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Listening to Apollinaire’s Calligrammes ; À l’écoute des Calligrammes d’Apollinaire
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In: Revue d’Histoire littéraire de la France ; https://hal.archives-ouvertes.fr/hal-03192039 ; Revue d’Histoire littéraire de la France, Classiques Garnier, 2021, Revue d’histoire littéraire de la France 1 – 2021, 121e année - n° 1, 1 – 2021 (121e année - n° 1), pp.35-46. ⟨10.15122/isbn.978-2-406-11333-1.p.0035⟩ ; https://classiques-garnier.com/revue-d-histoire-litteraire-de-la-france-1-2021-121e-annee-n-1-varia-a-l-ecoute-des-calligrammes-d-apollinaire.html (2021)
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Apollinaire and Italian, or the vertigo of metamorphosis ; Apollinaire et l’italien, ou le vertige de la métamorphose
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In: Revue d’Histoire littéraire de la France ; https://hal.archives-ouvertes.fr/hal-03192146 ; Revue d’Histoire littéraire de la France, Classiques Garnier, 2021, Revue d’histoire littéraire de la France 1 – 2021, 121e année - n° 1, 1 – 2021 (121e année - n° 1), pp.91-103. ⟨10.15122/isbn.978-2-406-11333-1.p.0091⟩ ; https://classiques-garnier.com/revue-d-histoire-litteraire-de-la-france-1-2021-121e-annee-n-1-varia-apollinaire-et-l-italien-ou-le-vertige-de-la-metamorphose.html (2021)
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Apollinaire et l’italien, ou le vertige de la métamorphose ...
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Du verbe instrumental dans la musique subsaharienne
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In: Anakesa Kululuka, Apollinaire. Du verbe instrumental dans la musique subsaharienne. En: Itamar, revista de investigación musical: territorios para el arte, 7 2021: 145-164 (2021)
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Abstract:
Sub-Saharan music results from the spoken language/instrumental language relation, directed by an oral culture. In this culture, these languages transmit ? beyond their singularities ? messages thanks to either a coded signal known by the linguistic community or previously defined among a group of individuals, or is used as a true meta-language copied on the articulated and usual language used every day. Here, an instrumental musical speech can then imitate and reproduce the tonal inflexions of the language to make its matter understandable. This fact is the natural result of a strong interaction and interrelation between the spoken language and the music as well as the conception that the Africans of South Sahara have of it. This concept underlying the very tight link between the musical fact and the Word, the musical act then carries a communicative importance equal to the one in a spoken language. What concept rules such a language? What treatment is language subjected to in the affectation of its components in the musical discourse of to the instrumental Word and vice versa? What are the technical, contextual and expressive parameters that underlie, determine and contribute to the distinctive goals of the speech? These are some of the major questions to which I the author try to bring elements of answers to clear up this subject.
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Keyword:
2386-8260 13268 Itamar; an instrumental musical speech can then imitate and reproduce the tonal inflexions of the language to make its matter understandable. This fact is the natural result of a strong interaction and interrelation between the spoken language and the music as well as the conception that the Africans of South Sahara have of it. This concept underlying the very tight link between the musical fact and the Word; Apollinaire Sub-Saharan music results from the spoken language/instrumental language relation; contextual and expressive parameters that underlie; determine and contribute to the distinctive goals of the speech? These are some of the major questions to which I the author try to bring elements of answers to clear up this subject. 145 164; directed by an oral culture. In this culture; or is used as a true meta-language copied on the articulated and usual language used every day. Here; revista de investigación musical: territorios para el arte 590908 2021 7 8182063 Du verbe instrumental dans la musique subsaharienne Anakesa Kululuka; the musical act then carries a communicative importance equal to the one in a spoken language. What concept rules such a language? What treatment is language subjected to in the affectation of its components in the musical discourse of to the instrumental Word and vice versa? What are the technical; these languages transmit ? beyond their singularities ? messages thanks to either a coded signal known by the linguistic community or previously defined among a group of individuals; UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRAS
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URL: https://hdl.handle.net/10550/81168
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| 7 |
