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Prosodic Boundary Prediction Model for Vietnamese Text-To-Speech
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In: Proc. Interspeech 2021 ; Interspeech 2021 ; https://hal.archives-ouvertes.fr/hal-03329116 ; Interspeech 2021, Aug 2021, Brno, Czech Republic. pp.3885-3889, ⟨10.21437/interspeech.2021-125⟩ (2021)
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Prosodic Disambiguation Using Chironomic Stylization of Intonation with Native and Non-Native Speakers
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In: Proceedings Interspeech 2021 ; Interspeech 2021 ; https://hal.archives-ouvertes.fr/hal-03329111 ; Interspeech 2021, Aug 2021, Brno (virtual), Czech Republic. pp.516-520, ⟨10.21437/Interspeech.2021-182⟩ (2021)
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Perceptual equivalence of the Liljencrants-Fant and linear-filter glottal flow models
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In: ISSN: 0001-4966 ; EISSN: 1520-8524 ; Journal of the Acoustical Society of America ; https://hal.archives-ouvertes.fr/hal-03322875 ; Journal of the Acoustical Society of America, Acoustical Society of America, 2021, 150 (2), pp.1273-1285. ⟨10.1121/10.0005879⟩ ; https://doi.org/10.1121/10.0005879 (2021)
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Voks: Digital instruments for chironomic control of voice samples
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In: ISSN: 0167-6393 ; EISSN: 1872-7182 ; Speech Communication ; https://hal.archives-ouvertes.fr/hal-03009712 ; Speech Communication, Elsevier : North-Holland, 2020, 125, pp.97 - 113. ⟨10.1016/j.specom.2020.10.002⟩ (2020)
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Les instruments chanteurs
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In: ISSN: 1263-8072 ; Acoustique et Techniques : trimestriel d'information des professionnels de l'acoustique ; https://hal.archives-ouvertes.fr/hal-02025861 ; Acoustique et Techniques : trimestriel d'information des professionnels de l'acoustique, Neuilly-sur-Seine : Centre d'information et de documentation sur le bruit, 2019, 89, pp.36-43 (2019)
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T-Voks: the Singing and Speaking Theremin
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In: NIME 2019 International Conference on New Interfaces for Musical Expression ; https://hal.archives-ouvertes.fr/hal-02197063 ; NIME 2019 International Conference on New Interfaces for Musical Expression, UFRGS, Jun 2019, Porto Alegre, Brazil. pp.110-115 ; http://www.nime.org/proceedings/2019/nime2019_022.pdf (2019)
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Abstract:
International audience ; T-Voks is an augmented theremin that controls Voks, a per-formative singing synthesizer. Originally developed for control with a graphic tablet interface, Voks allows for real-time pitch and time scaling, vocal effort modification and syllable sequencing for pre-recorded voice utterances. For T-Voks the theremin's frequency antenna modifies the output pitch of the target utterance while the amplitude antenna controls not only volume as usual but also voice quality and vocal effort. Syllabic sequencing is handled by an additional pressure sensor attached to the player's volume-control hand. This paper presents the system architecture of T-Voks, the preparation procedure for a song, playing gestures, and practice techniques, along with musical and poetic examples across four different languages and styles.
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Keyword:
[INFO.INFO-HC]Computer Science [cs]/Human-Computer Interaction [cs.HC]; [INFO.INFO-SD]Computer Science [cs]/Sound [cs.SD]; [INFO.INFO-TS]Computer Science [cs]/Signal and Image Processing; [SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts; gesture; theremin; vocal synthesis
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URL: https://hal.archives-ouvertes.fr/hal-02197063/document https://hal.archives-ouvertes.fr/hal-02197063/file/VOKS-nime2019_022.pdf https://hal.archives-ouvertes.fr/hal-02197063
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Paradigmatic variation of vowels in expressive speech: Acoustic description and dimensional analysis
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In: ISSN: 0001-4966 ; EISSN: 1520-8524 ; Journal of the Acoustical Society of America ; https://hal.archives-ouvertes.fr/hal-01914497 ; Journal of the Acoustical Society of America, Acoustical Society of America, 2018, 143, pp.109-122. ⟨10.1121/1.5018433⟩ (2018)
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Jouer avec les doubles artificiels de la voix: Cantor digitalis et Vokinesis.Conférence-concert
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In: La voix à double tranchant ; https://hal.archives-ouvertes.fr/hal-02009009 ; La voix à double tranchant, Solipsy, pp.185-203, 2018, Voix et psychanalyse 2017, 978-2-84932-106-5 (2018)
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Le contrôle des instruments chanteurs
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In: Congrès Français d’Acoustique, CFA 2018 ; https://hal.archives-ouvertes.fr/hal-02008980 ; Congrès Français d’Acoustique, CFA 2018, Apr 2018, Le Havre, France. pp.1249-1255 (2018)
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Adjusting the Frame: Biphasic Performative Control of Speech Rhythm
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In: Proceedings of Interspeech 2017 ; https://hal.sorbonne-universite.fr/hal-01672232 ; Proceedings of Interspeech 2017, Aug 2017, Stockholm, Sweden. pp.864-868 (2017)
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Vokinesis: Syllabic Control Points For Performative Singing Synthesis ...
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Vokinesis: Syllabic Control Points For Performative Singing Synthesis ...
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Vocal effort modification for singing synthesis
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In: INTERSPEECH 2016 ; Annual Conference of the International Speech Communication Association (INTERSPEECH 2016) ; https://hal.archives-ouvertes.fr/hal-01712564 ; Annual Conference of the International Speech Communication Association (INTERSPEECH 2016), Sep 2016, San Francisco, United States. pp.1235-1239, ⟨10.21437/Interspeech.2016-1096⟩ (2016)
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Emergence de la vocalité : la glossolalie et le musical
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In: colloque L’émergence en musique : dialogue des sciences ; https://hal.archives-ouvertes.fr/hal-01712656 ; colloque L’émergence en musique : dialogue des sciences, 2016, Université de Versailles Saint Quentin, France (2016)
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Seeing, listening, drawing: interferences between sensorimotor modalities in the use of a tablet musical interface
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In: ISSN: 1544-3558 ; ACM Transactions on Applied Perception ; https://hal.sorbonne-universite.fr/hal-01672241 ; ACM Transactions on Applied Perception, Association for Computing Machinery, 2016, 14 (2), pp.1 - 19. ⟨10.1145/2990501⟩ (2016)
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Target Acquisition vs. Expressive Motion: Dynamic Pitch Warping for Intonation Correction
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In: ISSN: 1073-0516 ; EISSN: 1557-7325 ; ACM Transactions on Computer-Human Interaction ; https://hal.sorbonne-universite.fr/hal-01672238 ; ACM Transactions on Computer-Human Interaction, Association for Computing Machinery, 2016, 23 (3), pp.17. ⟨10.1145/2897513⟩ (2016)
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