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Imagining Performances: Entangled Temporalities and Corporalities in Drag King Encounters
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In: The Oxford Handbook of Language and Sexuality ; https://halshs.archives-ouvertes.fr/halshs-03648889 ; The Oxford Handbook of Language and Sexuality, 2022, ⟨10.1093/oxfordhb/9780190212926.013.71⟩ (2022)
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Abstract:
International audience ; This chapter examines the imaginative aspects of performance, drawing on fieldwork con ducted in drag king workshops in Brussels. To collectively imagine a future performance, participants navigate between several possible chronotopes, including a present spacetime (the here-and-now of the interaction, in which participants think of a performance that has not yet taken place) and a past space-time (in which participants recruit cultural models in order to think about an upcoming performance). The ethnographic, linguistic, and interactional analysis sheds light on "staged" and "everyday" performances, refresh es the debate between performance and performativity, and highlights creative assem blages of bodies, spatialities, and temporalities. The chapter suggests that a considera tion of imagination in the analysis of performance will enhance language and sexuality re search by reframing gender through the idea of a body that exceeds itself and carries the power to transform lives.
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Keyword:
[SHS.ANTHRO-SE]Humanities and Social Sciences/Social Anthropology and ethnology; [SHS.GENRE]Humanities and Social Sciences/Gender studies; [SHS.LANGUE]Humanities and Social Sciences/Linguistics; drag king; embodiment; gender; imagination; performance; performativity
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URL: https://doi.org/10.1093/oxfordhb/9780190212926.013.71 https://halshs.archives-ouvertes.fr/halshs-03648889/document https://halshs.archives-ouvertes.fr/halshs-03648889/file/GRECOOUP.pdf https://halshs.archives-ouvertes.fr/halshs-03648889
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Conceptualising successful intergenerational transmission in terms of saibhreas: Family language support in the Corca Dhuibhne Gaeltacht
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Mutual Understanding in Situated Interactions with Conversational User Interfaces : Theory, Studies, and Computation
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“It Is Like a Feeling”: Theorizing Emotion in Mathematics through Complex Embodiment
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In: Mathematics; Volume 10; Issue 6; Pages: 937 (2022)
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The Semantics of Natural Objects and Tools in the Brain: A Combined Behavioral and MEG Study
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In: Brain Sciences; Volume 12; Issue 1; Pages: 97 (2022)
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What's "up"? Impaired Spatial Preposition Processing in Posterior Cortical Atrophy.
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The voice of stereotype in digital assistants ; A voz do estereótipo nos assistentes digitais
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In: Acta Scientiarum. Language and Culture; Vol 44 No 1 (2022): Jan.-June; e60071 ; Acta Scientiarum. Language and Culture; v. 44 n. 1 (2022): Jan.-June; e60071 ; 1983-4683 ; 1983-4675 (2022)
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Semiotic Labors of Personalization: Enacting the modern subject in an American yoga school
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Sign Language in Light of Mathematics Education:An Exploration Within Semiotic and Embodiment Theories of Learning Mathematics
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In: American Annals of the Deaf, vol 166, iss 3 (2021)
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Research compendium for Montero-Melis et al. (2021) "No evidence for embodiment: The motor system is not needed to keep action words in working memory" (Cortex) ...
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“More and More Fond of Reading”: Everything You Wanted to Know about Transgender Studies but Were Afraid to Ask Clara Reeve ...
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Processamento emocional numa língua nativa e numa segunda língua
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What's "up"? Impaired Spatial Preposition Processing in Posterior Cortical Atrophy. ...
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Bodily Contraction Arises with Dukkha: Embodied Learning to Foster Racial Healing
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In: Religions; Volume 12; Issue 12; Pages: 1108 (2021)
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“More and More Fond of Reading”: Everything You Wanted to Know about Transgender Studies but Were Afraid to Ask Clara Reeve
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In: Humanities ; Volume 10 ; Issue 3 (2021)
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Evidence for the Concreteness of Abstract Language: A Meta-Analysis of Neuroimaging Studies
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In: Brain Sciences; Volume 12; Issue 1; Pages: 32 (2021)
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Sign differentiation within the transmedicalist online world ...
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Embodied Transcendence in Victorian Novels: A Comparative Study of Select Works by George Eliot and Thomas Hardy
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