1 |
Passion Love, Masculine Rivalry and Arabic Poetry in Mauritania
|
|
|
|
In: International Handbook of Love. Transcultural and transdisciplinary perspectives ; https://hal.archives-ouvertes.fr/hal-03245591 ; International Handbook of Love. Transcultural and transdisciplinary perspectives, pp.769 - 788, 2021, ⟨10.1007/978-3-030-45996-3_41⟩ (2021)
|
|
BASE
|
|
Show details
|
|
2 |
Gentry, Martha Beck "Mattie" (Spangler), 1862-1940 (MSS 733)
|
|
|
|
In: MSS Finding Aids (2021)
|
|
BASE
|
|
Show details
|
|
3 |
Courtship, sex and poverty: illegitimacy in eighteenth-century Wales.
|
|
|
|
BASE
|
|
Show details
|
|
5 |
The Franco-American Love Affair: Transnational Courtship and Marriage Patterns during the Nineteenth and Twentieth Centuries
|
|
|
|
BASE
|
|
Show details
|
|
6 |
First Evidence of the Pig-nosed Turtle (Carettochelys insculpta) Vocalizing Underwater
|
|
|
|
In: USF St. Petersburg campus Faculty Publications (2017)
|
|
BASE
|
|
Show details
|
|
7 |
Courtship, sex and poverty: illegitimacy in eighteenth-century Wales
|
|
|
|
BASE
|
|
Show details
|
|
8 |
Perceptual mechanisms of pattern generalization in songbirds /
|
|
|
|
In: Comins, Jordon Alexander. (2014). Perceptual mechanisms of pattern generalization in songbirds /. UC San Diego: Retrieved from: http://www.escholarship.org/uc/item/4vq8t0ht (2014)
|
|
BASE
|
|
Show details
|
|
9 |
Retelling of Mairingthang ; Mairingthang ; Pauthang Haokip Collection
|
|
|
|
BASE
|
|
Show details
|
|
11 |
Sexual Selection for Indicators of Intelligence : the Role of Vocabulary in Human Courtship
|
|
|
|
BASE
|
|
Show details
|
|
12 |
Courtship in the Chamorro, Carolinian, and Japanese cultures
|
|
|
|
BASE
|
|
Show details
|
|
13 |
What Takes My Fancy. ; Waal, I'll be swacked and pickled in moonshine, you ain't such an ornery cuss! First line of refrain I likes to do what takes my fancy [first line]
|
|
: Morley Music Co., Inc., 1960
|
|
BASE
|
|
Show details
|
|
14 |
Some factors affecting the frequency and status of university students' "dating" behavior
|
|
|
|
BASE
|
|
Show details
|
|
15 |
Evelina. ; Evelina, won't ya ever take a shine to that moon? [first line]
|
|
: Crawford Music Corporation, RKO Building, Rockefeller Center, 1944
|
|
BASE
|
|
Show details
|
|
16 |
A Bowl of Chop Suey and You-Ey. ; Take a look at this place that we've wandered into [first line] ; Al [sic] I want is a bowl of Chop Suey [first line of chorus]
|
|
: Famous Music Corp., 1619 Broadway, 1934
|
|
BASE
|
|
Show details
|
|
17 |
She's 'Way Up Thar. ; I'm the saddest, I'm the bluest, I'm the maddest, I'm the truest [first line] ; She's way up thar', I'm 'way down 'yar [first line of chorus]
|
|
: Movietone Music Corporation, Sam Fox Publishing Company, 1934
|
|
BASE
|
|
Show details
|
|
18 |
Vas Villst Du Haben? ; What a lovely night tonight, don't you think so Lena? [first line] ; Vas villst du haben? My heart is throbbin' [first line of chorus]
|
|
: Walter Donaldson, Donaldson-Douglas & Gumble, Inc., Music Publishers, 1595 Broadway, 1932
|
|
BASE
|
|
Show details
|
|
19 |
That Certain Party. ; You know that little so and so, on what you call it street [first line] ; Has she got naughty eyes? Yes, she has got naughty eyes [first line of chorus]
|
|
: Irving Berlin, Inc., Music Publishers, 1607 Broadway, 1925
|
|
BASE
|
|
Show details
|
|
20 |
Wimmin (I've Got to Have 'Em, That's All!). ; Got a friend of mine who now is down in Mattewan [first line] ; Oh Wimmin, Wimmin, Wimmin I crave [first line of chorus]
|
|
|
|
BASE
|
|
Show details
|
|
|
|