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Sonic Others in Early Sound Studies and the Poetry of Edward Sapir: A Salvage Operation
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Folk Communities in Translation: Salvage Primitivism and Edward Sapir’s French-Canadian Folk Songs
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ИММАНУИЛ КАНТ И ВОПРОСЫ КОММУНИКАТИВНОГО КОНСТРУКТИВИЗМА
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АНДЖЕЕВСКИЙ БОЛЕСЛАВ. - : Федеральное государственное автономное образовательное учреждение высшего образования «Балтийский федеральный университет им. Иммануила Канта», 2015
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Sonophilia / Sonophobia: Sonic Others in the Poetry of Edward Sapir ...
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Abstract:
One of the key findings in early visual culture studies is a profound ambivalence toward images, which is intricately tied up with hegemonic conceptions of cultural, racial, and sexual Others. Starting from W. J. T. Mitchell’s diagnosis of iconophilia and iconophobia for visual culture, Iargue that recent sound studies yield parallel conclusions with regard to sonic culture, as scholars such as Jonathan Sterne point to a long tradition of writing on sound that is also characterized by attraction to and repulsion of media and sign systems other than written language. On the basis of a theoretical conception of what I term sonophilia and sonophobia, then, this essay asserts that it is precisely the ambivalence toward sound that is at the center of the poetry of anthropologist and linguist Edward Sapir. In their treatment of auditory sense perceptions as the Other of written language, Sapir’s poems “Music” and “Zuni” attest to the fact that not only images but notions of sound, too, are shaped by ideological ...
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Keyword:
17.83 - Lyrik; 18.06 - Angloamerikanische Literatur; 810 - Englische Literatur Amerikas; Anthropologie; Edward Sapir; Lyrik; Sound
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URL: https://osnadocs.ub.uni-osnabrueck.de/handle/ds-202204076569
https://dx.doi.org/10.48693/88
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Sonophilia / Sonophobia: Sonic Others in the Poetry of Edward Sapir
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A emergência da hipótese do Relativismo Linguístico em Edward Sapir (1884-1939) ; The emergence of the hypothesis of linguistic relativity in Edward Sapir (1884-1939)
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