi-Dialectal Education Programs ...
Beaubrun, Gelsey G.. - : Columbia University, 2020
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6
What to do with Black English in a Mainstream English Curriculum?
In: Georgia Educational Research Association Conference (2020)
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7
Language, race and space: What it means to be a speaker of African American English in higher education spaces
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8
Do limão faço uma limonada: estratégias de resistência de professores negros de língua inglesa ; From lemon to lemonade: strategies arising from Black teachers in English Language Teaching
Nascimento, Gabriel. - : Biblioteca Digital de Teses e Dissertações da USP, 2020. : Universidade de São Paulo, 2020. : Faculdade de Filosofia, Letras e Ciências Humanas, 2020
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9
Making Chó bò*: Troubling Việt speak : Collaborating, translating, and archiving with family in Australian contemporary art.
Nguyen, Hong An James, Art & Design, Faculty of Art & Design, UNSW. - : University of New South Wales. Art & Design, 2020
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10
Reflexão sobre aspectos de variação linguística na tradução de Sula, de Toni Morrison
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11
Daring Depictions: An Analysis of Risks and Their Mediation in Representations of Black Suffering
In: Doctoral Dissertations (2020)
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12
African American Vernacular English and the Achievement Gap: How Teacher Perception Impacts Instruction and Student Motivation
In: http://rave.ohiolink.edu/etdc/view?acc_num=findlay1564758333725021 (2019)
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13
Black Power Is Black Language. Le lingue del ghetto come pratiche di ®esistenza ...
Taronna, Annarita. - : Iperstoria, 2019
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14
Experiments on Linguistic Profiling of Three American Dialects
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15
“Hey G!” An Examination of How Black English Language Learning High School Students from Immigrant Families Experience the Intersection of Race and Second Language Education
Pierre René, Marie-Carène. - : Université d'Ottawa / University of Ottawa, 2019
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16
Racism in English Language Teaching? Autobiographical Narratives of Black English Language Teachers in Brazil
In: Revista Brasileira de Linguística Aplicada, Vol 19, Iss 4, Pp 959-984 (2019) (2019)
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17
On African-American rhetoric
Gilyard, Keith; Banks, Adam J.. - London : Routledge, 2018
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18
Adapting to College Life: An Ethnographic Study of the Linguistic Challenges Faced by Domestic Black Immigrant Students at Bridgewater State University
Remy, Johnson (Carter)
In: Honors Program Theses and Projects (2018)
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19
Divine Quiet: Phillis Wheatley’s Gentle Mastery of Meter, Genre, and Address
Murphy, Dana Michelle. - : eScholarship, University of California, 2018
In: Murphy, Dana Michelle. (2018). Divine Quiet: Phillis Wheatley’s Gentle Mastery of Meter, Genre, and Address. UC Irvine: English. Retrieved from: http://www.escholarship.org/uc/item/1039n4nt (2018)
Abstract: As far as we know, in the late eighteenth century, there was only one woman who survived the Middle Passage, was renamed after the slave ship that bore her and the Boston master that bought her, and saw to the publication of her book of poems during a trip to London about twelve years later. The name now belonging to Phillis Wheatley would live long after each of its original owners. But Wheatley's poems have often been disowned by literary critics due to one glaring omission: only a handful of her lines reference her experience of enslavement. In fact, Wheatley's adherence to neoclassical heroic couplets, the Puritan funeral elegy, and the conventions of occasional address have long been the subject of fierce debate: why didn't Wheatley free herself from her enslavers' poetic forms? "Divine Quiet: Phillis Wheatley's Gentle Mastery of Meter, Genre, and Address" seeks to change the questions we ask about both Wheatley and African American poetics generally. It does so by reading Wheatley's rigorous preservation of the poetic conventions of a century that institutionalized slavery as a mode of address to future readers who are compelled to supply what is unspoken in her poems.For many critics of African American literature, Wheatley functions hermeneutically, as the limitations gauged in her work are used to revitalize methods of interpretation in the field at large. My first chapter argues that Wheatley's engagement with forms of constraint is also a site of connection and becomes the dialect of a shared language with various African American artists, critics, and poets. While many of Wheatley's modern critics view her imitation of Alexander Pope with disdain, my second chapter demonstrates that Wheatley was not the only eighteenth-century woman poet to risk censure to transport Pope's poetic laurels to different shores. My third chapter inscribes Wheatley's elegiac instruction in spiritual calm within a tradition of works that mourn her own life, in which Wheatley's performance of silenced mourning and her elegiac address to deceased subjects who cannot speak creates the obligation of divine response. In my final chapter, Wheatley's unfinished correspondence with Obour Tanner empowers black diasporic longing and hails future readers to mend broken lines of correspondence. Concluding this dissertation with works by future African American poets who mourn those who could not tell their own stories is one way of telling Wheatley's.
Keyword: American literature; Black studies; English literature
URL: http://www.escholarship.org/uc/item/1039n4nt
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20
Notes on dialect, undated : 6 autograph manuscripts, notes ...
Harrison, Hubert H.. - : Columbia University, 2018
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