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Scratches? Scribbles? Scripture! Revealing the Unseen : 3D Scanning of Glagolitic Graffiti of the 10th Century at the Monastery of St. Naum
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El humor en los graffiti y textos epigráficos de la antigua Roma
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Об освоении греческого языка готами и аланами Горного Крыма ; How the Goths and Alans of the Mountainous Crimea Assimilated Greek Language
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Symbolic Functions of Graffiti in Padang City of Indonesia: Critical Linguistic Landscape Studies
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In: JURNAL ARBITRER; Vol 7, No 1 (2020); 100-108 ; 2550-1011 ; 2339-1162 (2020)
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El humor en los graffiti y textos epigráficos de la antigua Roma
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Scratches? Scribbles? Scripture! Revealing the Unseen : 3D Scanning of Glagolitic Graffiti of the 10th Century at the Monastery of St. Naum
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Anatolian Languages as the Main Substrate of the Ukrainian Language ; Анатолійські мови як основний субстрат української
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In: Українознавство; № 1(74) (2020); 208-222 ; Ukrainian Studies; № 1(74) (2020); 208-222 ; 2413-7103 ; 2413-7065 (2020)
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El graffiti como motor del pensamiento crítico en lengua extranjera
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In: Onomázein: Revista de lingüística, filología y traducción de la Pontificia Universidad Católica de Chile, ISSN 0717-1285, Nº. 6 (Especial VI), 2020 (Ejemplar dedicado a: Investigación enseñanza de lengua desde una perspectiva global), pags. 189-208 (2020)
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The Quest for the QS: Between Pictorial Narrative and Social Discourse
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In: Forteenth International Conference on The Arts in Society “Art as Communication: The Impact of Art as a Catalyst for Social Change” ; https://hal.archives-ouvertes.fr/hal-03092826 ; Forteenth International Conference on The Arts in Society “Art as Communication: The Impact of Art as a Catalyst for Social Change”, Polytechnic Institute of Lisbon, Lisbon, Portugal, Jun 2019, Lisbon, Portugal. pp.113 ; https://cgscholar.com/cg_event/events/A19/proposal/37799 (2019)
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Political graffiti in May 2018 at Nanterre University: A linguistic ethnographic analysis
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In: ISSN: 0957-9265 ; Discourse and Society ; https://hal.parisnanterre.fr//hal-03110754 ; Discourse and Society, SAGE Publications, 2019, 30 (5), pp.441-464. ⟨10.1177/0957926519855788Discourse⟩ (2019)
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Multimodal representations with flags in Banksy’s graffiti: art as sociopolitical protest ; Figurações multimodais com bandeiras nos grafites de Banksy: a arte como protesto sociopolítico
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In: Signo; v. 44, n. 79 (2019): Metáforas Multimodais; 86-95 ; 1982-2014 ; 0101-1812 (2019)
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Abstract:
In the light of Cognitive Linguistics (LAKOFF, JOHNSON, 1980 and LAKOFF, TURNER, 1989) and the Theory of Multimodal Metaphor (FORCEVILLE, 2008, 2009), this study aims to analyze three Banksy graffiti: Sweatshop boy, Les Misérables and Brexit, presenting the metaphorical and metonymic mappings that structure their multimodal and monomodal representations. Additionally, based on the cognitive concept of art (DONALD, 2006) and the concept of visual culture as a social practice (Barnard, 1998), we will demonstrate that Banksy's metaphorical creativity is not simply a self-expressive art form, but it is strongly goal-oriented for social and politic critiques, as is the case with the use of flags to portray the socio-political models of the nations they represent. Finally, from the conception that ART IS WEAPON, we will present our interpretation for each graffiti, showing that besides consisting of manifestations of elaborated aesthetics, Banksy's graffiti are mainly powerful instruments of sociopolitical protests. ; À luz da Linguística Cognitiva (LAKOFF; JOHNSON, 1980 e LAKOFF; TURNER, 1989) e da Teoria da Metáfora Multimodal (FORCEVILLE, 2008, 2009), este estudo tem por objetivo analisar três grafites de Banksy: Sweatshop boy, Les Misérables e Brexit, apresentando os mapeamentos metafóricos e metonímicos que estruturam as suas representações multimodais e monomodais. Adicionalmente, com base no conceito cognitivo de arte (DONALD, 2006) e no conceito de cultura visual como prática social (BARNARD, 1998), demonstraremos que a criatividade metafórica de Banksy não está a serviço simplesmente de uma forma de arte auto expressiva, mas sim fortemente orientada para a crítica social, como é o caso do uso de bandeiras para retratar os modelos sociopolíticos das nações que elas representam. Por último, a partir da concepção de que ARTE É ARMA, apresentaremos a nossa interpretação para cada um dos grafites, mostrando que além de instituírem manifestações da estética elaborada, os grafites de Banksy são sobretudo poderosos instrumentos de protestos sociopolítico.
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Keyword:
; Banksy. Grafite. Representação Multimodal. Protesto Sociopolítico; Banksy. Graffiti. Multimodal Representation. Sociopolitical Protest
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URL: https://online.unisc.br/seer/index.php/signo/article/view/12874
https://doi.org/10.17058/signo.v44i79.12874
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Annales islamologiques Le christianisme oriental au sud du Sinaï vu au prisme des graffiti arabo-chrétiens (IX e -XI e siècle)
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In: ISSN: 0570-1716 ; EISSN: 2429-2850 ; Annales Islamologiques ; https://hal-amu.archives-ouvertes.fr/hal-02608829 ; Annales Islamologiques, Institut Français d'Archéologie Orientale, 2018, 52, ⟨10.4000/anisl.4277⟩ (2018)
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