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Theater and Peacebuilding in Post-Conflict Settings: Participants’ Experiences in the Morning Star Theater Program in South Sudan
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In: Antioch University Full-Text Dissertations & Theses (2022)
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Vedantic Basis and Praxis of the Integral Advaita of Sri Aurobindo
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In: Monsoon: South Asian Studies Association Journal (2022)
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Tusha Hiti: The Origin and Significance of the Name
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In: Monsoon: South Asian Studies Association Journal (2022)
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Diversity, Equity, and Inclusion: Perspectives from Contemporary India and 6th Century Jain Yoga
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In: Monsoon: South Asian Studies Association Journal (2022)
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Ganges in Indian Sculpture and Literature: Mythology and Personification
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In: Monsoon: South Asian Studies Association Journal (2022)
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6 |
Digital and Spatial Humanities Mapping: Eurasia-Pacific Early Trade and Belief Linkages
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In: Monsoon: South Asian Studies Association Journal (2022)
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7 |
UNO at Edinburgh: Devised Physical Theatre in Cross-Cultural Contexts
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In: Student Research and Creative Activity Fair (2020)
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8 |
Cinematic Representation of Ethnic Minorities in PRC and Postcolonialism
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In: CLCWeb: Comparative Literature and Culture (2020)
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9 |
Why I Write in Yiddish
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In: CLCWeb: Comparative Literature and Culture (2020)
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Poetry in Response to the “Disengagement Plan”: Identity, Poetics and Politics
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In: CLCWeb: Comparative Literature and Culture (2020)
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Readymade or Made [to be] Ready, Replicant or Surplus: Social Reproduction and the Biopolitics of Abstraction Prefigured in Contemporary Art
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In: CLCWeb: Comparative Literature and Culture (2020)
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12 |
Kofifi/Covfefe: How the Costumes of "Sophiatown" Bring 1950s South Africa to Western Massachusetts in 2020
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In: Masters Theses (2020)
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13 |
Moon Over Buffalo Playbill
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In: Playbill and Promotion (2019)
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14 |
The Performance of Racialized Bodies and Brecht’s Operatic Anthropology
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In: World Languages and Cultures Publications (2019)
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Abstract:
Taxonomic tropes and themes, particularly gender and class, but also race, function together in Brecht’s plays to create overdetermined characterizations. Parallel to these characterizations, he developed a multilayered theory of performance that emphasizes how those who enact text should approach the representation of diverse human types and groups. His encounter with Chinese acting established foundational elements in this theory. In parallel to his theoretical thinking about performance and race in the mid-1930s, Brecht was developing his stance toward operatic representation. While these two conceptual spheres, race and opera, might appear far apart in their content, they parallel each other closely in their theoretical stakes. The work of Joy Calico reveals that the way the voice becomes fungible through operatic performance both repelled and fascinated Brecht, such that this voice-object of opera accompanied his work as a kind of dialectical foil throughout his career. When read through the lens of race, this insight can be extended to reveal how the acting body itself becomes a fungible object, one that Brecht’s theories of estrangement and gestus strive, however inadequately, to make aesthetically and politically productive.
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Keyword:
and Cultures; and Sexuality Studies; Chinese Studies; Ethnicity and Post-Colonial Studies; Feminist; Gender; Music Theory; Other Arts and Humanities; Other Languages; Race; Societies; Sociology of Culture; Theatre and Performance Studies
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URL: https://lib.dr.iastate.edu/language_pubs/196 https://lib.dr.iastate.edu/cgi/viewcontent.cgi?article=1196&context=language_pubs
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15 |
The lighting programmer as creative collaborator
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In: Behind the Scenes: Journal of Theatre Production Practice (2019)
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16 |
On Editing Jacinto Cordeiro's Los doce de Ingalaterra
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In: South East Coastal Conference on Languages & Literatures (SECCLL) (2019)
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17 |
Constructed Languages and Their Role in Drama
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In: Honors Theses and Capstones (2019)
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18 |
Pura Belpré’s Puppetry at the NYPL Children’s Rooms: 1921-1982
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In: Living Objects: African American Puppetry Essays (2019)
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19 |
Subjectivity, Institutions and Language in Contemporary Israeli Film
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In: CLCWeb: Comparative Literature and Culture (2019)
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20 |
Mimicry: A Short Play
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In: Journal of Southeast Asian American Education and Advancement (2019)
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