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Prosodic Boundary Prediction Model for Vietnamese Text-To-Speech
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In: Proc. Interspeech 2021 ; Interspeech 2021 ; https://hal.archives-ouvertes.fr/hal-03329116 ; Interspeech 2021, Aug 2021, Brno, Czech Republic. pp.3885-3889, ⟨10.21437/interspeech.2021-125⟩ (2021)
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Prosodic Disambiguation Using Chironomic Stylization of Intonation with Native and Non-Native Speakers
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In: Proceedings Interspeech 2021 ; Interspeech 2021 ; https://hal.archives-ouvertes.fr/hal-03329111 ; Interspeech 2021, Aug 2021, Brno (virtual), Czech Republic. pp.516-520, ⟨10.21437/Interspeech.2021-182⟩ (2021)
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Perceptual equivalence of the Liljencrants-Fant and linear-filter glottal flow models
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In: ISSN: 0001-4966 ; EISSN: 1520-8524 ; Journal of the Acoustical Society of America ; https://hal.archives-ouvertes.fr/hal-03322875 ; Journal of the Acoustical Society of America, Acoustical Society of America, 2021, 150 (2), pp.1273-1285. ⟨10.1121/10.0005879⟩ ; https://doi.org/10.1121/10.0005879 (2021)
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| 4 |
Voks: Digital instruments for chironomic control of voice samples
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In: ISSN: 0167-6393 ; EISSN: 1872-7182 ; Speech Communication ; https://hal.archives-ouvertes.fr/hal-03009712 ; Speech Communication, Elsevier : North-Holland, 2020, 125, pp.97 - 113. ⟨10.1016/j.specom.2020.10.002⟩ (2020)
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Les instruments chanteurs
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In: ISSN: 1263-8072 ; Acoustique et Techniques : trimestriel d'information des professionnels de l'acoustique ; https://hal.archives-ouvertes.fr/hal-02025861 ; Acoustique et Techniques : trimestriel d'information des professionnels de l'acoustique, Neuilly-sur-Seine : Centre d'information et de documentation sur le bruit, 2019, 89, pp.36-43 (2019)
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T-Voks: the Singing and Speaking Theremin
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In: NIME 2019 International Conference on New Interfaces for Musical Expression ; https://hal.archives-ouvertes.fr/hal-02197063 ; NIME 2019 International Conference on New Interfaces for Musical Expression, UFRGS, Jun 2019, Porto Alegre, Brazil. pp.110-115 ; http://www.nime.org/proceedings/2019/nime2019_022.pdf (2019)
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| 10 |
Paradigmatic variation of vowels in expressive speech: Acoustic description and dimensional analysis
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In: ISSN: 0001-4966 ; EISSN: 1520-8524 ; Journal of the Acoustical Society of America ; https://hal.archives-ouvertes.fr/hal-01914497 ; Journal of the Acoustical Society of America, Acoustical Society of America, 2018, 143, pp.109-122. ⟨10.1121/1.5018433⟩ (2018)
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| 11 |
Jouer avec les doubles artificiels de la voix: Cantor digitalis et Vokinesis.Conférence-concert
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In: La voix à double tranchant ; https://hal.archives-ouvertes.fr/hal-02009009 ; La voix à double tranchant, Solipsy, pp.185-203, 2018, Voix et psychanalyse 2017, 978-2-84932-106-5 (2018)
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| 12 |
Le contrôle des instruments chanteurs
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In: Congrès Français d’Acoustique, CFA 2018 ; https://hal.archives-ouvertes.fr/hal-02008980 ; Congrès Français d’Acoustique, CFA 2018, Apr 2018, Le Havre, France. pp.1249-1255 (2018)
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| 14 |
Adjusting the Frame: Biphasic Performative Control of Speech Rhythm
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In: Proceedings of Interspeech 2017 ; https://hal.sorbonne-universite.fr/hal-01672232 ; Proceedings of Interspeech 2017, Aug 2017, Stockholm, Sweden. pp.864-868 (2017)
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| 15 |
Vokinesis: Syllabic Control Points For Performative Singing Synthesis ...
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| 16 |
Vokinesis: Syllabic Control Points For Performative Singing Synthesis ...
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Abstract:
Performative control of voice is the process of real-time speech synthesis or modification by the means of hands or feet gestures. Vokinesis, a system for real-time rhythm and pitch modification and control of singing is presented. Pitch and vocal effort are controlled by a stylus on a graphic tablet. The concept of Syllabic Control Points (SCP) is introduced for timing and rhythm control. A chain of phonetic syllables have two types of temporal phases : the steady phases, which correspond to the vocalic nuclei, and the transient phases, which correspond to the attacks and/or codas. Thus, syllabic rhythm control methods need transient and steady phases control points, corresponding to the ancient concept of the arsis and thesis is prosodic theory. SCP allow for accurate control of articulation, using hand or feet. In the \emph{Tap mode}, SCP are triggered by pressing and releasing a control button. In the \emph{Fader mode}, continuous variation of the SCP sequencing rate is controlled with expression pedals. ...
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URL: https://zenodo.org/record/1176219
https://dx.doi.org/10.5281/zenodo.1176219
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| 17 |
Vocal effort modification for singing synthesis
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In: INTERSPEECH 2016 ; Annual Conference of the International Speech Communication Association (INTERSPEECH 2016) ; https://hal.archives-ouvertes.fr/hal-01712564 ; Annual Conference of the International Speech Communication Association (INTERSPEECH 2016), Sep 2016, San Francisco, United States. pp.1235-1239, ⟨10.21437/Interspeech.2016-1096⟩ (2016)
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| 18 |
Emergence de la vocalité : la glossolalie et le musical
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In: colloque L’émergence en musique : dialogue des sciences ; https://hal.archives-ouvertes.fr/hal-01712656 ; colloque L’émergence en musique : dialogue des sciences, 2016, Université de Versailles Saint Quentin, France (2016)
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| 19 |
Seeing, listening, drawing: interferences between sensorimotor modalities in the use of a tablet musical interface
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In: ISSN: 1544-3558 ; ACM Transactions on Applied Perception ; https://hal.sorbonne-universite.fr/hal-01672241 ; ACM Transactions on Applied Perception, Association for Computing Machinery, 2016, 14 (2), pp.1 - 19. ⟨10.1145/2990501⟩ (2016)
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| 20 |
Target Acquisition vs. Expressive Motion: Dynamic Pitch Warping for Intonation Correction
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In: ISSN: 1073-0516 ; EISSN: 1557-7325 ; ACM Transactions on Computer-Human Interaction ; https://hal.sorbonne-universite.fr/hal-01672238 ; ACM Transactions on Computer-Human Interaction, Association for Computing Machinery, 2016, 23 (3), pp.17. ⟨10.1145/2897513⟩ (2016)
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