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Coreference and disjoint reference in the semantics of narrative dance
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In: Sinn und Bedeutung; Bd. 22 Nr. 2 (2018): Proceedings of Sinn und Bedeutung 22; 199-216 ; Proceedings of Sinn und Bedeutung; Vol 22 No 2 (2018): Proceedings of Sinn und Bedeutung 22; 199-216 ; 2629-6055 (2019)
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Abstract:
This paper presents an exploratory production study of Bharatanatyam, a figurative (narrative) dance. We investigate the encoding of coreference vs. disjoint reference in this dance and argue that a formal semantics of narrative dance can be modeled in line with Abusch’s (2013, 2014, 2015) semantics of visual narrative (drawing also on Schlenker’s, 2017a, approach to music semantics). A main finding of our investigation is that larger-level group-boundaries (Charnavel, 2016) can be seen as triggers for discontinuity inferences (possibly involving the dynamic shift from one salient entity to another).
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URL: https://ojs.ub.uni-konstanz.de/sub/index.php/sub/article/view/78
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On the Typology of Donkeys: Two Types of Anaphora Resolution
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In: Sinn und Bedeutung; Bd. 14 (2010): Proceedings of Sinn und Bedeutung 14; 339-355 ; Proceedings of Sinn und Bedeutung; Vol 14 (2010): Proceedings of Sinn und Bedeutung 14; 339-355 ; 2629-6055 (2019)
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Revisiting 'again': The view from Kutchi Gujarati
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In: Sinn und Bedeutung; Bd. 18 (2014): Proceedings of Sinn und Bedeutung 18; 303-321 ; Proceedings of Sinn und Bedeutung; Vol 18 (2014): Proceedings of Sinn und Bedeutung 18; 303-321 ; 2629-6055 (2019)
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14 |
Coreference and disjoint reference in the semantics of narrative dance ...
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