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Hits 61 – 80 of 4.038

61
Operatic Voices from the North: culture, identity and linguistics at the crossroads. ...
Williams, Alan; Tipton, Phillip. - : University of Salford, 2021
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62
Operatic Voices from the North: culture, identity and linguistics at the crossroads. ...
Williams, Alan; Tipton, Phillip. - : University of Salford, 2021
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63
Influence of Turn-Taking in Musical and Spoken Activities on Empathy and Self-Esteem of Socially Vulnerable Young Teenagers. ...
Hawkins, Sarah; Farrant, Camilla. - : Apollo - University of Cambridge Repository, 2021
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64
Towards principles of performative pedagogy: Drama and additional language development (DALD) ...
CHEUNG, KUNG MAN MATTHEW. - : Monash University, 2021
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65
Towards principles of performative pedagogy: Drama and additional language development (DALD) ...
CHEUNG, KUNG MAN MATTHEW. - : Monash University, 2021
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66
Development of language and the use of musical engagement as a stress coping mechanism during the COVID-19 pandemic ...
Lab, UNLV. - : Open Science Framework, 2021
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67
Being with You: Mediating Ambient Presence of Remote Social Group ...
Huang, Yiwei. - : Carnegie Mellon University, 2021
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68
Being with You: Mediating Ambient Presence of Remote Social Group ...
Huang, Yiwei. - : Carnegie Mellon University, 2021
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69
Georgian VIAs ... : Between Submission and Subversion ...
Beridze, Irine. - : Freie Universität Berlin, 2021
Abstract: The Georgian VIA scene presents itself as a complex case study: the dynamics shaping it go beyond the much-discussed ideologisation of the musical genre of VIA, and beyond a clear-cut dichotomy of “official/unofficial” culture. Instead, Georgian VIAS of the 1960s and 1970s were able to find their own ways to express poetic and aesthetic qualities of Georgian national culture under the Soviet regime. Making use of spaces between submission to and subversion of the Soviet power, they created and thus founded the Georgian popular music tradition with its historical, linguistic and cultural specificity. Georgian VIAs such as Orera, Dielo, Iveria performed mostly in Georgian and were able to sing about their nation’s history and its struggle for independence. With the help of the poetic, aesthetic and musical strategies analysed in this article, they distanced themselves from the Russian-speaking centre and created their own national peripheral musical discourse. ...
Keyword: 700 Künste und Unterhaltung780 Musik780 Musik; Georgia; Georgian popular music; Georgian VIAs; national culture; Soviet republics
URL: https://dx.doi.org/10.17169/refubium-33679
https://refubium.fu-berlin.de/handle/fub188/33960
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70
Repositioning Graphic Heritage booklet (online version) ...
Harland, Robert G.; Xu, Johnny. - : Loughborough University, 2021
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71
Repositioning Graphic Heritage booklet (online version) ...
Harland, Robert G.; Xu, Johnny. - : Loughborough University, 2021
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72
Roman Signer's Library of Marvels - Contextualising Information ...
Withers, Rachel. - : BathSPAdata, 2021
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73
Roman Signer's Library of Marvels - Further Contextualising Information ...
Withers, Rachel. - : BathSPAdata, 2021
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74
Roman Signer's Library of Marvels - Contextualising Information ...
Withers, Rachel. - : BathSPAdata, 2021
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75
Roman Signer's Library of Marvels - Further Contextualising Information ...
Withers, Rachel. - : BathSPAdata, 2021
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76
MUSIC AS THE SUBJECT OF PHILOSOPHICAL ANALYSIS ...
Kulbizhekov, V.N.. - : Инфинити, 2021
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77
A representação dos judeus nas ilustrações da obra Cantigas de Santa Maria, do rei Afonso X de Leão e Castela (1252-1284) ...
Stelmach, Yuri Leonardo Rosa. - : figshare, 2021
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78
A representação dos judeus nas ilustrações da obra Cantigas de Santa Maria, do rei Afonso X de Leão e Castela (1252-1284) ...
Stelmach, Yuri Leonardo Rosa. - : figshare, 2021
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79
Summary of Dissertation Recitals: Notes on Three Performances ...
Rusche, Joana. - : My University, 2021
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80
Der doppelte Po und die Musik. Rätoromanisch-chinesische Studien, besonders zu Li Po, Harry Partch und Chasper Po ...
Null. - : Königshausen & Neumann, 2021
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