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41
Notation as a compositional tool : three exemplary pieces
Tacke, Daniel Arthur. - : eScholarship, University of California, 2012
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42
Notation as a compositional tool : three exemplary pieces
Tacke, Daniel Arthur. - : eScholarship, University of California, 2012
In: Tacke, Daniel Arthur; Tacke, Daniel Arthur; Tacke, Daniel Arthur; & Tacke, Daniel Arthur. (2012). Notation as a compositional tool : three exemplary pieces. UC San Diego: Retrieved from: http://www.escholarship.org/uc/item/62c0b40g (2012)
Abstract: The relationship between imagination and image has significant influences on a composer's engagement with musical creation. There is more to this than simply recognizing notation as an outlet for creative energy: it is also a process that is not without certain resistances, simultaneously freeing and limiting one's imaginative capacities. On the one hand, musical expression and meaning might be compromised by the visual concreteness that is necessarily a part of notational processes; on the other hand, notational images might carry the potential for previously unimaginable musical possibilities. Throughout the history of Western music, composers have dealt with the creative potentialities of notation--that is, the complex relationship between sound and image--in a variety of ways, balancing the freedoms and limitations of imagining and drawing to different degrees. My own compositional endeavors have tended toward fairly dynamic relationships between visual- and sonorous-based streams of decision-making, generally shaped into an overall process that begins with two entirely independent sets of ideas--one visual and one sonorous--and then works toward a dialectical resolution of this fundamental abstraction, always with the manual labor of notation forming an essential component of the decision-making process. This dissertation consists of three examples of such process: three individual works for varying instrumental forces that all began with the same visual impetus--a pencil drawing that functions as an abstract notation. The processes of decisionmaking that branch out from this starting point lead to three independent sonorous works, exploring issues of translation while simultaneously opening up a vast potential for depth of compositional engagement and richness of final product. The uniqueness of each work is evidence of the creative power of notational labor as both instigator of musical imagination and solidifier of musical structure and material
Keyword: Academic Music. (Discipline) UCSD; Composition (Music); Dissertations; Double bass music; Instrumental ensembles Scores; Musical notation; String quartets Scores
URL: http://www.escholarship.org/uc/item/62c0b40g
http://n2t.net/ark:/20775/bb17419094
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43
An analysis of student engagement when taught in classes of different sizes in rural, regional and metropolitan campuses of an Australian university
McElvaney, E. J.; Morris, L.; Arambewela, R.. - : World Business Institute, 2012
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44
Textual autocorrelation : formalism and illustrations
In: 11èmes Journées internationales d'analyse statistique des données textuelles, pp. 109-120 (2012)
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45
Marching song of democracy : for mixed chorus, orchestra and organ ; Marching song of democracy, mixed voices, orchestra. Vocal score
Grainger, Percy (1882 - 1961). - : G.Schirmer, 2012
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46
Faites lui mes aveux, flower song from "Faust" (In the language of love), [by] Ch. Gounod. [Phonetically] annotated by Camille Thurwanger. ; Faust. English & French Faites-lui mes aveux. Vocal score.
Gounod, Charles (1818 - 1893); Thurwanger, Camille. - : Camille Thurwanger, 2012
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47
Rout : for soprano, flute, clarinet, harp, string quartet, bass, and glockenspiel and side drum (one player) ; Rout
Bliss, Arthur (1891 - 1975). - : Goodwin & Tabb, 2012
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48
Redesign de livro de partituras
Nardino, Caroline. - : Universidade Tecnológica Federal do Paraná, 2011. : Curitiba, 2011. : Departamento Acadêmico de Desenho Industrial, 2011
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49
Songs from the plays of William Shakespeare : with dances as sung and danced by the Bermondsey Guild of Play, with incidental music
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50
The Creative Process in Cross-Influential Composition
Anderson, Jonathan Douglas. - : University of North Texas, 2010
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51
The Chinese People's Attitudes towards the West - A Social Attitude Investigation by Means of Movie Title Translation
Sun, Geyl. - : The University of Queensland, School of Languages and Cultures, 2010
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52
What d' scores can hide and what decision space representations should reveal: an account on asymmetries in vowel perception
In: Proceedings of the 25th Annual Meeting of the International Society for Psychophysics ; Fechner Day 2009 ; https://halshs.archives-ouvertes.fr/halshs-00675879 ; Fechner Day 2009, Oct 2009, Galway, Ireland. pp.347-352 (2009)
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53
Blog Fingerprinting: Identifying Anonymous Posts Written by an Author of Interest Using Word and Character Frequency Analysis
In: DTIC (2009)
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54
Foreign Language Learning and SAT Verbal Scores Revisited
In: Faculty Publications (2008)
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55
Psychiatric morbidity and social functioning among adults with borderline intelligence living in private households
In: J INTELL DISABIL RES , 52 95 - 106. (2008) (2008)
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56
Peer effects and the indigenous/ non‐indigenous early test‐score gap in Peru
In: Aboriginal Policy Research Consortium International (APRCi) (2008)
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57
The Daily Gamecock, WEDNESDAY, AUGUST 29, 2007
In: August (2007)
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58
Dialectics for wind ensemble
Harman, Brian.. - : McGill University, 2006
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59
Dialectics for wind ensemble
Harman; Brian.. - : McGill University, 2006
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60
The Index Of Narrative Microstructure: A Clinical Tool For Analyzing School-Age Children's Narrative Performances
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