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Advancing multimodal and critical discourse studies : interdisciplinary research inspired by Theo van Leeuwen's social semiotics
Zhao, Sumin (Herausgeber); Leeuwen, Theo van (Gefeierter); Djonov, Emilia (Herausgeber). - London : Routledge, 2018
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UB Frankfurt Linguistik
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2
Semiotic technology and practice: a multimodal social semiotic approach to PowerPoint
In: Text & talk. - Berlin [u.a.] : Mouton de Gruyter 34 (2014) 3, 349-375
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OLC Linguistik
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3
The discourse reader
Baker, Paul; Hutchby, Ian; Malinowski, Bronislaw. - London [u.a.] : Routledge, 2014
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UB Frankfurt Linguistik
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4
The representation of actors
In: The discourse studies reader (Amsterdam, 2014), p. 272-281
MPI für Psycholinguistik
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5
About images and multimodality : a personal account
In: Interactions, images and texts (Berlin, 2014), p. 19-24
MPI für Psycholinguistik
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6
Teddy bear stories
In: Methodologies (Los Angeles, 2013), p. 35-60
MPI für Psycholinguistik
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7
Representing social actors
In: Concepts, history, theory (Los Angeles, 2013), p. 291-326
MPI für Psycholinguistik
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8
Legitimation in discourse and communication
In: Concepts, history, theory (Los Angeles, 2013), p. 327-350
MPI für Psycholinguistik
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9
The critical analysis of musical discourse
In: Critical discourse studies. - Basingstoke : Routledge 9 (2012) 4, 319-328
BLLDB
OLC Linguistik
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10
The language of colour : an introduction
Leeuwen, Theo van. - Abingdon [u.a.] : Routledge, 2011
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UB Frankfurt Linguistik
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11
The Goldberg Variations I: assessing the academic quality of multidimensional linear texts and their re-emergence in multimedia publications
In: Discourse & communication. - Los Angeles [u.a.] : Sage 4 (2010) 4, 361-378
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OLC Linguistik
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12
Graffiti as deictic practice : the poetics of engagement, appropriation and intervention in Sydney's inner suburbs
Edwards-Vandenhoek, Samantha (R15042). - : Broadway, N.S.W., University of Technology, Sydney, 2010
Abstract: This paper outlines a conceptual framework that was developed to negotiate and interpret the differentiated traces of illicit graffiti practices. It is a key component in a larger body of research which attempts to frame and decipher tensions and dialogues in the visual landscape of the graffiti writer and urban artist, and gain insights into the relationship between place and practice. It is a model that is responsive to variation in communication, representation and practice, and aims to contribute to a multimodal way of analysing cultural practices. This paper draws on data and readings from my own visual, reflexive and empirical encounters with a range of interior, exterior and subterranean graffiti sites. Drawing from linguist Karl Bühler’s (1990) ‘organon’ model of language, this framework underscores and nuances the symbolic value of communication with Bühler’s situated ‘I here now’ concept of the deictic field. It further draws on Hanks (2005) studies in the field of social deixis and emphasis on the embeddedness of socio-cultural phenomena. Moreover, it extends on Chmielewska’s (2007) application of Bühler’s theory to realise a ‘topo-sensitive’ analysis of signature graffiti messages in-situ. Chmielewska’s multimodal approach allows for a broader communication model, one that accommodates differences in linguistic, discursive, expressive, iconographic and figurative modes of graffiti practice. This model embraces the complex nature of graffiti practice in which, it is argued, there is an ‘aesthetic’ and a ‘grammar’. It rests on the assumption that the materiality of practice is a situated experience; where meanings and identities are constructed and embedded in context. Framing graffiti as inscription and re-inscription implicates the interconnectedness of the material surface (as palimpsest) and visual culture. As such, it also connects the practice to a temporality, materiality and interiority that precedes and intertwines with the conceptual, ideological and corporeal space a graffitist is performing in and drawing on.
Keyword: 200104 - Media Studies; 950205 - Visual Communication
URL: http://www.fass.uts.edu.au/research/conferences/multimodality/
http://handle.uws.edu.au:8081/1959.7/531925
BASE
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13
The language of new media design : theory and practice
Leeuwen, Theo van; Martinec, Radan. - 1. publ. - London [u.a.] : Routledge, 2009
IDS Mannheim
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14
In memorium - Ron Scollon (1939 - 2009)
In: Discourse & communication. - Los Angeles [u.a.] : Sage 3 (2009) 2, 229-230
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OLC Linguistik
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15
The language of new media design : theory and practice
Martinec, Radan; Leeuwen, Theo van. - London [u.a.] : Routledge, 2009
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16
Critical discourse analysis
In: Discourse, of course (Amsterdam, 2009), p. 277-292
MPI für Psycholinguistik
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17
Discourse and technology
In: Journal of applied linguistics. - Biggleswade : Equinox 6 (2009) 3, 379-392
BLLDB
OLC Linguistik
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18
Toys as discourse: children's war toys and the war on terror
In: Critical discourse studies. - Basingstoke : Routledge 6 (2009) 1, 51-63
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OLC Linguistik
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19
Discourses of identity
In: Language teaching. - Cambridge [u.a.] : Cambridge Univ. Press 42 (2009) 2, 212-221
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20
Two-month-old infants at risk for dyslexia do not discriminate /bAk/ from /dAk/: a brain-mapping study
In: Journal of neurolinguistics. - Orlando, Fla. : Elsevier 21 (2008) 4, 333-348
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