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Generating Samples of Diasporic Minority Populations: A Chilean Example
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In: Targeting International Audiences: Current and Future Approaches to International Broadcasting Research ; 3 ; CIBAR Proceedings ; 138-149 ; Conference of International Broadcasters' Audience Research Services (CIBAR) ; XX (2022)
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Kulturen virtueller Prozessmoderation: Beobachtungen aus der Begleitung eines internationalen Forschungsprojekts
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In: interculture journal: Online-Zeitschrift für interkulturelle Studien ; 19 ; 33 ; 125-135 ; Virtuelle Zusammenarbeit (2021)
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El diccionario de chilenismos y de otras voces y locuciones viciosas (1901-1918) de Manuel Antonio Román. Contribución al estudio de la lexicografía chilena y española
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Reivindicaciones sociales en carátulas de discos de la música independiente chilena
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Perfil del profesor de inglés en Chile : quién es y qué enseña
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Etnomatemática y multiculturalidad en La educación básica en Chile. El caso de la aritmética mapuche
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The importance of physical education and health to be a core subject: Arguments and postures concerning the curricular modifications in Chile
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The Archive of the Self: Trans Self-Making and Social Media in Santiago de Chile
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«En el nombre de Dios Todopoderoso»: los tratamientos nominales en la «Relación autobiográfica» de Úrsula Suárez (1666-1749)
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Defining Inclusion: Surveying Educator Perceptions and Practices in Chile
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In: Doctoral Dissertations (2021)
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“Sobre las traducciones". El pensamiento traductológico británico en Chile a partir de una traducción de Andrés Bello (1838)
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In: Mutatis Mutandis: Revista Latinoamericana de Traducción, ISSN 2011-799X, Vol. 14, Nº. 1, 2021, pags. 92-118 (2021)
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On the Teachability of Figurative Language: Teachers’ Perceptions of the Role of Metaphor in English Language Teaching in Chile
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In: Colombian Applied Linguistics Journal, Vol 23, Iss 2, Pp 141-154 (2021) (2021)
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Modern Ancient: A Thesis of Poetry
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In: Open Access Theses & Dissertations (2021)
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Reading as Ritual Response: The Artist’s Books of Cecilia Vicuña [remarks] ...
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Abstract:
Since the 1960s, Chilean poet and artist Cecilia Vicuña has developed an internationally-recognized body of hybrid works that draw on poetry, painting, sculpture, installation, dance, song, and film. “Reading as Ritual Response” considers one of Vicuña’s lesser-known categories of work, the artist’s book, through which she harnesses the visual, material, and tactile capacities of the book to preserve histories and re-imagine presents and futures. I focus primarily on Vicuña’s alternative temporal relationship to trauma in Sabor a Mí, a bilingual artist’s book first published after the 1973 coup in Chile. Pinochet’s coup inflicted a national trauma of massive proportions, from the torture and disappearance of individuals to the widespread dismantling of Chile’s economic systems and cultural memories. If the nature of trauma is to resist narrative comprehension and to persist through melancholic repetition, then its subject suffers doubly from the initial event and from its unbidden, uncanny returns. I argue ...
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Keyword:
21st-century poetry; Artist's books; Chile; Poetry; Trauma; Visual art
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URL: https://dx.doi.org/10.17613/tf9f-cv08 https://hcommons.org/deposits/item/hc:28205/
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Reading as Ritual Response: The Artist’s Books of Cecilia Vicuña [slides] ...
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Del barrio a las geografías vecinales: nuevas formas de entender lo vecinal y su papel en la producción de la ciudad
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In: TDX (Tesis Doctorals en Xarxa) (2020)
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Del barrio a las geografías vecinales: nuevas formas de entender lo vecinal y su papel en la producción de la ciudad
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