Kopf oder Schrift - drei "papiers collés" Picassos im Grenzgebiet von Malerei und Lyrik
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| 8 |
Ponctuation
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In: Dictionnaire Apollinaire, sous la direction de Daniel Delbreil ; https://halshs.archives-ouvertes.fr/halshs-02161703 ; Dictionnaire Apollinaire, sous la direction de Daniel Delbreil, Honoré Champion, p. 843-846, 2019 (2019)
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| 9 |
Français (langue française)
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In: Dictionnaire Apollinaire, sous la direction de Daniel Delbreil ; https://halshs.archives-ouvertes.fr/halshs-02161697 ; Dictionnaire Apollinaire, sous la direction de Daniel Delbreil, Honoré Champion, p. 391-396, 2019 (2019)
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| 10 |
Quand le texte fait silence (à propos d'Alcools et du Bestiaire) : Théorie générale de la symétrie du texte poétique ; : Théorie générale de la symétrie du texte poétique
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In: Journée Apollinaire ; https://hal.archives-ouvertes.fr/hal-02592730 ; Journée Apollinaire, Daniel Delbreil, Nov 2019, Paris, France (2019)
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| 11 |
Langues
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In: Dictionnaire Apollinaire, sous la direction de Daniel Delbreil ; https://halshs.archives-ouvertes.fr/halshs-02161698 ; Dictionnaire Apollinaire, sous la direction de Daniel Delbreil, Honoré Champion, p. 567-572, 2019 (2019)
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| 12 |
Ironie
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In: Dictionnaire Apollinaire, sous la direction de Daniel Delbreil ; https://halshs.archives-ouvertes.fr/halshs-02161696 ; Dictionnaire Apollinaire, sous la direction de Daniel Delbreil, Honoré Champion, p. 493-496, 2019 (2019)
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| 13 |
Langues artificielles
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In: Dictionnaire Apollinaire, sous la direction de Daniel Delbreil ; https://halshs.archives-ouvertes.fr/halshs-02161699 ; Dictionnaire Apollinaire, sous la direction de Daniel Delbreil, Honoré Champion, p. 572-574, 2019 (2019)
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| 14 |
Image
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In: Dictionnaire Apollinaire, sous la direction de Daniel Delbreil ; https://halshs.archives-ouvertes.fr/halshs-02161695 ; Dictionnaire Apollinaire, sous la direction de Daniel Delbreil, Honoré Champion, p. 467-473, 2019 (2019)
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| 15 |
Women and Pleasure in Guillaume Apollinaire’s Calligram Collection Poèmes à Lou
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In: K@ta: A Biannual Publication on the Study of Language and Literature, Vol 20, Iss 2, Pp 60-67 (2019) (2019)
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| 16 |
Apollinaire soldat, ou l’Aventure. Variations génériques et discursives
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In: Writing the Great War / Comment écrire la Grande Guerre ? Francophone and Anglophone Poetics / Poétiques francophones et anglophones ; https://halshs.archives-ouvertes.fr/halshs-01995694 ; Nicolas Bianchi et Toby Garfitt (eds). Writing the Great War / Comment écrire la Grande Guerre ? Francophone and Anglophone Poetics / Poétiques francophones et anglophones, Peter Lang, p. 101-120, 2017, 978-1-78707-198-8 (2017)
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| 17 |
Poésie et argumentativité. Sur les métaphores guerrières d’Apollinaire
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In: Métaphore et argumentation ; https://halshs.archives-ouvertes.fr/halshs-01997411 ; M. Bonhomme, A. M. Paillet et P. Wahl (dir.). Métaphore et argumentation, Éditions Academia-L’Harmattan, p. 279-301, 2017 (2017)
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| 18 |
Sur deux lettres d’Apollinaire à Lou : remarques lexicographiques
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In: FRACAS ; https://halshs.archives-ouvertes.fr/halshs-01356267 ; FRACAS, Groupe de recherche sur la langue et la littérature françaises du centre et d'ailleurs (Tokyo), 2016, 42, pp.1-9 (2016)
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| 19 |
Les oranges de Baratier : devenir poétique
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In: Apollinaire méditerranéen ; https://halshs.archives-ouvertes.fr/halshs-01997409 ; Claude Debon (dir.). Apollinaire méditerranéen, Éditions Calliopées, p. 81-98, 2016 (2016)
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| 20 |
Sur la versification d'Apollinaire dans Alcools ; Sur la versification d'Apollinaire dans Alcools : À propos de Zone, Le Pont-Mirabeau, Palais, Rosemonde
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In: https://halshs.archives-ouvertes.fr/halshs-01370326 ; 2016 (2016)
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