| 1 |
Muster von "you" und "thou" - Modellierung der Anrede im englischen Sonett ...
|
|
|
|
BASE
|
|
Show details
|
|
|
| 2 |
Muster von "you" und "thou" - Modellierung der Anrede im englischen Sonett ...
|
|
|
|
BASE
|
|
Show details
|
|
|
| 6 |
“For you have given me speech!”—Gifted Ethnographers, Illiterate Primitives, and Media Epistemologies in the Poetry and Plurimedial Writing of Margaret Mead ...
|
|
|
|
BASE
|
|
Show details
|
|
|
| 8 |
“For you have given me speech!”—Gifted Ethnographers, Illiterate Primitives, and Media Epistemologies in the Poetry and Plurimedial Writing of Margaret Mead
|
|
|
|
BASE
|
|
Show details
|
|
|
| 9 |
Sonic Others in Early Sound Studies and the Poetry of Edward Sapir: A Salvage Operation
|
|
|
|
Abstract:
Characteristically, early research in soundscapes is suffused with a sense of sonophilia; that is, a fascination with auditory perception and sound as the inferiorized Other of sight. Soundscape scholars have thus often conceived of their work as a salvage operation, which is conducted to save what would otherwise be irretrievably lost to a visual regime. This moral impetus to redeem the “sonic Other” is at the center of this article, in which I investigate how notions of sonic alterity interweave with treatments of social and cultural alterity. To explore and interrogate the nexus of social, cultural, and sonic alterity for its political and ethical ramifications, I analyze the acoustics of the poetry of Edward Sapir. Sapir played a key role in the formation of cultural anthropology and the early development of linguistic anthropology. What is far less known is that he is also the author of over six hundred poems, some of which were published in such renowned magazines as Poetry and The Dial. Focusing on the poems “To a Street Violinist” and “Harvest,” I probe the dynamics of an anthropo-literary project that sets out to salvage both non-visual sense perceptions and other-than-modern, Western ways of life.
|
|
Keyword:
18.06 - Angloamerikanische Literatur; Anthropologie; ddc:810; Edward Sapir; Lyrik; Sound Studies
|
|
URL: https://doi.org/10.48693/83
https://osnadocs.ub.uni-osnabrueck.de/handle/ds-202203316518
|
|
BASE
|
|
Hide details
|
|
|
| 11 |
A gap in(to) the dictionary ... : the in-between lyric of Tawada Yoko ...
|
|
|
|
BASE
|
|
Show details
|
|
|
| 12 |
Weaving patterns : the function of form in creative German-English poetry translation
|
|
|
|
BASE
|
|
Show details
|
|
|
| 14 |
Kopf oder Schrift - drei "papiers collés" Picassos im Grenzgebiet von Malerei und Lyrik
|
|
|
|
BASE
|
|
Show details
|
|
|
| 15 |
Black Costa Rica. Pluricentrical Belonging in Afra-Costa Rican Poetry ; Black Costa Rica: Plurizentrische Zugehörigkeit in der weiblichen Afro-costa-ricanischen Poesie
|
|
|
|
BASE
|
|
Show details
|
|
|
| 18 |
Inszenierte Lyrik im fächerübergreifenden Fremdsprachenunterricht
|
|
|
|
BASE
|
|
Show details
|
|
|
|
|
