| 41 |
Luisa Lacal, la primera lexicógrafa española, y su Diccionario de la música, técnico, histórico, bio-biográfico (Madrid, 1899)
|
|
|
|
In: RAHL: Revista argentina de historiografía lingüística, ISSN 1852-1495, Vol. 11, Nº. 1, 2019, pags. 47-75 (2019)
|
|
BASE
|
|
Show details
|
|
|
| 42 |
La « nationalité » dans les discours parlementaires britanniques au `span class="petitecap"bxix `supbe`/supb siècle
|
|
|
|
In: Mots. Les langages du politique, n 121, 3, 2019-11-07, pp.15-36 (2019)
|
|
BASE
|
|
Show details
|
|
|
| 43 |
Stages of modernity in perspective: Jane Austen’s Pride and prejudice and José de Alencar’s Senhora
|
|
|
|
In: Acta Scientiarum. Language and Culture; Vol 41 No 2 (2019): July-Dec.; e45472 ; Acta Scientiarum. Language and Culture; v. 41 n. 2 (2019): July-Dec.; e45472 ; 1983-4683 ; 1983-4675 (2019)
|
|
BASE
|
|
Show details
|
|
|
| 44 |
Serões gramaticais : la grammaire d'Ernesto Carneiro Ribeiro et les conceptions linguistiques du XIXe siècle
|
|
|
|
In: ISSN: 2610-3745 ; Dossiers d'HEL ; https://hal.archives-ouvertes.fr/hal-01896964 ; Dossiers d'HEL, SHESL, 2018, Aspects historiques des grammaires portugaises et brésiliennes, 12, pp.69-76 ; http://shesl.org/index.php/dossier12-grammaires-portugaises-et-bresiliennes/ (2018)
|
|
BASE
|
|
Show details
|
|
|
| 46 |
La Recherche à l’ombre d’Augustin Thierry ... : Ou la magie de la mémoire toponymique ...
|
|
|
|
BASE
|
|
Show details
|
|
|
| 47 |
Proust et Flaubert ... : Comment traduire l’intraduisible ? ...
|
|
|
|
BASE
|
|
Show details
|
|
|
| 49 |
Resituating Transatlantic Opera: The Case of the Théâtre d'Orléans, New Orleans, 1819-1859
|
|
|
|
BASE
|
|
Show details
|
|
|
| 51 |
Music as “Minor Literature”: Musical Syntax and Form in Gustav Mahler’s Lied von der Erde
|
|
|
|
BASE
|
|
Show details
|
|
|
| 52 |
Real and Ideal: The Realism of Jules Breton
|
|
|
|
Abstract:
University of Minnesota Ph.D. dissertation. July 2018. Major: Art History. Advisors: Gabriel Weisberg, Jennifer Marshall. 1 computer file (PDF); xii, 263 pages. ; Real and Ideal: The Realism of Jules Breton examines the artistic production of Jules Adolphe Aimé Louis Breton (1827-1906) in relation to theories of realism, the historiography of Realism, and the discursive formation of the “peasant” in the visual culture and history of the nineteenth century. In his cultivation of the persona of the preeminent peintre paysan, and through his works which represented his vision of country life, Breton, perhaps more than any other French artist of the nineteenth century, was involved in an explicit negotiation of two fundamental concepts, which effectively constituted the terms of the “realist debate”: the “real” and the “ideal.” In negotiating past and present, rural and urban, the particular and the universal, notions of the real and the ideal, which perhaps began as nothing more than what Umberto Eco termed a “semiotic enclave,” became an entire discourse on truth, aesthetics, and social welfare in the artistic and critical output of the period dominated by Realism (1830-1885) and its subsequent historiography. Rather than reinforce this binary as it has appeared in much of the scholarship on Realism, this dissertation aims to restore a productive ambivalence to these terms and conceives of this perceived opposition as operatively valuable within the discourse of realism itself and as emblematic of its inherent tensions. By analyzing Breton’s paintings, poetry, and prose through an exploration of some primary concerns of Realism: truth, type, and the artist’s self, this dissertation proposes that the antagonism between the “real” and the “ideal” that has underscored so much of the historiography of Realism is rather more apparent than actual. It concludes that within this more capacious understanding of Realism, as at once antinomical and dialectic, Jules Breton emerges as its most typical practitioner.
|
|
Keyword:
Jules Breton; nineteenth century; peasant; realism
|
|
URL: http://hdl.handle.net/11299/216324
|
|
BASE
|
|
Hide details
|
|
|
| 53 |
Anxious Assumptions: Anxiety, Experience, and Literary Representation in Modernity
|
|
|
|
In: Clack, Brian Thomas. (2017). Anxious Assumptions: Anxiety, Experience, and Literary Representation in Modernity. UC Santa Cruz: Literature. Retrieved from: http://www.escholarship.org/uc/item/6b7591b4 (2017)
|
|
BASE
|
|
Show details
|
|
|
| 54 |
Corpus linguistics for History ... : the methodology of investigating place-name discourses in digitised nineteenth-century newspapers ...
|
|
|
|
BASE
|
|
Show details
|
|
|
| 55 |
Old languages in a new country: publishing and reading in the Celtic languages in nineteenth-century Australia
|
|
|
|
BASE
|
|
Show details
|
|
|
| 56 |
Échanges culturels et linguistiques entre la Belgique et la Bulgarie de la fin du XIXe siècle a nos jours
|
|
|
|
In: Studia Politica: Romanian Political Science Review ; VIII ; 1 ; 65-72 (2017)
|
|
BASE
|
|
Show details
|
|
|
| 57 |
Manufacturing selves : the poetics of self-representation and identity in the poetry of three “factory-girls”, 1840-1882
|
|
Garrard, Suz. - : University of St Andrews, 2017. : The University of St Andrews, 2017
|
|
BASE
|
|
Show details
|
|
|
| 58 |
Colombian Readings of Paradise Lost: Gabriel García Márquez’s Literary Conversation with John Milton
|
|
|
|
In: The Summer Undergraduate Research Fellowship (SURF) Symposium (2017)
|
|
BASE
|
|
Show details
|
|
|
| 59 |
“Woven alike with meaning” : sovereignty and form in Native North American poetry, 1800-1910
|
|
|
|
BASE
|
|
Show details
|
|
|
| 60 |
Infectious Affect: The Phobic Imagination In American Literature
|
|
|
|
In: Publicly Accessible Penn Dissertations (2017)
|
|
BASE
|
|
Show details
|
|
|
|
|
