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1
Être femme et philologue il y a cent ans: Maria Johanna Minckwitz écrit à Gaston Paris et à Paul Meyer
In: Bähler, Ursula (2018). Être femme et philologue il y a cent ans: Maria Johanna Minckwitz écrit à Gaston Paris et à Paul Meyer. In: Asholt, Wolfgang; Bähler, Ursula; Hurch, Bernhard; Krauss, Henning; Nonnenmacher, Kai. Engagement und Diversität: Frank-Rutger Hausmann zum 75. Geburtstag. München: University of Regensburg, 47-98. (2018)
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2
Gender from Latin to Romance : history, geography, typology
Loporcaro, Michele. - New York, NY : Oxford Univ. Press, 2017
Leibniz-Zentrum Allgemeine Sprachwissenschaft
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3
Composti V+N e genere grammaticale in rumeno
In: Loporcaro, Michele (2017). Composti V+N e genere grammaticale in rumeno. In: D'Alessandro, Roberta; Iannàccaro, Gabriele; Passino, Diana; Thornton, Anna M. Di tutti i colori: Studi linguistici per Maria Grossmann. Utrecht: Utrecht University Repository, 197-202. (2017)
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4
Problèmes théoriques (et pratiques) posés par la reconstruction du genre neutre en protoroman
In: Dictionnaire Étymologique Roman (DÉRom) 2. Pratique lexicographique et réflexions théoriques ; https://halshs.archives-ouvertes.fr/halshs-01421348 ; Éva Buchi; Wolfgang Schweickard. Dictionnaire Étymologique Roman (DÉRom) 2. Pratique lexicographique et réflexions théoriques, 402, De Gruyter, pp.67-78, 2016, Beihefte zur Zeitschrift für romanische Philologie, 978-3-11-045026-2 ; https://www.degruyter.com/ (2016)
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5
Teoria de la mente y sociedad en la narrativa policiaca de Lorenzo Silva y Francisco Garcia Pavon: Estereotipos, roles de genero y minorias
In: Open Access Dissertations (2016)
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6
The third gender of Old Italian
In: Loporcaro, Michele; Faraoni, Vincenzo; Gardani, Francesco (2014). The third gender of Old Italian. Diachronica, 31(1):1-22. (2014)
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7
El gènere en les llengües romàniques: quan el gènere expressa el nombre i el femení és neutre = Gender in Romance: When Gender Expresses Number and the Feminine is Neuter
Lamuela, Xavier. - : Publicacions de l'Abadia de Montserrat, 2013
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8
El gènere en les llengües romàniques: quan el gènere expressa el nombre i el femení és neutre = Gender in Romance: When Gender Expresses Number and the Feminine is Neuter
Lamuela, Xavier. - : Publicacions de l'Abadia de Montserrat, 2013
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9
El gènere en les llengües romàniques: quan el gènere expressa el nombre i el femení és neutre = Gender in Romance: When Gender Expresses Number and the Feminine is Neuter
In: © Caplletra: revista internacional de filologia, 2013, vol. 54, p. 179-212 ; Articles publicats (D-FLC) (2013)
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10
Didattica della sessualità e del genere tra Svizzera, Gran Bretagna, e Italia
In: Giorgio, Adalgisa; Chemello, Adriana; Crivelli, Tatiana; Wood, Sharon (2010). Didattica della sessualità e del genere tra Svizzera, Gran Bretagna, e Italia. Italian Studies, 65(2):251-262. (2010)
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11
Variacion Pragmatica del Espanol de los Cubanos y Cubanoamericanos en Miami
Gutierrez-Rivas, Carolina. - : University of Florida, 2007. : University of Florida ( [Gainesville, Fla.] ), 2007
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12
Variacion Pragmatica del Espanol de los Cubanos y Cubanoamericanos en Miami
Gutierrez-Rivas, Carolina. - : University of Florida, 2007. : University of Florida ( [Gainesville, Fla.] ), 2007
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13
Gender in the romance languages: an evolutionary approach
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14
Su alcune presunte anomalie della morfologia valutativa : il rapporto con il genere ed il numero
In: Archivio glottologico italiano. - Firenze : Le Monnier 86 (2001) 1, 25-56
BLLDB
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15
Personalpronomina für Sachen : ein Beitrag zur romanischen Syntax und Textlinguistik
Thun, Harald. - Tübingen : Narr, 1986
MPI-SHH Linguistik
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16
Revitalizing Youth in the Body Politics of Contemporary Spanish Culture.
Abstract: This dissertation establishes an immunizing model for conceptualizing modern Spanish masculinity through an analysis of texts by fascist theorists Ernesto Giménez Caballero, Juan Antonio Vallejo-Nágera, and cinema by José Luis Sáenz de Heredia. It then proceeds to expose how film and literature by the “children of Franco” challenges such hegemonic models of masculinity through readings of the films La caza, by Carlos Saura, La mala educación by Pedro Almodóvar, and Pa negre by Agustí Villaronga. The novel Señas de identidad and autobiography Coto vedado by Juan Goytisolo participate in this project of resistence from the realm of literature. I then demonstrate the legacy of the imposition of Francoist masculinity found in the current political period in Spain in films and a novel dealing with drugs and youth in the Transition, and films concerning the health of the body during the HIV/AIDS pandemic. Eloy de la Iglesia’s El Pico, José Angel Mañas’s Las historias del Kronen, and Pedro Almodóvar’s Todo sobre mi madre betray such continuities between old fascist and contemporary paradigms for conceptualizing the body. This immunizing model of heroic imperial masculinity haunts Spanish culture in representations of the young male. The fascist victory of the Spanish Civil War brought with it cultural, educational, and medical apparatuses of biopolitical control. Such machineries were designed to “cure” the nation of leftist political ideologies, effeminacy, and the decline of the imperial race. For the regime, the greatest promise of a robust future for Spain resided in its youth. And, so, they became a primary target of its disciplining mechanisms. This revitalizing mandate on youth of some seventy years ago still reverberates in new cultural production today. Traces of its contours are evident in depictions of the tumultuous development of the intellectual commitments, sexuality, and bodily health of the young from the Franco period to the Transition. I call the traces of this phenomenon evidence of a bad education, and it has marked narratives of growing-up as a boy in Spain since its authoritarian institutionalization. ; PhD ; Romance Languages & Literatures: Spanish ; University of Michigan, Horace H. Rackham School of Graduate Studies ; http://deepblue.lib.umich.edu/bitstream/2027.42/99897/1/aaronbo_1.pdf
Keyword: Carlos Saura; Fascism; Gay/Lesbian/Bisexual/Transgender Studies; Humanities; Juan Goytisolo; Masculinity; Pedro Almodovar; Romance Languages and Literature; Screen Arts and Cultures; Spain; West European Studies; Women's and Gender Studies
URL: https://hdl.handle.net/2027.42/99897
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