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Applying Intertextuality to Chinese Traditional Animation Making in a Global Context: Using Jingwei Reclamation as an Example
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Babel, ou l’origine de la parole dispersée ... : Mythe, hypermythe et mythe littéraire ...
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Ganges in Indian Sculpture and Literature: Mythology and Personification
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In: Monsoon: South Asian Studies Association Journal (2022)
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Circe, Medea and Phaedra’s dramatic monologues in Claribel Alegria: neither witches, nor madwomen ; Los monólogos dramáticos de Circe, Fedra y Medea en Claribel Alegría: ni brujas ni locas
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In: Estudios Románicos; Vol. 31 (2022) ; Études Romanes; Vol. 31 (2022) ; Studi Romanici; V. 31 (2022) ; 1989-614X ; 0210-4911 (2022)
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Postmodern rendition of myth in Ashbery's ‘Syringa’ ; Interpretação pós-moderna do mito na ‘Syringa’ de Ashbery
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In: Acta Scientiarum. Language and Culture; Vol 44 No 1 (2022): Jan.-June; e56365 ; Acta Scientiarum. Language and Culture; v. 44 n. 1 (2022): Jan.-June; e56365 ; 1983-4683 ; 1983-4675 (2022)
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Inchoativity at RABEARIVELO ; Inchoativité chez RFABEARIVELO
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In: https://hal.archives-ouvertes.fr/hal-03420135 ; 2021 (2021)
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THE WORD OF THE DEVIL : POSTULATION OF TOTALITY AGAINST ITS PROHIBITION ; LA PAROLE DU DIABLE : POSTULATION DE LA TOTALITÉ CONTRE SON INTERDIT
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In: ISSN: 2706-6312 ; EISSN: 2708-0633 ; Akofena - Revue scientifique des Sciences du Langage, Lettres, Langues & Communication, ; https://hal.archives-ouvertes.fr/hal-03571788 ; Akofena - Revue scientifique des Sciences du Langage, Lettres, Langues & Communication, , L3DL-CI, Université Félix Houphouët-Boigny, 2021 (2021)
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СЕМАНТИЧЕСКАЯ ХАРАКТЕРИСТИКА ИМЕН ЖЕНСКИХ ПЕРСОНАЖЕЙ В КИТАЙСКОЙ МИФОЛОГИИ ... : SEMANTIC CHARACTERISTICS OF NAMES OF FEMALE CHARACTERS IN CHINESE MYTHOLOGY ...
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АНТИЧНЫЙ ШАМАНИЗМ И МИФ У ИСТОКОВ ФИЛОСОФСКО-ПОЭТИЧЕСКОГО ДИСКУРСА ... : ANCIENT SHAMANISM AND MYTH AT THE ORIGINS OF PHILOSOPHICAL AND POETIC DISCOURSE ...
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Shared Poetic and Narrative Diction in Indo-European Epics: A Computational Analysis ...
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THE ART OF SPEAKING ODESSAN: ISAAC BABEL’S ODESSAN PHRASEOLOGISMS AS 'FIXED UNITS OF LINGUISTIC ART' IN TELE-CINEMATIC CONTEXT
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In: Мова; No. 35 (2021) ; Мова; № 35 (2021) ; 2414-9489 ; 2307-4558 (2021)
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Dreadful Dolls: Female Power in Carol Ann Duffy
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In: Linguae &. Rivista di Lingue e Culture Moderne, Vol 19, Iss 2, Pp 71-85 (2021) (2021)
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Myth-biography of a creative act ; Mythe-biographie d'un acte créatif
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In: https://tel.archives-ouvertes.fr/tel-03267094 ; Art et histoire de l'art. Université de Strasbourg, 2020. Français. ⟨NNT : 2020STRAC032⟩ (2020)
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THE MOTIF OF RESURRECTION AND INTERTEXTUALITY ... : МОТИВ ВОСКРЕСЕНИЯ И ИНТЕРТЕКСТУАЛЬНОСТЬ ...
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Lajci, S.. - : Russian Linguistic Bulletin, 2020
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MOTIFS OF WORLD MYTHOLOGY IN THE WORKS OF A.S. PUSHKIN ... : MOTIFS OF WORLD MYTHOLOGY IN THE WORKS OF A.S. PUSHKIN ...
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MODERN STATE OF MYTHOPOETICS DEFINITION COMPREHENSION ; СОВРЕМЕННЫЙ ЭТАП ОСМЫСЛЕНИЯ ДЕФИНИЦИИ «МИФОПОЭТИКА» ; СУЧАСНИЙ СТАН ОСМИСЛЕННЯ ДЕФІНІЦІЇ «МІФОПОЕТИКА»
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In: Humanitarian Education in Technical Universities; № 41 (2020); 85-93 ; Гуманитарное образование в технических высших учебных заведениях; № 41 (2020); 85-93 ; Гуманітарна освіта у технічних вищих навчальних закладах; № 41 (2020); 85-93 (2020)
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Speaking to Say, Not to Lie: The Language of Myth ; Hablar para decir, no para mentir: la lengua del mito
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In: El Futuro del Pasado; Vol. 11 (2020); 151-170 ; 1989-9289 ; 10.14201/fdp.202011 (2020)
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The Quinqui Myth. Memory and Repression of Youth Cultures in the post-Franco Transition ; El mito quinqui. Memoria y represión de las culturas juveniles en la transición postfranquista
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In: Kamchatka. Revista de análisis cultural.; Núm. 16 (2020): Quinquis, yonkis y pandilleros. Imaginar, representar, contar la marginalidad urbana; 11-53 ; 2340-1869 (2020)
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Abstract:
This work starts from an initial image –the quinqui room as a historical room– to propose the study of the quinquillero phenomenon in a complex dialectic between mythology, historicity and memory. I confront the current return of the quinqui in relation to the emergencies of the supposed historical quinquis in the archive of the seventies. That this is a problematic confrontation. My work is organized in two stages. First, it is about deconstructing “the quinqui myth”, analyzing its characteristics and reasons both in its current construction, as a quinqui return, and in its historical emergence. And then it comes to thinking about what this myth prevents us from seeing, what political and historical reasons it serves, and what experiences and subjects it makes invisible. ; Este trabajo parte de una imagen inicial–el cuarto quinqui como habitación histórica–para plantear el estudio del fenómeno quinquillero en una dialéctica compleja entre mitología, historicidad y memoria. Me planteo confrontar el actual regreso de lo quinqui en relación con las emergencias de los supuestos quinquis históricos en el archivo de los años setenta. Se trata, sin duda, de una confrontación problemática. Mi trabajo se organiza en dos tiempos. Primero, se trata de deconstruir “el mito quinqui”, analizando sus características y razones tanto en su construcción actual, como regreso quinqui, como en su emergencia histórica. Y después se trata de pensar qué es lo que ese mito impide ver, a qué razones políticas e históricas sirve, y qué experiencias y sujetos invisibiliza.
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Keyword:
contracultura; Counterculture; invisibilidad; Invisibility; Junkies; mito; Myth; Quinquis; transición; Transition; yonquis
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URL: https://ojs.uv.es/index.php/kamchatka/article/view/19340 https://doi.org/10.7203/KAM.16.19340
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